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Akai S612

Review | In Tune, Oct 1985

Akai S612 MIDI Sampler

Group: Recording World

Feature | International Musician & Recording World, Jun 1985
Studiotest

Akai's foothold on the musical gear market grows with a MIDI sampler package leading the new assault. Curtis Schwartz samples their sampler

Akai S612 Update

Group: Sampling Stories

Review | Electronics & Music Maker, Jan 1986

...while Tim Goodyer checks out the production version of Akai’s contender and cocks an ear in the direction of some factory sound disks.

Akai S612 Sampler

Review | One Two Testing, May 1985

polyphonic sampling for a grand

Snap Shots & Symphonies

Review | Electronic Soundmaker & Computer Music, Jun 1985
Akai S612 MIDI Sampler

Akai's first sampler - with its own 'Quick Disk' facility.

Akai S612

Review | Home & Studio Recording, Jun 1985
Midi Sound Sampler

Sampling The Japanese Way

Review | Sound On Sound, Dec 1985
Akai S612 MIDI Sampler

A reduction in price and the introduction of their Quick Disk make Akai's S612 MIDI Sampler an even more attractive investment. Paul Gilby was suitably impressed.

Akai S612

Review | Electronics & Music Maker, May 1985
Polyphonic MIDI Sound Sampler

A real advance in the field of accessible polyphonic sound sampling. Tim Goodyer finds out if the 612's beauty is more than price-tag-deep.

Total recall - Akai the old

Feature Audio | Topic: Sampling, Vintage Instruments | The Mix, Apr 1995

Akai MD280 Disc Drive

Review | One Two Testing, Oct 1985

containing your samples

Akai the New

Review | Home & Studio Recording, Oct 1985

A fresh look at the production model of the Akai S612 MIDI controlled sound sampler by Steve Howell.

Eat your heart out PPG!

Review | Sound On Sound, Jul 1986
Akai S900 Sampler

Akai's first foray into the sampling market, the S612, was a resounding success. Their new sampling system, aimed more at studios, is considerably more advanced yet still a respectable price. Eventually it will incorporate a multitrack event recorder and harmonic synthesis module, but just released is the first system component - the S900 rack-mount sampler. Mark Jenkins checks it out.

Sampling Expandability

Review | Music Technology, Sep 1987
Akai S900 V2.0 & ASK90 and Steinberg Soundworks

Already a well-established sampler, the Akai S900 is on the receiving end of a series of software and firmware updates from Akai and Steinberg. Chris Jenkins boots them up.

Finger on the Trigger

Review | Home & Studio Recording, Sep 1986

Shredder

News | One Two Testing, Sep 1986

Here is the news

Front of House

Editorial | The Mix, Mar 1995
Welcome to The Mix

Comment

Editorial | Electronics & Music Maker, Mar 1985
Production Samples

To sample or not to sample, that is the question.

Roland S10

Review | International Musician & Recording World, Dec 1986
Samplercheck

Tony Mills samples Roland's first entry into serious user-n..n..nineteen-ing

On Tape

Index Audio | Electronic Soundmaker & Computer Music, Jun 1985

Buzz

News | International Musician & Recording World, Nov 1985

Drums get beaten, synths tinkled and demos hammered in the encapsulated everything section this month

Window On The World

Review | Electronics & Music Maker, Feb 1986
MDB Window Recorder

A specialised sampler for specialised tasks — but will the arrival of cheaper sampling keyboards diminish this rack-mount unit’s appeal? Annabel Scott finds out.

Re:Mix

Index Audio | The Mix, Feb 1995
mixed-mode CD tracklist

The words behind the sounds on this month's CD and CD-ROM

Digidesign SoftSynth Version 2.0

Review | Music Technology, Mar 1987

The program that can turn your sampler into a synthesiser has added an FM synthesis string to its bow, yet doesn't promise to be a DX replacement. Mac addict Chris Meyer takes a look.

Emu Emax HD

Group: News And Reviews

Review | Making Music, Sep 1987
Hard Disc Sampler

standing for Hard Disc, as in rack mounted sampler. This device has so much memory, even Lemmy could remember what band he played for. Alastair Gavin indulges.

Breaking The Mold

Interview | Music Technology, Apr 1989

An Australian composer accepts a brief to provide music for an exhibition of pottery - the catch is that all the sounds should be sampled from the exhibits. Sandra McLean talks to the man who makes pottery sing.

 

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