Feature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Sep 1985The story behind E&MM's most striking front cover for years. Dan Goldstein talks to Les Arnett, graphic artist extraordinaire, on the creation of a music/cornputer/video masterpiece. |
Group: Control Room
Review Audio | The Mix, Jan 1995Roland SC88 Sound CanvasMost powerful Canvas yet |
Group: Mixing It!
Interview | The Mix, Jul 1994 |
Music Review | Electronics & Music Maker, Jan 1983Tangerine Dream, Hawkwind & Fashion |
Feature | Electronics & Music Maker, Sep 1981 |
Group: Recording World
Review | International Musician & Recording World, Sep 1985Studio TestThe Tanrack system — no, not 19" mounting sunbeds but a new and interesting effects package. Jim Betteridge slaps on the Bergasol |
Interview | Electronics & Music Maker, Jun 1982Mik Sweeney talks about his guitars and Sal Solo describes how he is acquiring production skills. |
Review | Sound On Sound, Jan 1993 |
Feature | Topic: Recording Studios | Music Technology, Nov 1986Lillie Yard StudioWhere can you find a complete audio-video recording system, a Fairlight a separate programming suite and the biggest modular synth in the world? Matthew Vosburgh discovers heaven off the Earl's Court Road. |
Feature | Topic: Composing for Business, Video / Film / Picture | Music Technology, Nov 1988No television drama would be complete without a soundtrack, but how do you write them? Nicholas Rowland tunes in to the music channel. |
Interview | Sound On Sound, Nov 1985A Man With A GiftIn between tours with Ultravox and appearances on Live Aid, Midge Ure somehow found the time to discuss the writing and recording of his first ever solo LP 'The Gift' and his No1 single with Ian Gilby. |
Review | Sound On Sound, Jan 1987Digital sampling keyboardMuch rumour and speculation has surrounded the launch of what Ian Gilby reckons to be the best mid-priced sampling keyboard on the market. So what makes Emax special? Read the UK's first in-depth review and find out. |