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Ibanez SDR1000+

Review | Music Technology, Oct 1987
Digital Reverb

Digital reverberation continues its advance. Simon Trask puzzles over a unit that combines improved facilities and a lower price tag than its predecessor.

Roland MT32

Review | Music Technology, Oct 1987
Multitimbral Synth Expander

The latest box out of the Roland stable to incorporate the D50's L/A synthesis. Simon Trask examines how a multitimbral expander designed with the home organ market in mind will find its way into pro studios.

Korg C5000

Review | Music Technology, Nov 1987
Electronic Piano

Thought you'd seen the last of the electronic piano? Simon Trask rolls up his sleeves and finds out there's life in the old dog yet.

M/A/R/R/S

Interview | Music Technology, Nov 1987

Making new music from old. Simon Trask talks to the musicians and DJs who made a No. 1 hit from a drum machine and other peoples' records.

Casio MG MIDI Guitar

Review | Music Technology, Dec 1987

Pitch-to-MIDI conversion without the complication of a free-standing conversion unit; Simon Trask finds new freedom in Casio's guitar controller.

C-Lab Creator

Review | Music Technology, Dec 1987
Software for the Atari ST

The competition for an industry-standard sequencing program to accompany the industry-standard computer hots up, as Simon Trask finds out when he picks up the mouse on C-Lab's contender.

Made in Japan - Part 3

Feature Series | Topic: Design, Development & Manufacture | Music Technology, Jan 1988
Eastern Intrigue

A last visit to the land of micro-chips and rice crackers. Simon Trask pays an enquiring visit to the Yamaha organisation before waving a fond farewell to the rising sun.

Microdeal Super Conductor

Review | Music Technology, Jan 1988
Software for the Atari ST

A budget MIDI sequencing package for the Atari ST (what isn't?). Our own St discovers that a fraction of the price doesn't necessarily mean a fraction of the facilities - especially when you're talking computer software.

Alesis MMT8 Sequencer

Review | Music Technology, Feb 1988

The hardware sequencer to beat them all? After an overlong wait, Simon Trask gets to grips with the latest development in the Alesis World Domination plan.

Ensoniq SQ80

Review | Music Technology, Feb 1988
Cross Wave Synthesiser

The successor to Ensoniq's popular ESQ1 expands on the sound and sequencing facilities and adds polyphonic aftertouch to the ESQ's spec. Simon Trask goes in search of the performance synthesiser.

Getting the Most from Multi Mode

Feature | Topic: MIDI | Music Technology, Mar 1988
Ensoniq SQ80 & ESQ1 Synthesizers

Frustrated by the limitations of sequencing with MIDI mono mode 4? Simon Trask discusses the benefits of multi mode and investigates its implementation on Ensoniq's SQ80 and ESQ1 synths.

Korg 707

Review | Music Technology, Mar 1988

Korg's DS8 presented FM synthesis in a more friendly light than originators Yamaha. Now their latest synth makes the price more friendly too. Simon Trask looks at a sine of the times.

Zyklus MIDI Performance System

Review | Music Technology, Mar 1988

At last it's here: Zyklus' sequence sequencer, MIDI control station, performance instrument... You sort it out with the help of Simon Trask's review.

Akai MPC60

Review | Music Technology, Apr 1988

From the ashes of the ill-fated Linn 9000, Roger Linn and Akai have brought forth the MPC60. Simon Trask takes a look at this powerful drum machine and sequencer.

Trading Places

Show Report | Music Technology, Apr 1988
Frankfurt Musik Messe 1988

It's that time of year when the music fraternity descend on a frozen Frankfurt. Tim Goodyer and Simon Trask check out new gear, new ideas and tired feet.

Tascam MTS30

Review | Music Technology, May 1988
MIDI Synchroniser

As tape synchronisation becomes an indispensable part of modern music making, the demand for cost-effective sync boxes grows... Simon Trask discovers that it takes more than Tipp-Ex on the tape to throw the MTS30 off the track.

Dr T's Midi Recording Studio

Review | Music Technology, May 1988
Software for the Atari ST

Budget software that sets out to prove that budget doesn't necessarily mean limited. Simon Trask puts the MIDI Recording Studio through its paces with his eye on the "features for ackers" gauge.

Yamaha MIDI Grand

Review | Music Technology, Jun 1988
Grand Piano

For everyone who's ever wished they could play their favourite synthesiser patch from a grand piano, Yamaha have the answer. Simon Trask discovers that old and new technology can co-exist in harmony.

Master Tracks Junior

Review | Music Technology, Jun 1988
Software for the Atari ST

A powerful sequencer for a less than overpowering price? Simon "loadsamidi" Trask discovers the slimmed-down version of Master Tracks Pro might just be Passport's passport to mass popularity.

Kawai K1

Review | Music Technology, Jun 1988

Kawai's latest synthesiser combines samples with sounds created using additive synthesis. Simon Trask investigates what could be a new dimension in synthesiser technology.

Steinberg Pro24 III

Review | Music Technology, Jul 1988
Software for the Atari ST

The latest version of the industry-standard Atari ST sequencing package. Simon Trask finds out if software is fulfilling its promise to keep abreast of the times.

Korg M1

Review | Music Technology, Jul 1988
Music Workstation

This synth/sequencer/drum machine with digital effects is the first instrument in Korg's new workstation series. Simon "Mansell" Trask takes it for a test drive.

Ensoniq EPS

Preview | Music Technology, Aug 1988
Sampler

It's nearly three years since Ensoniq struck it rich with the Mirage sampler. Simon Trask previews Ensoniq's new sampler and asks "can they repeat their success with the EPS?"

Steinberg's The Ear

Review | Music Technology, Aug 1988
Aural Training Software for Atari ST

Can you tell a minor third from a major seventh, or an augmented triad from a diminished triad? - Steinberg have a program to teach you how. Simon Trask lends an ear to a program with a difference.

Kurzweil 1000HX & 1000SX

Review | Music Technology, Aug 1988
Sample Expanders

For those without the time or the inclination to sample come two expanders dedicated to sampled horns and strings. Simon Trask finds out if Kurzweil's dedication has paid dividends.

 

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