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Korg 01/W FD Workstation

Review | Music Technology, Nov 1991
Music Workstation

The problem with building the most popular keyboard in years is having to follow it. Simon Trask test drives the successor to the Korg M1 and likes what he finds.

Strange Changes

Interview | Music Technology, Dec 1991

MT fans and stars of the underground rave scene, Bizarre Inc regularly party down with high technology. Simon Trask meets the men and discusses hardcore issues.

Patchwork

Feature | Music Technology, Dec 1991

A collection of CDs which should be the sampler's delight are the stars of this month's Patchwork. If your music needs a boost from Ed Stratton, Coldcut or Pascal Gabriel, check out these disks.

Roland S750 Sampler

Review | Music Technology, Dec 1991
Stereo Digital Sampler

If Roland's S770 super sampler presented too high a target for many of us, the S750 may be the news we've been waiting for. Simon Trask investigates the challenger to the Akai S1000 crown.

The Rhythm Method

Interview | Music Technology, Jan 1992

From the Midlands' techno culture comes the hardcore sound of Rhythmatic. Simon Trask investigates one of the bands on the ground floor of Britain's fastest-growing musical movement.

Hey Joe!

Interview | Music Technology, Jan 1992

Once leader of the seminal Weather Report, Joe Zawinul recently took his current project, The Zawinul Syndicate, on the road. Simon Trask talks with an acknowledged master of the synthesiser.

Kurzweil K1200 Professional

Review | Music Technology, Jan 1992
Digital Keyboard

New UK distribution and a new synth bring the Kurzweil name back into the pages of MT. Simon Trask rediscovers Kurzweil quality and playability with their K1200.

Brother PDC100 Pro Disk Composer

Review | Music Technology, Feb 1992
MIDI Sequencer

Conflict between hardware and software sequencing intensifies - can dedicated sequencers still compete with the flexibility of a computer? Simon Trask experiences Brotherly love.

Wind Of Change

Interview | Music Technology, Feb 1992

Gordon Matthewman's interests in hi-tech and his horn have found him in some of the most unlikely musical settings with his project Blow. Simon Trask blows another man's trumpet.

Korg SoundLink

Review | Music Technology, Mar 1992
Digital Audio Workstation

From the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future.

E-Mu Proteus MPS

Review | Music Technology, Mar 1992
Sample Playback Keyboard

With the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System.

Korg Wavestation A/D

Review | Music Technology, Apr 1992
Digital Synth Module

The Wavestation A/D takes the digital and vector synthesis systems of its popular parent and adds analogue inputs. Simon Trask reports on the continued evolution of one of today's most flexible synths.

Akai MX1000 & PM76

Review | Music Technology, Apr 1992
MIDI Master Keyboard/Piano Sound Board

Take a well-facilitated MIDI master keyboard and add a piano module and you have the basis of Akai's MX1000 - a "dumb" controller with a voice. Simon Trask plays and listens.

Genetic Engineering

Interview | Music Technology, Apr 1992

It began with an illicit remix of Suzanne Vega and it's already earned them their own album release. Simon Trask tracks down the elusive DNA musical partnership to ask who, how and why.

Touching Bass

Interview | Music Technology, May 1992

As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label.

Roland JV80

Review | Music Technology, May 1992
Digital Synthesiser

Roland's latest professional digital synthesiser crosses the frontier between their successful D-series technology and a new generation of Roland synths - without costing a fortune. Simon Trask welcomes the JV80.

Fostex X18

Review | Music Technology, May 1992
Cassette Multitracker

If you're looking for a cost-effective way to add multitrack tape recording to your sequencing setup, it couldn't come much more cheaply than with Fostex' X18. Simon Trask goes back to basics with this new cassette multitrack.

Roland JV30

Review | Music Technology, Jun 1992
GS Synthesiser

Not simply a stripped-down JV80, Roland's new JV30 has some surprises to add to its minorbuck price tag. Simon Trask test drives a new Roland which could prove a popular buy amongst cost-conscious synth players.

Inner Space

Interview | Music Technology, Jun 1992

Confronting the "difficult third album" syndrome has presented fewer problems for Inner City mentor Kevin Saunderson than the "more of the same" second album syndrome. Simon Trask discusses musical ideologies, pop trends and advancing technology.

Korg 01/W Pro & 03R/W Synths

Review | Music Technology, Jun 1992
Synthesiser and Module

Korg's latest additions to their popular 0-series synth range include the professional flagship 01/W Pro-X keyboard and the more affordable 03/R rackmount. Simon Trask assesses their position in Korg's line and today's keyboard market.

Cheetah MS800 Synth Module

Review | Music Technology, Jul 1992
Digital Wave Synthesiser

Cheetah's latest synth had already been axed and revived before the public got a glimpse of it. Simon Trask gets his hands on one of the cheapest, oddest and most intriguing modules on the market.

The Jazz Tip

Interview | Music Technology, Jul 1992

Fusing jazz with rap and feel with technology are second nature to Ronny Jordan - whose cover of Miles Davis' 'So What' recently made the pop charts. Simon Trask talks to the man on the "jazz tip".

Roland R70 Drum Machine

Review | Music Technology, Jul 1992
Human Rhythm Composer

And the beat goes on - not least with Roland's latest drum machine, the R70. Simon Trask checks the pulse of the company that gave us the TR808, and are now giving it to us again.

Peavey SP Sample Playback Synthesiser

Review | Music Technology, Aug 1992

Sampling bit by bit.

Novation MM10

Review | Music Technology, Aug 1992
Portable MIDI Keyboard Controller

It makes no sound, but it makes a lot of sense.

 

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