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Search results
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 Sequencer PlusReview | Sound On Sound, Nov 1987Want to make real music on your Amstrad PC? Ian Gilby takes you through one of the best designed, professional MIDI recording packages there is. Voyetra Technologies' Sequencer Plus runs on any IBM PC compatible computer and offers 64 tracks, sync-to-tape, a programmable tempo track, extensive note and MIDI editing facilities, and... you'll have to read the review to find out more. |
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 1987 SOS Hi-Tech AwardsEditorial | Sound On Sound, Jan 1988 |
 Lynex 16-bit SamplerReview | Sound On Sound, Jan 1988It's British, it works with an Atari ST computer, it gives very high quality sound and it won't break the bank! Ian Gilby presents a sneak preview of this forthcoming 16-bit stereo sampling machine. |
 Fine TuningEditorial | Sound On Sound, Feb 1988 |
 Assistant Editor WantedEditorial | Sound On Sound, Mar 1988 |
 Effective AutomatorsReview | Sound On Sound, Mar 1988Akai MB76 Programmable Mix Bay, PEQ6 Programmable EqualiserUsed together, the Akai MB76 Mix Bay and PEQ6 Equaliser can bring a limited but useful degree of automation to the MIDI-based home studio. Ian Gilby explains how. |
 WelcomeEditorial | Sound On Sound, Apr 1988 |
 Roland M160 Line MixerReview | Sound On Sound, Apr 1988If you're on the look-out for a compact 16-channel mixer which could do double duty in your home studio as well as on-stage, then the rack-mount M160 will definitely be of interest to you. Ian Gilby checks it out. |
 WelcomeEditorial | Sound On Sound, May 1988 |
 WelcomeEditorial | Sound On Sound, Jun 1988 |
 Kawai K1 SynthesizerReview | Sound On Sound, Jun 1988Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is. |
 WelcomeEditorial | Sound On Sound, Jul 1988 |
 Wired For SoundReview | Sound On Sound, Jul 1988Lynex 16-bit Stereo SamplerThe division between sampler and digital recorder has grown even narrower with the release of the Lynex, a sophisticated manipulator of high quality, 16-bit stereo sounds that piggybacks onto any Atari ST computer. Ian Gilby takes the mouse by the horns... |
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 PROMIDIReview | Sound On Sound, Nov 1988Direct-to-Disk Studio SystemHere's a computer-based sequencer with a difference - PROMIDI records direct-to-disk, lets you structure your music any way you please, and runs on low-cost PC compatible computers. Ian Gilby investigates... |
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 The Computer RevolutionEditorial | Sound On Sound, Jan 1989 |
 WelcomeEditorial | Sound On Sound, Feb 1989 |
 DACS MIDI PatchbayReview | Sound On Sound, Mar 1989Ian Gilby investigates this novel solution to your MIDI wiring headaches. |
 WelcomeEditorial | Sound On Sound, Mar 1989 |
 A Question Of TimeEditorial | Sound On Sound, Apr 1989 |
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