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Alesis SR16Review | Sound On Sound, Dec 1990The Dynamic BeatboxYou just can't argue with a drum machine offering 233 16-bit sounds, two stereo outputs, 16-voice polyphony and a mammoth memory all for £299 — unless perhaps you're a busker, as Kendall Wrightson discovers. | |||
Alesis SR16Review | Music Technology, Feb 1991Drum MachineWith more machines appearing every month, there's no denying that it's boom-time for the beatbox. Simon Trask rocks to the rhythm of this latest offering from Alesis. | |||
Boss DR550 MkII & DR660 Drum MachinesReview | Music Technology, Oct 1992Boss Dr RhythmsTwo new Doctors, but will they make you feel good? | |||
Cheetah MD16Review | Music Technology, Mar 1991Drum MachinePossibly the most requested review in recent years, Cheetah's MD16 drum machine is finally here and ready for inspection. Simon Trask gives it a good beating. | |||
Shape Of Things To ComeNews | Sound On Sound, Aug 1990Our colourful round-up of whats new in hi-tech music and recording. | |||
Oberheim Drummer & StrummerReview | Sound On Sound, Aug 1991MIDI ProcessorsAn interactive drum sequencer and a keyboard to guitar chord convertor are the first new products to emerge from revitalised synth pioneers Oberheim Electronics. Kendall Wrightson gets on the case. | |||
Touching BassInterview | Music Technology, May 1992As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label. | |||
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Nov 1992Garage StudioRM reader Martin Smith talks about the trials and tribulations of building a serious home studio in his garage. | |||
Soul of the MachineInterview | Music Technology, Jun 1991Neatly sidestepping the monotonous beats and cliched melodies that typify too many dance acts, this Swiss-American collaboration are making refreshing music. Simon Trask and Heinrich Zwahlen share a technical obsession. | |||
Psychotronic LandscapesInterview | Sound On Sound, Jun 1993Michel Huygen/NeuroniumThis Spanish synthesist explains the working methods and motivation behind his psychotronic musical landscapes. | |||
Kawai XD5Review | Music Technology, May 1991Digital Percussion SynthesiserThe ability to modify its selection of drum and percussion sounds is the strong suit of this expander from Kawai. Vic Lennard reports on the continuing beatbox boom. | |||
Aliens in the ArcadeGroup: In SessionGames FeatureNow that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games... | |||
Deep VibrationsInterview | Music Technology, Aug 1991Turning their backs on pop notoriety to meet electronic experimentation head on, Sheffield's LFO are taking dance music into new areas. Simon Trask gets a new perspective on nostalgia. | |||
Oberheim DrummerReview | Music Technology, Sep 1991Interactive Drum Pattern SequencerIf your drum patterns sound uninspired it could be because you lack the subtle touch of the human drummer. Simon Trask looks at an electronic aid to drum programming. | |||
Sweet SixteenReview | Sound On Sound, Jan 1991Ensoniq EPS16 Plus Sampling WorkstationEnsoniq have transformed their 13-bit EPS sampling workstation with the addition of dynamically controlled 24-bit digital multi-effects, a much improved 16-track MIDI sequencer and full 16-bit sampling. The result is the EPS16 Plus. But does it pass? Kendall Wrightson invigilates. | |||
Art Of The StateInterview | Sound On Sound, Oct 1992Instrumental music doesn't sell, the UK dance scene is totally bereft of life, and dance bands never produce decent albums. Wrong, wrong, wrong — and 808 State are back with proof. Nigel Humberstone talked to Manchester's finest during the recording of Gorgeous, their third album. | |||
Akai/Linn MPC60 IIReview | Sound On Sound, Nov 1991Warren Cann looks at the updated version of the MPC60, the most notable result of Roger Linn's collaboration with Akai. | |||
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