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The Final Cut

Review | Sound On Sound, Jul 1989
Entry-Level Sequencing For The ST

Paul Ireson takes a look at The Final Cut, a budget sequencing program for the Atari ST that offers the beginner more than the average entry-level program.

The Final Cut

Review | Electronic Soundmaker & Computer Music, Jul 1984
SynthAxe

Approx. £7,000 worth

Strawberry Cutting Room

Feature | Topic: Mastering, Recording Studios, Tape, Vinyl, CD, DAT | Sound International, Mar 1979

Nobody ever seems to think much about the art of disc-cutting: yet in reality the cutting-room is the final link in the chain that can really make or break your recording quality-wise. Ralph Denyer, therefore, takes some time out to talk to Strawberry's top cutting engineers, in an effort to demystify this vital area.

Scoring in sound

Group: In Session

Interview Audio | The Mix, Feb 1995

Film and library music composer Mark Thomas is currently recording several albums worth of orchestral library music. We catch up with him at Battery Studios...

Glassworks

Interview | Electronic Soundmaker & Computer Music, Mar 1984

Minimalist extraordinaire

The Celtic Macintosh - Part 2

Feature Series | Sound On Sound, Oct 1986
AN ALBUM PRODUCED ENTIRELY ON A PERSONAL COMPUTER

Part 2. Paul D. Lehrman takes up where he left off last month in his detailed description of how he recorded and digitally mastered an entire album using an Apple personal computer, the Total Music multitrack software, and a bunch of MIDI synths. Read all about it!

Simmons SPM8:2 MIDI Mixer

Review | Sound On Sound, Apr 1987

A mixer from Simmons? Why not? The application of MIDI control to audio mixers is resulting in a radical departure from traditional designs, as Tony Hastings found out when he road-tested the SPM8:2 recently.

Shades of Yello

Interview | International Musician & Recording World, Oct 1986

Back to nature with Boris Blank. Tony Reed listens intently to technical talk about dripping water, talking drums and mountain ranges.

Defender Rhodes

Interview | International Musician & Recording World, May 1986

Boots No 7 or Fairlight Series 3? Tony Reed trades fashion tips with the Duran and Arcadia ivory-tinkler

Long time coming

Group: In Session

Interview | The Mix, Dec 1994

Adam Mosley chats about producing The Plot Thickens

Emu Systems EIIIXP

Review | Sound On Sound, Feb 1993
Digital Sound Production System

Tom Newman

Interview | Sound On Sound, Mar 1987
Tubular Bells, Bayou Moon and other stories

Apart from his claim to fame as the co-producer of Mike Oldfield's hugely successful 'Tubular Bells' album, engineer/producer Tom Newman has most recently been making his mark in the New Age music field with two beautifully recorded albums. Mark Prendergast reports.

The Studio That Tom Built

Group: Roland Newslink - Autumn 85

Feature | Topic: Advertisement Feature | International Musician & Recording World, Nov 1985

Turbo-charged recording techniques

Blowing Technology's Horn

Interview | Sound On Sound, Nov 1988

Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers.

 

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