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Getting The Holy Ghost AcrossInterview | Sound On Sound, Jul 1986Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together. |
WelcomeEditorial | Sound On Sound, Aug 1986 |
TOA D4 MIDI MixerReview | Sound On Sound, Aug 1986This Japanese audio company seem hell-bent on making a name for themselves as producers of high quality products and this rack-mount electronic keyboard mixer incorporating a four channel MIDI Thru box certainly fulfils that aim. Ian Gilby reports. |
WelcomeEditorial | Sound On Sound, Sep 1986 |
Shadow Guitar To MIDI ConverterReview | Sound On Sound, Sep 1986The 'guitar synthesizer' appears to be going through a new lease of life at present, with many manufacturers releasing guitar-based synth controlling devices that make good use of MIDI's powers of expression. Ian Gilby tries out one such model: the Shadow GTM-6. |
WelcomeEditorial | Sound On Sound, Oct 1986 |
WelcomeEditorial | Sound On Sound, Nov 1986 |
MEL FX1001 multi-effectsReview | Sound On Sound, Nov 1986Group six versatile effects units together in a 2U rack case, add MIDI control, a 3.5-inch disk drive with onboard microprocessor, and what have you got? Ian Gilby provides the answer... |
WelcomeEditorial | Sound On Sound, Dec 1986 |
Hot StuffReview | Sound On Sound, Dec 1986Korg DRV-1000 Digital ReverbAs expected the MIDIVERB has opened up the floodgates for more low-cost stereo digital reverbs. Ian Gilby takes a listen to the first Japanese model to hit the market and concludes that its appearance can only be a good thing. |
WelcomeEditorial | Sound On Sound, Jan 1987 |
E-Mu Systems EMAXReview | Sound On Sound, Jan 1987Digital sampling keyboardMuch rumour and speculation has surrounded the launch of what Ian Gilby reckons to be the best mid-priced sampling keyboard on the market. So what makes Emax special? Read the UK's first in-depth review and find out. |
WelcomeEditorial | Sound On Sound, Feb 1987 |
Stepp DG1 Digital GuitarReview | Sound On Sound, Feb 1987Few instruments have caused as great a stir in the marketplace as the futuristic-looking DG1. Stepp describe it as "a radically new instrument that plays like a guitar, and which can produce some of the most phenomenal sounds you're ever likely to hear." Ian Gilby visited Stepp to find out for himself and talk with its creator, Stephen Randall. |
WelcomeEditorial | Sound On Sound, Mar 1987 |
WelcomeEditorial | Sound On Sound, Apr 1987 |
AxxemanReview | Sound On Sound, May 1987Looking for a quick and easy way of getting good quality guitar sounds down on tape? Well, you can stop searching because Ian Gilby has the solution... |
WelcomeEditorial | Sound On Sound, May 1987 |
WelcomeEditorial | Sound On Sound, Jun 1987 |
WelcomeEditorial | Sound On Sound, Jul 1987 |
WelcomeEditorial | Sound On Sound, Aug 1987 |
Elka ER33Review | Sound On Sound, Aug 1987The 'Alternative' FM ExpanderIan Gilby looks around for an 'alternative' multitimbral FM expander and uncovers a wealth of features hidden inside Elka's versatile 19" rack-mounting companion to the underrated EK44 polysynth - the ER33. |
WelcomeEditorial | Sound On Sound, Sep 1987 |
Kawai R50 Drum MachineReview | Sound On Sound, Sep 1987In some ways this budget-priced drum machine from Kawai is a major improvement over its big brother, the R100, not least in its use of 8-note polyphonic sounds and its built-in digital effects. Ian Gilby was more than a little impressed. Find out why... |
WelcomeEditorial | Sound On Sound, Oct 1987 |