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Modern Classic

Review | Recording Musician, Nov 1992
Audio Technica AT4033 Capacitor Microphone

At around £500, this mic may not seem exactly cheap, but its performance rivals that of microphones costing twice as much.

Leader

Editorial | Recording Musician, Nov 1992

Electrovoice MC100 and MC150 Dynamic Microphones

Review | Recording Musician, Nov 1992

Hughes and Kettner Red Box Speaker Simulator

Review | Recording Musician, Nov 1992

Bass: The Final Frontier

Review | Recording Musician, Nov 1992
Richard Allan RA8 Monitors and RA12 Sub-Bass Units

By combining two of their compact RA8 monitors with a pair of sub-bass units, RA have come up with an earth-shaking system at a realistic price.

Live Sound - Part 1

Feature Series | Topic: Live | Recording Musician, Nov 1992
Introduction To PA

This comprehensive series starts by looking at the basic components of a mobile PA system.

Recording Electric Guitar

Feature | Topic: Recording | Recording Musician, Nov 1992

Getting a professional electric guitar sound onto tape is not difficult — if you follow a few simple rules.

Microphone Basics

Feature | Topic: Microphones | Recording Musician, Nov 1992

Why are microphones so different, why do some cost the earth — and which one should you use for which job? All is revealed.

Licensed To Thrill

Review | Recording Musician, Nov 1992
Roland GR1 Guitar Synthesizer

What the world needs is a guitar synth that sounds good and behaves predictably. Does Roland's latest model pass the test?

Recording Musician

Feature | Topic: Home Studio | Recording Musician, Dec 1992
Paul Ward

Paul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio.

Leader

Editorial | Recording Musician, Dec 1992

3G HP200 Power Amplifier

Review | Recording Musician, Dec 1992

A compact, well-specified amplifier suitable for studio monitoring and small PA applications.

EMO Lead Tester

Review | Recording Musician, Dec 1992

P&R Audio Active DI Box

Review | Recording Musician, Dec 1992

Stereo Mic Techniques

Feature | Topic: Microphones, Recording | Recording Musician, Dec 1992

All you ever wanted to know about stereo mic techniques, explained in plain English.

AKG K500 Reference Headphones

Review | Recording Musician, Dec 1992

They're light, robust, comfortable and they sound very good indeed — but they're not cheap!

Live Sound - Part 2

Feature Series | Topic: Live | Recording Musician, Dec 1992
Loudspeakers

If loudspeakers and crossovers remain a mystery to you, read on and find enlightenment.

Steal Of The Century

Review | Recording Musician, Dec 1992
Akai S01 16-bit Sampler

At last, a sampler that's affordable, expandable and approachable.

Sonic Zoom

Review | Recording Musician, Dec 1992
Zoom 9120 Advanced Sound Environment Processor

From the company that brought you effects units you could wear, comes a very serious reverb processor — that you can't wear!

Mixed Doubles

Review | Recording Musician, Dec 1992
Mackie 1604, DOD 1642 Mixers

Mackie's 1604 mixer head to head with DOD's compact 1642. The result may surprise you.

Zoom At The Top?

Review | Sound On Sound, Dec 1992
Zoom 9120 Advanced Sound Environment Processor

Leader

Editorial | Recording Musician, Jan 1993

Sennheiser HD25 Headphones

Review | Recording Musician, Jan 1993

Sync Something Simple

Review | Recording Musician, Jan 1993
JL Cooper PPS2 MIDI/Tape Synchroniser

This compact device from time code pioneers JL Cooper makes light work of your MIDI-to-tape sync needs.

Seymour Duncan SA2 Acoustic Pickup System

Review | Recording Musician, Jan 1993

 

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