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Mixed mediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Mar 1995Your passport to future worlds |
Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Jan 1995Your passport to future worlds |
Mixed mediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, May 1995interacting with the futureYour passport to future worlds |
Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Dec 1994interacting with the futureTomorrow’s ideas with today’s technology |
Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Feb 1995Monsters of the vidYour passport to future worlds |
Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Nov 1994Interacting with the futureA guide to Interactivity |
Mixed mediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Apr 1995interacting with the futureYour passport to future worlds |
Mixed MediaNews | Topic: Multimedia / Graphics / Visuals, Video / Film / Picture | The Mix, Oct 1994interacting with the futureYour passport to future worlds |
Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Jun 1995interacting with the futureWhere sound and pictures meet |
Enterprise zoneGroup: Sound AdviceNewham CollegeAn East End education boots up the digital revolution |
Digital AnarchyInterview | Music Technology, Sep 1993Mixed media pioneers Matt Black and Rob Pepperell talk about their plans for the future of entertainment and art, as part of the Hex project |
Apple NotesFeature | Topic: Computing | Sound On Sound, Nov 1992 |
Aliens in the ArcadeGroup: In SessionGames FeatureNow that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games... |
A Room Of My Own: Nort & Epichead StudioInterview | Topic: Home Studio | Sound On Sound, Apr 1993 |
Visions of the FutureFeature | Topic: Video / Film / Picture | Music Technology, Jan 1991One of the stars of Channel 4's Fourmations, Brian Johnson's Improvisions combine musical performance with real-time manipulation of video images. Peter Ridsdale trips on this. |
Hard BargainGroup: Control RoomSamplitudeBudget direct-to-disk recording for PC |
Breaking The MoldInterview | Music Technology, Apr 1989An Australian composer accepts a brief to provide music for an exhibition of pottery - the catch is that all the sounds should be sampled from the exhibits. Sandra McLean talks to the man who makes pottery sing. |
Musical BooksInterview | Sound On Sound, Jan 1992Although Michael Nyman's name and music became known through Peter Greenaway's extraordinary films, Prospero's Books may see not just the peak but also the end of their creative partnership. But Nyman has other strings to his bow, as Mark J. Prendergast discovers. |
A History Of Electronic Music - Part 2Feature Series | Topic: Composing / Art, History / Culture | Electronics & Music Maker, Jan 1982 |
Philip GlassInterview | Sound On Sound, Nov 1991The Making Of A New Music SupremoPhilip Glass is the best known, and certainly the best paid, contemporary new music composer. In London for performances of his music for the films Koyaanisqatsi and Powaqqatsi, he talked to Mark J. Prendergast. |
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