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AB Model 200 Power AmpReview | Recording Musician, Jan 1993 |
Tubular BallsReview | Recording Musician, Jan 1993Hughes & Kettner Tubeman PreampThis dedicated guitar preamp benefits from hybrid tube circuitry, an integral speaker simulator and the ability to impersonate four quite different styles of amplifier. |
From Top To BottomReview | Recording Musician, Jan 1993Aphex Aural Exciter Type C2Aural Excitement complete with the new 'Big Bottom' bass enhancer. A veritable feast of sonic titillation. |
Live Sound - Part 3Feature Series | Topic: Live | Recording Musician, Jan 1993Loudspeaker EnclosuresHow speaker enclosures work, and how to position them for the best results. |
Stereo Width TricksFeature | Topic: Effects Processing | Recording Musician, Jan 1993Masterly tricks for simulating stereo from mono or for stretching stereo beyond the boundaries of your loudspeakers! |
Mixer BasicsFeature | Topic: Mixing | Recording Musician, Jan 1993A step-by-step guide to the workings of a typical mixing console. |
MIDI BasicsFeature | Topic: MIDI, Syncronisation | Recording Musician, Jan 1993MIDI-To-Tape SynchronisationMIDI-to-tape sync: why you need it, what it does and how you use it. |
Sound BitesFeedback | Recording Musician, Jan 1993Handy Recording Tips & TechniquesA useful selection of technical information and tricks of the trade — a masterclass in miniature! |
JBL's Control Micro MonitorsReview | Recording Musician, Feb 1993 |
LeaderEditorial | Recording Musician, Feb 1993 |
No Pain, Loads of GainReview | Recording Musician, Feb 1993Tech 21 SansAmp Rackmount Tube Amp EmulatorTech 21 have taken their popular SansAmp foot pedal guitar preamp and repackaged it in studio, rack-mount format. Paul White takes a look at what else it has to offer. |
Mixing For StereoFeature | Topic: Mixing | Recording Musician, Feb 1993A panoramic Paul White explains where sounds should be placed in the stereo image during your final mix. |
Compressors - Part 1Feature Series | Topic: Effects Processing | Recording Musician, Feb 1993Sound WorkshopWhat's a compressor? Why do you need one? How do you use it? Paul White reveals all. |
ARX DI-6S DI Box/Splitter/Line MixerReview | Recording Musician, Feb 1993 |
Scout's HonourReview | Recording Musician, Feb 1993Dawn Scout Nearfield Studio MonitorsHonesty and integrity are what it's all about with these latest nearfield monitors from Dawn Audio. Paul White gives them a listen. |
The Box Soundstage MonitorReview | Recording Musician, Feb 1993 |
Multitrack Mixers - Part 1Feature Series | Topic: Mixing | Recording Musician, Feb 1993Sound WorkshopPaul White takes you on a guided tour of the features and facilities of a typical multitrack mixer. |
Quiet RiotReview | Recording Musician, Feb 1993Rocktron HUSH Intelligent Sound ProcessorPaul White opts for the quiet life with this effective cure for hiss — and there's even an enhancer and compressor thrown in for good measure. |
Live Sound - Part 4Feature Series | Topic: Live | Recording Musician, Feb 1993Getting The Best From Your LoudspeakersIn part four of our series on small PA systems, we look at the importance of loudspeaker positioning on stage. |
Philip Rees V10 MIDI Thru BoxReview | Recording Musician, Mar 1993 |
LeaderEditorial | Recording Musician, Mar 1993 |
Mix & MatchReview | Recording Musician, Mar 1993Award MB10 Matchbox DI/EQ/Speaker SimulatorThis extremely versatile problem solver can function as a low-noise DI box, guitar preamp and speaker simulator. |
Using Compressors - Part 2Feature Series | Topic: Effects Processing | Recording Musician, Mar 1993Paul White discusses the more advanced aspects of compression, and includes a table of useful settings. |
Multitrack Mixers - Part 2Feature Series | Topic: Mixing | Recording Musician, Mar 1993The Input ChannelA guided tour through a typical in-line channel strip. |
Effective Reverb - Part 1Feature Series | Topic: Effects Processing | Recording Musician, Mar 1993VocalsPaul White discusses how to use reverb in the context of a mix, this month focussing on lead and backing vocals. |