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Some Like It HardReview | Sound On Sound, Jul 1992Akai S1100 Version 2.0As if by magic, your S1100 can become a hard disk recorder, courtesy of Akai's latest upgrade. David Mellor leads his favourite sampler along the upgrade path. | |||
Akai S1100EXReview | Sound On Sound, Sep 1992S1100 Expansion UnitIf a single S1100 isn't enough for you, Akai's S11OOEX offers an easy way to expand your sampling power. David Mellor meets an ideal partner for his main studio sampler. | |||
Akai S1100Review | Music Technology, May 1991Digital Stereo SamplerHaving set the music industry standard in sampling with their S1000, Akai are now taking moving pictures into their stride. Simon Trask gets frame-accurate on the S1100. | |||
Akai S1100Review | Sound On Sound, Dec 199016-Bit Stereo SamplerAkai's S1000 is without doubt the industry standard professional sampler, so why try and improve on the best? Paul Wiffen finds that SMPTE cue listing, AES/EBU real-time output, and built-in effects are a good start (with hard disk recording to follow). | |||
Small Is BeautifulReview | Sound On Sound, Nov 1991New DAC 128MB Optical and CD-ROM Drives128 MB on a 3.5" Disk? Mike Collins investigates. | |||
Oliver's armyGroup: Mixing It! | |||
Toys R UsInterview | Music Technology, Aug 1993The techno punk duo on U2, sampling theft, virtual reality, CDI, and getting the machines to rock. | |||
The Digital MazeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Sep 1992MT shows you the best way out | |||
Shipwrecked!Feature | Music Technology, Aug 1991If you were stranded on a desert island with only a solitary keyboard to occupy your time, what would be the instrument of your choice? The professionals make theirs in this anniversary feature. | |||
RusslingsOpinion | Sound On Sound, Feb 1992Why 16-bit/44.1 kHz sampling doesn't necessarily equal CD audio quality. | |||
A Room Of My Own: SwitzerlandInterview | Sound On Sound, Mar 1993 | |||
Rack & RollInterview | Music Technology, Dec 1993One band's mission to save rock and roll - with technology. On the spot: Phil Ward | |||
The Desktop RemixGroup: In SessionTracking the progress of a DIY mix that went official | |||
Handsworth RevolutionGroup: Mixing it! | |||
Shape of Things to ComeNews | Sound On Sound, Jun 1990Another glimpse of forthcoming products from the hi-tech music and recording worlds. | |||
In The Studio With Soul II SoulInterview | Sound On Sound, Apr 1992As Soul II Soul return this month with a third album, Paul Ireson reports from their private studio on the writing and recording of more club classics. | |||
Roland S750 SamplerReview | Music Technology, Dec 1991Stereo Digital SamplerIf Roland's S770 super sampler presented too high a target for many of us, the S750 may be the news we've been waiting for. Simon Trask investigates the challenger to the Akai S1000 crown. | |||
Curve dare!Group: Mixing It! | |||
Hands On: Emu Systems ProteusFeature | Sound On Sound, Nov 1992 | |||
The Lone RaverInterview | Music Technology, May 1992The drug culture of the rave scene continues to attract the attention of both the pop charts and the tabloid press. Tim Goodyer talks Ecstasy, agony and technology with one of the genre's heroes. | |||
Just like starting overGroup: Mixing it! | |||
Factory RecordsInterview | Music Technology, Sep 1993Oceanic interviewedMerseyside's pop trio on presets, jingles, Nirvana and 2 Unlimited | |||
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