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Kawai R100

Review | Music Technology, May 1987
Programmable Digital Drum Machine

Few companies make synthesiser debuts as good as the Kawai K3. Now the same company has introduced its first digital beatbox; Simon Trask finds out if they've maintained the standard.

Kawai K3

Review | Sound On Sound, Dec 1986
Digital Wave Memory Synthesizer

A digital wave memory synthesizer to be precise. Kawai may well be the world's largest supplier of acoustic pianos but does their forte also lie in the hi-tech field? Mark Jenkins investigates.

Kawai K3 Synth System

Review | Music Technology, Dec 1986
Digital Wave Memory Synthesiser

Rick Davies gets to grips with a polyphonic synthesiser that allows users to create their own waveforms, a process made easier by Hybrid Arts' voice editing software.

The Shape Of Things To Come

News | Sound On Sound, Oct 1986

A Quick glance at the crystal ball reveals new products on the way from Kawai, Stepp, Tascam, Soundtracs, Ramsa, and others...

All About Additive - Part 2

Feature Series | Topic: Synthesis & Sound Design | Music Technology, May 1988

In the final part of a look into the world of additive synthesis, Chris Meyer explains the different approaches to additive synthesis adopted by various manufacturers and which synths have employed them.

Miami Nice Guy

Interview | Sound On Sound, Jan 1988

The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done.

The Show Goes On

Show Report | Electronics & Music Maker, Sep 1986
BMF Report '86

The Editor struggles through tech-laden stands, lively demos, liquid lunches and hordes of musicians to bring news of Britain's best-ever music show. If you missed it, you missed out.

A Deeper Wave

Feature | Topic: Synthesis & Sound Design | Music Technology, Aug 1987
Wavetable Synthesis

Many of today's popular digital synthesisers use variations on "wavetable synthesis". Chris Meyer explains what this mystical but powerful method is all about.

Shopping For A Synth

Feature | Topic: Buyer's Guide | Sound On Sound, Jan 1988
Sometimes The Little Things Count

When shopping for a synthesizer, most people know to look for major features like the amount of patch storage, whether split and layered keyboard configurations are possible, and so on. But paying attention to features that make it easier to programme sounds is very important if you want to attain your maximum level of creativity. Craig Anderton offers guidance.

Dr.T's Software Page

Feature | Topic: Computing, Sequencing | Sound On Sound, Jul 1988

In response to reader demand, this month we introduce a regular page of hints and tips for Dr.T's music programs, written and compiled exclusively for SOS by Dr.T themselves.

Techno Rhythim

Interview | Music Technology, Nov 1990

Now making a huge impact in the north of Britain, Detroit's techno music owes its roots to a handful of far-sighted pioneers - amongst them Derrick May. Simon Trask discusses the future of electronic music.

Musikmesse '86, Frankfurt

Show Report | Electronics & Music Maker, Mar 1986

...while Dan Goldstein, sore-foot from Germany, has the details on the new European and Japanese gear that'll soon be flooding the UK's music stores. Prepare for some surprises.

Dumping Grounds - Part 2

Feature Series | Topic: MIDI, Sampling | Music Technology, Jun 1987

The industrious Chris Meyer again, with the latest news on MIDI Sample Dump Standard. What exactly is the value of transferring a sample from one machine to another?

How Analogue Synthesizers Work

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Dec 1987

They've been a mainstay of electronic music for over 20 years, they're less expensive than ever before, and they still make sounds the digital machines can't. Analogue synthesizers have been receiving some digital assistance of late, but at heart they're still analogue synthesizers - and if you want to make them perform magic, you need to speak their language. Craig Anderton is your interpreter...

Polysynth Checklist

Feature | Topic: Buyer's Guide | Electronics & Music Maker, Jun 1986

The lowdown on current polysynths, voice expanders and controller keyboards in this month's instalment of our unique buyer's guide.

Wersi MK1 Synthesiser

Review | Music Technology, Nov 1986
Polyphonic Synthesiser

Simon Trask follows up our earlier preview of Wersi's first polyphonic synth, with a full review that delves deeper into the possibilities of additive synthesis. Is it too complex to use?

Windy City Day

Show Report | Electronics & Music Maker, Sep 1986
NAMM Report

American software engineer Chris Meyer submits a personal, highly subjective and utterly biased report on Chicago's summer music extravaganza. Well, he was only there for a day.

NAMM Report

Show Report | Music Technology, Aug 1987

In case the current wave of BMF-madness has overtaken you completely, MT dropped in on the annual Chicago show to see how the Americans do it. Report: Dan Goldstein, Rick Davies, Paul White and Bob O'Donnell.

I Want Your Samples

Feature | Topic: MIDI, Sampling | Electronics & Music Maker, Aug 1986

As sound-sampling becomes accepted as a technique, what will musicians do with their machines after the novelty has worn off? Chris Meyer takes a sideways look.

West Coast Story

Show Report | Music Technology, Mar 1987
Winter NAMM 1987

Our spectacular show coverage starts here, with masses of information - backed up by colour photographs - on the biggest Winter NAMM show there's ever been...

Casio FZ-1 Sampling Keyboard

Review | Sound On Sound, Jun 1987
Leading The Field?

Casio caused a furore at February's Frankfurt Music Fair when they unveiled the world's first 'affordable' 16-bit sampling keyboard with onboard graphic editing display - the FZ-1. Mark Jenkins visits the Casio factory to bring you a comprehensive preview of this remarkable instrument.

 

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