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Getting The Holy Ghost Across

Interview | Sound On Sound, Jul 1986

Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.

Welcome

Editorial | Sound On Sound, Aug 1986

TOA D4 MIDI Mixer

Review | Sound On Sound, Aug 1986

This Japanese audio company seem hell-bent on making a name for themselves as producers of high quality products and this rack-mount electronic keyboard mixer incorporating a four channel MIDI Thru box certainly fulfils that aim. Ian Gilby reports.

Welcome

Editorial | Sound On Sound, Sep 1986

Shadow Guitar To MIDI Converter

Review | Sound On Sound, Sep 1986

The 'guitar synthesizer' appears to be going through a new lease of life at present, with many manufacturers releasing guitar-based synth controlling devices that make good use of MIDI's powers of expression. Ian Gilby tries out one such model: the Shadow GTM-6.

Welcome

Editorial | Sound On Sound, Oct 1986

Welcome

Editorial | Sound On Sound, Nov 1986

MEL FX1001 multi-effects

Review | Sound On Sound, Nov 1986

Group six versatile effects units together in a 2U rack case, add MIDI control, a 3.5-inch disk drive with onboard microprocessor, and what have you got? Ian Gilby provides the answer...

Welcome

Editorial | Sound On Sound, Dec 1986

Hot Stuff

Review | Sound On Sound, Dec 1986
Korg DRV-1000 Digital Reverb

As expected the MIDIVERB has opened up the floodgates for more low-cost stereo digital reverbs. Ian Gilby takes a listen to the first Japanese model to hit the market and concludes that its appearance can only be a good thing.

Welcome

Editorial | Sound On Sound, Jan 1987

E-Mu Systems EMAX

Review | Sound On Sound, Jan 1987
Digital sampling keyboard

Much rumour and speculation has surrounded the launch of what Ian Gilby reckons to be the best mid-priced sampling keyboard on the market. So what makes Emax special? Read the UK's first in-depth review and find out.

Welcome

Editorial | Sound On Sound, Feb 1987

Stepp DG1 Digital Guitar

Review | Sound On Sound, Feb 1987

Few instruments have caused as great a stir in the marketplace as the futuristic-looking DG1. Stepp describe it as "a radically new instrument that plays like a guitar, and which can produce some of the most phenomenal sounds you're ever likely to hear." Ian Gilby visited Stepp to find out for himself and talk with its creator, Stephen Randall.

Welcome

Editorial | Sound On Sound, Mar 1987

Welcome

Editorial | Sound On Sound, Apr 1987

Axxeman

Review | Sound On Sound, May 1987

Looking for a quick and easy way of getting good quality guitar sounds down on tape? Well, you can stop searching because Ian Gilby has the solution...

Welcome

Editorial | Sound On Sound, May 1987

Welcome

Editorial | Sound On Sound, Jun 1987

Welcome

Editorial | Sound On Sound, Jul 1987

Welcome

Editorial | Sound On Sound, Aug 1987

Elka ER33

Review | Sound On Sound, Aug 1987
The 'Alternative' FM Expander

Ian Gilby looks around for an 'alternative' multitimbral FM expander and uncovers a wealth of features hidden inside Elka's versatile 19" rack-mounting companion to the underrated EK44 polysynth - the ER33.

Welcome

Editorial | Sound On Sound, Sep 1987

Kawai R50 Drum Machine

Review | Sound On Sound, Sep 1987

In some ways this budget-priced drum machine from Kawai is a major improvement over its big brother, the R100, not least in its use of 8-note polyphonic sounds and its built-in digital effects. Ian Gilby was more than a little impressed. Find out why...

Welcome

Editorial | Sound On Sound, Oct 1987

 

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