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Oberheim Matrix 1000

Review | Music Technology, Aug 1988
Synth Expander

The latest addition to Oberheim's classic Matrix range offers 1000 analogue-style synth sounds for under £500. Simon Trask investigates the attraction of analogue in '88.

Record Attendance

Show Report | Music Technology, Aug 1988
APRS Report

The latest developments in the recording world brought the industry, press and public flocking to Olympia 2 recently. Simon Trask records the event.

Roland PAD80 Octapad II

Review | Music Technology, Sep 1988
MIDI Pad Controller

Roland's follow-up to their successful Pad8 Octapad features expanded memory and enhanced programmability. Simon Trask hits it off with Roland's new percussion controller.

The Techno Wave

Interview | Music Technology, Sep 1988

Techno music, the true successor to late seventies synth-pop, translates the desolation of post-Motown Detroit into electronic dance rhythms. Simon Trask listens to the programmer's tale.

A Fair Showing

Show Report | Music Technology, Sep 1988
BMF Report

This year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley.

Akai S1000

Preview | Music Technology, Oct 1988
Sampler

Akai's popular S900 sampler has appeared on more records and in more studios than you can name. Simon Trask takes an early look at the S900's successor, the 16-bit, 16-voice S1000.

Roland D20

Review | Music Technology, Oct 1988
LA Synthesiser

Roland's latest keyboard combines two currently important concepts: the workstation and the company's own Linear Arithmetic synthesis. Simon Trask test drives the "multi-timbral linear synthesiser muhitrack sequencer".

Ensoniq EPS

Review | Music Technology, Oct 1988
Performance Sampler

It's been a while in the pipeline but Ensoniq's successor to their popular Mirage sampler is up and running. Simon Trask checks out the latest "peoples' sampler".

DJ Jazzy Jeff

Group: ChitChat

Interview | Phaze 1, Nov 1988

Cheetah MS6

Review | Music Technology, Nov 1988
Synth Expander

The long-awaited, rack-mounting, multitimbrol, budget analogue synth expander from Cheetah has arrived. Simon Trask turns on and trips out.

MIDIsoft Studio

Review | Music Technology, Nov 1988
Software for the Atari ST

This new Atari ST sequencing software package from America combines affordability with flexibility. Simon Trask applies the soft touch.

Mixing Lessons

Interview | Music Technology, Nov 1988

Mott Black and Jonathan More have enjoyed success as DJs, record producers and artists in their own right. Simon Trask takes it from scratch.

Future Shock

Interview | Music Technology, Dec 1988

Co-founder of the techno movement, Model 500's Juan Atkins discusses yesterday's technology and influences, and tomorrow's music. Technospeak: Simon Trask.

Akai S1000

Review | Music Technology, Dec 1988
Digital Sampler

Following in the footsteps of their successful S900 sampler, Akai's new baby looks likely to set new standards in sampling hardware. Simon Trask's thrilled to bits.

Microdeal Replay Software

Group: Review

Review | Phaze 1, Jan 1989

Roland U110 PCM Sound Module

Review | Music Technology, Jan 1989

What is 1¾" high, has 31 voices, plays the piano, vibraphone and sax, and has its own library? Simon Trask checks out Roland's latest PCM sample module.

Documenting Reality

Interview | Music Technology, Jan 1989

Contemporary American composer Steve Reich talks about train journeys, music video theatre, and the ethics and aesthetics of sampling. Simon Trask goes along for the ride.

Scratch & Snatch

Interview | Phaze 1, Jan 1989

tasty tips from britain's cut-up kings - if it moves, sample it!

The Bass Race

Feature | Topic: Vintage Instruments | Music Technology, Feb 1989

The acid house explosion has turned Roland's TB303 Bassline into one of the most sought-after pieces of analogue technology. Simon Trask looks at the machine behind the myth.

Roland U110 Sound Module

Group: Review

Review | Phaze 1, Feb 1989

C-Lab Creator And Notator

Review | Music Technology, Feb 1989
Software for the Atari ST

Following the success of C-Lab's Creator sequencing software for the Atari ST, the company have updated it and added a sophisticated scorewriting program. Simon Trask takes note.

Roland R8

Review | Music Technology, Feb 1989
Human Rhythm Composer

Since the days of the TR808, Roland have set standards for many other drum machines; now they're concentrating on the human angle. Simon Trask tests the "Human Rhythm Composer".

Emotional Foundations

Interview | Music Technology, Mar 1989

The originator of acid house claims the secrets of good music are feel and emotion rather than a Roland Bassline and an Akai sampler. Simon Trask gets in the mood.

Oberheim Cyclone

Review | Music Technology, Mar 1989
MIDI Performance Effect

The arpeggiator is still regarded by many as "the poor man's sequencer", but Oberheim may be about to change that with a small grey box called Cyclone. Simon Trask blows hot and cold.

Theme And Variations

Show Report | Music Technology, Mar 1989
Frankfurt Musikmesse 1989

Rain, sub-zero temperatures and sleazy hotels - who'd go to Frankfurt if it wasn't for the trade show? Simon Trask finds more than warmth and shelter at the Musikmesse.

 

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