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Modern classicGroup: Control RoomE-MU Classic KeysAnalog Keyboard expander |
A Modern ClassicReview | Sound On Sound, Jan 1992Korg Wavestation EXKorg's Wavestation synthesizer has won a small but devout following since its introduction 18 months ago. Paul Ireson wonders whether new sounds and effects on the updated Wavestation EX will broaden its appeal. |
Modern ClassicReview | Recording Musician, Nov 1992Audio Technica AT4033 Capacitor MicrophoneAt around £500, this mic may not seem exactly cheap, but its performance rivals that of microphones costing twice as much. |
B&M Country ClassicGroup: GuitarCheck |
June CalendarFeature | Making Music, Jun 1986A DX21 - but can you work out how it was done? Important dates; nice enough to stick on the wall. |
Analogue Systems FB3Group: Quality Controlfilter bankThe filters that launched a thousand analogue synth lines. |
Electric Phoenix LiveMusic Review | Home & Studio Recording, Jul 1985A group with a difference - four voices, an engineer and electronic processing comprise this highly original classical ensemble. |
Hugh And IInterview | International Musician & Recording World, Oct 1985Hugh and I (Dance With A Strangler). A short play by Adrian Deevoy |
Pianos You'll Feel At Home WithGroup: Roland Newslink - Summer 1985 |
International Music ShowShow Report | Sound On Sound, Sep 1991Paul Ireson on this year's International Music Show. |
Home Electro-MusicianFeature | Topic: Home Studio | Electronics & Music Maker, Sep 1983Brian Whiting |
Waldorf MicrowaveReview | Sound On Sound, Dec 1989The PPG Wave was one of the most powerful synths of the early Eighties, but it died a death along with so many other dinosaurs. Now its particular method of wavetable synthesis lives again in an entirely new rack expander, which combines the best of the Wave's original audio architecture with full MIDI control. Paul Ireson learns how to cook better sounds, faster. |
The Desktop RemixGroup: In SessionTracking the progress of a DIY mix that went official |
Rebel YellInterview | Sound On Sound, Apr 1993 |
The Men Behind The BoyInterview | One Two Testing, Apr 1984 |
Tim Hunt - Recording EngineerInterview | Home & Studio Recording, Jan 1986Tim talks to Janet Angus about his work as engineer at Marcus Studios and gives his views on microphone technique and natural ambience. |
Showing the FlagInterview | Electronic Soundmaker & Computer Music, Aug 1985Bruford & MorazDissecting an unusual fusion |
The Electronic Keyboard - Part 2Feature Series | Topic: Vintage Instruments | Electronics & Music Maker, May 1983 |
Heaven 17Interview | Electronic Soundmaker & Computer Music, Nov 1983Crushed by the wheels of technology? |
Featuring Ike IsaacsInterview Audio | Electronics & Music Maker, Feb 1982Reminiscences of the GuitarThis well respected jazz guitarist talks about the origins and technique of the guitar; plus free pull-out music: "After Hours" - one of his pieces to play |
Datamusic Fractal MusicReview | Music Technology, Oct 1991Atari ST SoftwareRecently we looked at the theoretic applications of fractal maths in music. This month Ian Waugh composes a complex number with this ST software... |
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