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Review | Sound On Sound, Aug 1991Performance SynthesizerWhilst their flagship JD800 synth has inevitably attracted a good deal of attention, Roland have not neglected the entry level user in their new range of products. Julian Colbeck sounds out the small but almost perfectly-formed JX1. |
Review | Music Technology, Jul 1991Performance SynthesiserIf you'd begun to believe that you needed a degree to use any modern synth, think again: think JX1. Simon Trask discovers the truth behind the Japanese "Think SynX Concept" adverts. |
Review Series | Music Technology, May 1987Linear Arithmetic SynthesiserIs this the synth to topple the DX7 from its throne? Will Linear/Arithmetic Synthesis become the programmer's new catchphrase? Will Simon Trask die of a broken heart? Find out in our exclusive review. |
Review | Electronics & Music Maker, Jun 1986Roland JX10 PolysynthPut two JX8P synths in one box, add a few new facilities, and you have a giant of a synthesiser that harks back to the polyphonic instruments of old. Simon Trask (again) tests a glorious anachronism. |
Editorial | Music Technology, Aug 1991The world's leading hi-tech music magazine celebrates its tenth anniversary this issue. Tim Goodyer considers the role MT has played in shaping the industry and the music. |
Show Report | Music Technology, May 1991Following on from last month's pictorial exclusive, this account of Europe's largest hi-tech music exhibition fills in the details. Tim Goodyer files the report. |
Interview | Music Technology, Aug 1993The techno punk duo on U2, sampling theft, virtual reality, CDI, and getting the machines to rock. |
Editorial | Sound On Sound, Sep 1991Best Synth Ever? |
Feature | Topic: Recording Studios | Sound On Sound, Apr 1989Mike Collins investigates the magic behind Enigma Studios, a MIDI-based recording facility in London's East End. |
Feature | Topic: MIDI | Music Technology, Aug 1988System Exclusive messages promised to make MIDI a flexible and powerful communications standard; instead it seems to have caused MIDI havoc. Vic Lennard takes an Exclusive look. |
Interview | Music Technology, Feb 1992Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man. |
Interview | Sound On Sound, Nov 1992 |
Feature | Music Technology, Jun 1992The final disc in the Zero-G Datafile series joins Coldcut's Kleptomania in the growing library of sample CDs - Tim Goodyer checks them out, while Andy Neve loads The Sound Foundation's programming efforts into his Roland MKS70 in this month's Patchwork. |
Feature | Topic: Recording Studios | Music Technology, Sep 1987Strongroom StudioHidden in the centre of London is a recording studio with MIDI very much in its heart. Dan Goldstein talks to its directors about technology, producers and prejudice. |
Interview | Music Technology, Oct 1990A long-time member of the MIDI establishment, Jeff Rona is a musician who gets more mileage out of computers than most. Scott Wilkinson listens in on Mac, PAN, digital editing and Jon Hassell's latest LP. |
Group: In Session
Interview | The Mix, Mar 1995Now at last, it can be revealed! The veteran producer spills the beans about those 70s Genesis albums... and updates us on work in progress |
Interview | Making Music, May 1987 |