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Oberheim Matrix 1000Review | Music Technology, Aug 1988Synth ExpanderThe latest addition to Oberheim's classic Matrix range offers 1000 analogue-style synth sounds for under £500. Simon Trask investigates the attraction of analogue in '88. |
Record AttendanceShow Report | Music Technology, Aug 1988APRS ReportThe latest developments in the recording world brought the industry, press and public flocking to Olympia 2 recently. Simon Trask records the event. |
Roland PAD80 Octapad IIReview | Music Technology, Sep 1988MIDI Pad ControllerRoland's follow-up to their successful Pad8 Octapad features expanded memory and enhanced programmability. Simon Trask hits it off with Roland's new percussion controller. |
The Techno WaveInterview | Music Technology, Sep 1988Techno music, the true successor to late seventies synth-pop, translates the desolation of post-Motown Detroit into electronic dance rhythms. Simon Trask listens to the programmer's tale. |
A Fair ShowingShow Report | Music Technology, Sep 1988BMF ReportThis year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley. |
Akai S1000Preview | Music Technology, Oct 1988SamplerAkai's popular S900 sampler has appeared on more records and in more studios than you can name. Simon Trask takes an early look at the S900's successor, the 16-bit, 16-voice S1000. |
Roland D20Review | Music Technology, Oct 1988LA SynthesiserRoland's latest keyboard combines two currently important concepts: the workstation and the company's own Linear Arithmetic synthesis. Simon Trask test drives the "multi-timbral linear synthesiser muhitrack sequencer". |
Ensoniq EPSReview | Music Technology, Oct 1988Performance SamplerIt's been a while in the pipeline but Ensoniq's successor to their popular Mirage sampler is up and running. Simon Trask checks out the latest "peoples' sampler". |
DJ Jazzy JeffGroup: ChitChat |
Cheetah MS6Review | Music Technology, Nov 1988Synth ExpanderThe long-awaited, rack-mounting, multitimbrol, budget analogue synth expander from Cheetah has arrived. Simon Trask turns on and trips out. |
MIDIsoft StudioReview | Music Technology, Nov 1988Software for the Atari STThis new Atari ST sequencing software package from America combines affordability with flexibility. Simon Trask applies the soft touch. |
Mixing LessonsInterview | Music Technology, Nov 1988Mott Black and Jonathan More have enjoyed success as DJs, record producers and artists in their own right. Simon Trask takes it from scratch. |
Future ShockInterview | Music Technology, Dec 1988Co-founder of the techno movement, Model 500's Juan Atkins discusses yesterday's technology and influences, and tomorrow's music. Technospeak: Simon Trask. |
Akai S1000Review | Music Technology, Dec 1988Digital SamplerFollowing in the footsteps of their successful S900 sampler, Akai's new baby looks likely to set new standards in sampling hardware. Simon Trask's thrilled to bits. |
Microdeal Replay SoftwareGroup: Review |
Roland U110 PCM Sound ModuleReview | Music Technology, Jan 1989What is 1¾" high, has 31 voices, plays the piano, vibraphone and sax, and has its own library? Simon Trask checks out Roland's latest PCM sample module. |
Documenting RealityInterview | Music Technology, Jan 1989Contemporary American composer Steve Reich talks about train journeys, music video theatre, and the ethics and aesthetics of sampling. Simon Trask goes along for the ride. |
Scratch & SnatchInterview | Phaze 1, Jan 1989tasty tips from britain's cut-up kings - if it moves, sample it! |
The Bass RaceFeature | Topic: Vintage Instruments | Music Technology, Feb 1989The acid house explosion has turned Roland's TB303 Bassline into one of the most sought-after pieces of analogue technology. Simon Trask looks at the machine behind the myth. |
Roland U110 Sound ModuleGroup: Review |
C-Lab Creator And NotatorReview | Music Technology, Feb 1989Software for the Atari STFollowing the success of C-Lab's Creator sequencing software for the Atari ST, the company have updated it and added a sophisticated scorewriting program. Simon Trask takes note. |
Roland R8Review | Music Technology, Feb 1989Human Rhythm ComposerSince the days of the TR808, Roland have set standards for many other drum machines; now they're concentrating on the human angle. Simon Trask tests the "Human Rhythm Composer". |
Emotional FoundationsInterview | Music Technology, Mar 1989The originator of acid house claims the secrets of good music are feel and emotion rather than a Roland Bassline and an Akai sampler. Simon Trask gets in the mood. |
Oberheim CycloneReview | Music Technology, Mar 1989MIDI Performance EffectThe arpeggiator is still regarded by many as "the poor man's sequencer", but Oberheim may be about to change that with a small grey box called Cyclone. Simon Trask blows hot and cold. |
Theme And VariationsShow Report | Music Technology, Mar 1989Frankfurt Musikmesse 1989Rain, sub-zero temperatures and sleazy hotels - who'd go to Frankfurt if it wasn't for the trade show? Simon Trask finds more than warmth and shelter at the Musikmesse. |