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This article has no OCR bodytext.Win An Alesis SR16 Drum Machine!

Competition | Sound On Sound, Dec 1990

Alesis SR16

Review | Sound On Sound, Dec 1990
The Dynamic Beatbox

You just can't argue with a drum machine offering 233 16-bit sounds, two stereo outputs, 16-voice polyphony and a mammoth memory all for £299 — unless perhaps you're a busker, as Kendall Wrightson discovers.

Alesis SR16

Review | Music Technology, Feb 1991
Drum Machine

With more machines appearing every month, there's no denying that it's boom-time for the beatbox. Simon Trask rocks to the rhythm of this latest offering from Alesis.

Welcome

Editorial | Sound On Sound, Jun 1991
The Video Age

Boss DR550 MkII & DR660 Drum Machines

Review | Music Technology, Oct 1992
Boss Dr Rhythms

Two new Doctors, but will they make you feel good?

Cheetah MD16

Review | Music Technology, Mar 1991
Drum Machine

Possibly the most requested review in recent years, Cheetah's MD16 drum machine is finally here and ready for inspection. Simon Trask gives it a good beating.

Shape Of Things To Come

News | Sound On Sound, Aug 1990

Our colourful round-up of whats new in hi-tech music and recording.

Oberheim Drummer & Strummer

Review | Sound On Sound, Aug 1991
MIDI Processors

An interactive drum sequencer and a keyboard to guitar chord convertor are the first new products to emerge from revitalised synth pioneers Oberheim Electronics. Kendall Wrightson gets on the case.

Touching Bass

Interview | Music Technology, May 1992

As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label.

Recording Musician

Feature | Topic: Home Studio | Recording Musician, Nov 1992
Garage Studio

RM reader Martin Smith talks about the trials and tribulations of building a serious home studio in his garage.

Soul of the Machine

Interview | Music Technology, Jun 1991

Neatly sidestepping the monotonous beats and cliched melodies that typify too many dance acts, this Swiss-American collaboration are making refreshing music. Simon Trask and Heinrich Zwahlen share a technical obsession.

Mute Mavericks

Interview | Music Technology, Jan 1993

Clint Boon and the Farfisa beat

Dearly Beloved

Interview | Music Technology, Mar 1993

Jon and Helena Marsh in their natural habitat

Psychotronic Landscapes

Interview | Sound On Sound, Jun 1993
Michel Huygen/Neuronium

This Spanish synthesist explains the working methods and motivation behind his psychotronic musical landscapes.

Kawai XD5

Review | Music Technology, May 1991
Digital Percussion Synthesiser

The ability to modify its selection of drum and percussion sounds is the strong suit of this expander from Kawai. Vic Lennard reports on the continuing beatbox boom.

A Certain Ratio

Interview | Sound On Sound, Jan 1993
Into The Nineties

Aliens in the Arcade

Group: In Session

Feature Audio | Topic: Composing for Business, Multimedia / Graphics / Visuals, Video / Film / Picture | The Mix, Jan 1995
Games Feature

Now that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games...

Deep Vibrations

Interview | Music Technology, Aug 1991

Turning their backs on pop notoriety to meet electronic experimentation head on, Sheffield's LFO are taking dance music into new areas. Simon Trask gets a new perspective on nostalgia.

Oberheim Drummer

Review | Music Technology, Sep 1991
Interactive Drum Pattern Sequencer

If your drum patterns sound uninspired it could be because you lack the subtle touch of the human drummer. Simon Trask looks at an electronic aid to drum programming.

Sweet Sixteen

Review | Sound On Sound, Jan 1991
Ensoniq EPS16 Plus Sampling Workstation

Ensoniq have transformed their 13-bit EPS sampling workstation with the addition of dynamically controlled 24-bit digital multi-effects, a much improved 16-track MIDI sequencer and full 16-bit sampling. The result is the EPS16 Plus. But does it pass? Kendall Wrightson invigilates.

The New Statesmen

Interview | Music Technology, Feb 1993

808 State - Absolutely Gorgeous

Art Of The State

Interview | Sound On Sound, Oct 1992

Instrumental music doesn't sell, the UK dance scene is totally bereft of life, and dance bands never produce decent albums. Wrong, wrong, wrong — and 808 State are back with proof. Nigel Humberstone talked to Manchester's finest during the recording of Gorgeous, their third album.

Akai/Linn MPC60 II

Review | Sound On Sound, Nov 1991

Warren Cann looks at the updated version of the MPC60, the most notable result of Roger Linn's collaboration with Akai.

 

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