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Review | Music Technology, May 1987Programmable Digital Drum MachineFew companies make synthesiser debuts as good as the Kawai K3. Now the same company has introduced its first digital beatbox; Simon Trask finds out if they've maintained the standard. |
Review | Sound On Sound, Dec 1986Digital Wave Memory SynthesizerA digital wave memory synthesizer to be precise. Kawai may well be the world's largest supplier of acoustic pianos but does their forte also lie in the hi-tech field? Mark Jenkins investigates. |
Review | Music Technology, Dec 1986Digital Wave Memory SynthesiserRick Davies gets to grips with a polyphonic synthesiser that allows users to create their own waveforms, a process made easier by Hybrid Arts' voice editing software. |
News | Sound On Sound, Oct 1986A Quick glance at the crystal ball reveals new products on the way from Kawai, Stepp, Tascam, Soundtracs, Ramsa, and others... |
Feature Series | Topic: Synthesis & Sound Design | Music Technology, May 1988In the final part of a look into the world of additive synthesis, Chris Meyer explains the different approaches to additive synthesis adopted by various manufacturers and which synths have employed them. |
Interview | Sound On Sound, Jan 1988The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done. |
Show Report | Electronics & Music Maker, Sep 1986BMF Report '86The Editor struggles through tech-laden stands, lively demos, liquid lunches and hordes of musicians to bring news of Britain's best-ever music show. If you missed it, you missed out. |
Feature | Topic: Synthesis & Sound Design | Music Technology, Aug 1987Wavetable SynthesisMany of today's popular digital synthesisers use variations on "wavetable synthesis". Chris Meyer explains what this mystical but powerful method is all about. |
Feature | Topic: Buyer's Guide | Sound On Sound, Jan 1988Sometimes The Little Things CountWhen shopping for a synthesizer, most people know to look for major features like the amount of patch storage, whether split and layered keyboard configurations are possible, and so on. But paying attention to features that make it easier to programme sounds is very important if you want to attain your maximum level of creativity. Craig Anderton offers guidance. |
Feature | Topic: Computing, Sequencing | Sound On Sound, Jul 1988In response to reader demand, this month we introduce a regular page of hints and tips for Dr.T's music programs, written and compiled exclusively for SOS by Dr.T themselves. |
Interview | Music Technology, Nov 1990Now making a huge impact in the north of Britain, Detroit's techno music owes its roots to a handful of far-sighted pioneers - amongst them Derrick May. Simon Trask discusses the future of electronic music. |
Show Report | Electronics & Music Maker, Mar 1986...while Dan Goldstein, sore-foot from Germany, has the details on the new European and Japanese gear that'll soon be flooding the UK's music stores. Prepare for some surprises. |
Feature Series | Topic: MIDI, Sampling | Music Technology, Jun 1987The industrious Chris Meyer again, with the latest news on MIDI Sample Dump Standard. What exactly is the value of transferring a sample from one machine to another? |
Feature | Topic: Synthesis & Sound Design | Sound On Sound, Dec 1987They've been a mainstay of electronic music for over 20 years, they're less expensive than ever before, and they still make sounds the digital machines can't. Analogue synthesizers have been receiving some digital assistance of late, but at heart they're still analogue synthesizers - and if you want to make them perform magic, you need to speak their language. Craig Anderton is your interpreter... |
Feature | Topic: Buyer's Guide | Electronics & Music Maker, Jun 1986The lowdown on current polysynths, voice expanders and controller keyboards in this month's instalment of our unique buyer's guide. |
Review | Music Technology, Nov 1986Polyphonic SynthesiserSimon Trask follows up our earlier preview of Wersi's first polyphonic synth, with a full review that delves deeper into the possibilities of additive synthesis. Is it too complex to use? |
Show Report | Electronics & Music Maker, Sep 1986NAMM ReportAmerican software engineer Chris Meyer submits a personal, highly subjective and utterly biased report on Chicago's summer music extravaganza. Well, he was only there for a day. |
Show Report | Music Technology, Aug 1987In case the current wave of BMF-madness has overtaken you completely, MT dropped in on the annual Chicago show to see how the Americans do it. Report: Dan Goldstein, Rick Davies, Paul White and Bob O'Donnell. |
Feature | Topic: MIDI, Sampling | Electronics & Music Maker, Aug 1986As sound-sampling becomes accepted as a technique, what will musicians do with their machines after the novelty has worn off? Chris Meyer takes a sideways look. |
Show Report | Music Technology, Mar 1987Winter NAMM 1987Our spectacular show coverage starts here, with masses of information - backed up by colour photographs - on the biggest Winter NAMM show there's ever been... |
Review | Sound On Sound, Jun 1987Leading The Field?Casio caused a furore at February's Frankfurt Music Fair when they unveiled the world's first 'affordable' 16-bit sampling keyboard with onboard graphic editing display - the FZ-1. Mark Jenkins visits the Casio factory to bring you a comprehensive preview of this remarkable instrument. |