Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for September 2026
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £0.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Metadata matches from your search
Plain text global search results

Kawai R100 drum machine

Review | Making Music, May 1987

Kawai R100 Drum Machine

Review | Sound On Sound, Jun 1987

Kawai are quickly making a name for themselves in the hi-tech field thanks to good value products like the R100. Ian Waugh files his report.

Compu-Mates R100 DrumDroid

Review | Music Technology, Feb 1988

A new programming aid for the Kawai R100 takes the form of DrumDroid software for the Atari ST. Scott Gershin becomes a "mouse drummer".

Touching Bass

Interview | Music Technology, May 1992

As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label.

Miami Nice Guy

Interview | Sound On Sound, Jan 1988

The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done.

Oceanic

Interview | Sound On Sound, Sep 1993
Fun In The Waves

 

muzines_logo_02

Small Print

Terms of usePrivacy