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Dial-A-DreamReview | Sound On Sound, Mar 1986Roland Alpha Juno-1If you're not an FM fan, but are looking for a low-cost polysynth that can double as a MIDI expander, you won't need to look further than Roland's new Alpha Juno-1 according to Mark Jenkins. |
A Taste of ParadiseReview | Sound On Sound, Mar 1986Ensoniq Mirage Multi-SamplerManufacturers of keyboard samplers are now turning their attentions to the studio market by offering enhanced rack-mount versions of their products. Mark Jenkins waited anxiously at Heathrow for the first device to hit our shores - the budget-priced, 8-voice multi-sampler from Ensoniq. Read his report. |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Mar 1986Additions To TraditionsTony Mills rips the lid off the latest in the land of the electrode; updates for Yamaha's CX5M, Greengate's DS:3, and the ever-popular Speccy. |
Casio CZ3000 - The Obvious Solution?Review | Sound On Sound, Apr 1986Mark Jenkins reports on this recent addition to the popular CZ range of polysynths and suggests that the Phase Distortion synthesis it employs could well be the answer for those of you caught in the 'analogue versus digital' dilemma. |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Apr 1986The Plot ThickensMore Pics on the beat monitored by Tony Mills |
Oberheim Matrix 6Review | International Musician & Recording World, Apr 1986SynthcheckMills and Boon. Tony Mills finds a love to last a lifetime |
Up and RunningInterview | Electronics & Music Maker, Apr 1986Sophie and Peter JohnstonIf the major labels let you down and you're writing sophisticated electro-pop, forming your own record company is one way of getting your message across. Annabel Scott meets a remarkable brother-and-sister duo. |
Video In The DarkInterview | Electronics & Music Maker, Apr 1986After over a decade at the forefront of instrumental music, Mike Oldfield is branching out into video and film. Annabel Scott visits the man's new audiovisual studio, and pops a few pertinent questions. |
Sampling Perc!Review | Sound On Sound, May 1986Casio's first foray into the digital drum machine market, the RZ-1, offers all the usual rhythm features plus one extra - the facility to sample four of your own sounds. Mark Jenkins finds out if it matches his expectations. |
C-Lab SupertrackReview | Sound On Sound, May 1986Software for Commodore 64Mark Jenkins supercharges the studio with this latest hi-tech recording software for the inexpensive Commodore 64 micro. |
Casio CZ230S KeyboardReview | Electronics & Music Maker, May 1986What the ghetto blaster is to hi-fi, the CZ230S is to synthesisers. Annabel Scott takes a spin in Casio's streetwise preset synth. |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, May 1986Sweet Sixteen BitsTony Mills on the latest software for two 'pro' micros — the IBM PC, and the increasingly wonderful Atari ST |
Independence DayFeature | Topic: Marketing / Promotion, Music Business | International Musician & Recording World, May 1986Getting a deal is one thing — bringing out your own disc, from demo to finished product — is something else. Tony Mills lays it on the line... |
Transatlantic Trends - SagaInterview | Electronics & Music Maker, May 1986...while Annabel Scott listens to words of wisdom from a Transatlantic keyboardist of a very different kind - Saga's Jim Gilmour. |
New Gold DreamInterview | Electronics & Music Maker, May 1986The world's best-known electronic music band have reached a crossroads, with a line-up change, a lengthy concert tour and an uncertain recording future. Annabel Scott talks to them. |
Amusement ArcadeReview | Electronics & Music Maker, May 1986Roland MPS & MUSERoland's first serious venture into software takes the form of composing packages for Commodore, Apple and IBM computers. Annabel Scott checks them out. |
Super JXReview | Sound On Sound, Jun 1986For some time now Roland's synthesizer range has been lacking a flagship model worthy of the Jupiter 8's reputation. Mark Jenkins believes they finally have one in the form of their very latest 12-voice JX-10 Super JX polysynth. Read why... |
The Answer Is SMPLReview | Sound On Sound, Jun 1986With more importance being attached to the benefits of a fully-integrated, synchronised studio set-up, Mark Jenkins checks out a new-to-the-UK chase synchroniser package imported by Audio Services of Stockport that is ideally suited to use with Tascam recorders and supports both SMPTE and MIDI. |
Home TapingGroup: Recording WorldA Thorne in the side of Tony Mills |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jun 1986Editing PackagesTony Mills on sequencing and editing software for the C64 and Atari 520 ST micros |
Sequential's Prophet VS...Review | Sound On Sound, Jul 1986The new-wave sound...'The first genuinely NEW keyboard since the DX7' proclaims our review. Mixing four different waveforms together in a technique christened 'vector synthesis', Sequential's new baby can create some stunningly different synth sounds. Could it be what the market's looking for? Mark Jenkins reports. |
Eat your heart out PPG!Review | Sound On Sound, Jul 1986Akai S900 SamplerAkai's first foray into the sampling market, the S612, was a resounding success. Their new sampling system, aimed more at studios, is considerably more advanced yet still a respectable price. Eventually it will incorporate a multitrack event recorder and harmonic synthesis module, but just released is the first system component - the S900 rack-mount sampler. Mark Jenkins checks it out. |
Casio CZ-230SReview | International Musician & Recording World, Jul 1986SynthCheck'Jack of all trades, master of none'? Tony Mills explains himself |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Jul 1986Take It From The TopTony Mills with more up and downmarket software |
Roland MC500 MicroComposerReview | Sound On Sound, Aug 1986This long-awaited successor to Roland's evergreen MSQ700 sequencer offers increased song and note capacity, 'microscopic' editing of every single MIDI command and stores both music and rhythm tracks to 3.5 inch disks. Mark Jenkins fills in the details. |