The Final Cut
Review | Sound On Sound, Jul 1989
Entry-Level Sequencing For The ST
Paul Ireson takes a look at The Final Cut, a budget sequencing program for the Atari ST that offers the beginner more than the average entry-level program.
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The Final CutReview | Sound On Sound, Jul 1989Entry-Level Sequencing For The STPaul Ireson takes a look at The Final Cut, a budget sequencing program for the Atari ST that offers the beginner more than the average entry-level program. |
Strawberry Cutting RoomFeature | Topic: Mastering, Recording Studios, Tape, Vinyl, CD, DAT | Sound International, Mar 1979Nobody ever seems to think much about the art of disc-cutting: yet in reality the cutting-room is the final link in the chain that can really make or break your recording quality-wise. Ralph Denyer, therefore, takes some time out to talk to Strawberry's top cutting engineers, in an effort to demystify this vital area. |
Scoring in soundGroup: In SessionFilm and library music composer Mark Thomas is currently recording several albums worth of orchestral library music. We catch up with him at Battery Studios... |
The Celtic Macintosh - Part 2Feature Series | Sound On Sound, Oct 1986AN ALBUM PRODUCED ENTIRELY ON A PERSONAL COMPUTERPart 2. Paul D. Lehrman takes up where he left off last month in his detailed description of how he recorded and digitally mastered an entire album using an Apple personal computer, the Total Music multitrack software, and a bunch of MIDI synths. Read all about it! |
Simmons SPM8:2 MIDI MixerReview | Sound On Sound, Apr 1987A mixer from Simmons? Why not? The application of MIDI control to audio mixers is resulting in a radical departure from traditional designs, as Tony Hastings found out when he road-tested the SPM8:2 recently. |
Shades of YelloInterview | International Musician & Recording World, Oct 1986Back to nature with Boris Blank. Tony Reed listens intently to technical talk about dripping water, talking drums and mountain ranges. |
Defender RhodesInterview | International Musician & Recording World, May 1986Boots No 7 or Fairlight Series 3? Tony Reed trades fashion tips with the Duran and Arcadia ivory-tinkler |
Long time comingGroup: In SessionAdam Mosley chats about producing The Plot Thickens |
Tom NewmanInterview | Sound On Sound, Mar 1987Tubular Bells, Bayou Moon and other storiesApart from his claim to fame as the co-producer of Mike Oldfield's hugely successful 'Tubular Bells' album, engineer/producer Tom Newman has most recently been making his mark in the New Age music field with two beautifully recorded albums. Mark Prendergast reports. |
The Studio That Tom BuiltGroup: Roland Newslink - Autumn 85Turbo-charged recording techniques |
Blowing Technology's HornInterview | Sound On Sound, Nov 1988Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers. |
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