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Microdeal ReplayReview | Music Technology, Apr 1989Software for the Atari STSampling is the name of the game, but without the equipment you can't play. Simon Trask investigates a unit that wil turn your Atari into a sampler for under eighty quid. |
Akai XE8 MIDI Drum ExpanderReview | Music Technology, Apr 1989As the sequencer comes of age, the role of the drum machine is brought into question: why have a sequencer in your drum box if there's already one in your computer? Simon Trask investigates what may be the next step for the beat box. |
Oberheim Systemizer MIDI Performance EffectReview | Music Technology, Apr 1989If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system. |
Akai MX76Review | Music Technology, May 1989MIDI Master KeyboardAkai's new MIDI master keyboard boasts a weighted six-octave keyboard and new terminology for its features. Simon Trask decides MIDI control is more than a simple matter of feel. |
Roland CD5Review | Music Technology, May 1989CD ROM PlayerExpensive it maybe, but CD ROM storage is one way of making a sampler a much more powerful instrument. And if you're using a Roland S550, it may not be as expensive as you think, as Simon Trask discovers. |
45 KingdomInterview | Music Technology, May 1989As well as being famous for the size of his record collection, DJ Mark is currently one of the major forces in hip hop sampling. The 45 King tells Simon Trask about the biters and the bitten. |
The Human Side Of HouseInterview | Phaze 1, May 1989a house music producer who hates sampling and big drum sounds? some mistake, surely? |
DJ TechnologyInterview | Music Technology, Jun 1989Winning the '89 Technics World DJ Mixing Championship has allowed Cutmaster Swift to plough the prize money into his studio. Simon Trask talks samples and scratches with the Champion. |
Ensoniq VFXReview | Music Technology, Jun 1989"A new synth, a new style of synthesis" could be Ensoniq's motto as they unveil their new VFX and its Transwave synthesis. Simon Trask previews the sound of things to come. |
Roland A50 & A80Review | Music Technology, Jun 1989MIDI Keyboard ControllersAs MIDI equipment becomes more and more sophisticated, the job of a MIDI controller keyboard becomes more and more demanding. Simon Trask takes the A train with Roland's latest MIDI controllers. |
Roland D5 SynthesiserGroup: Review |
Roland D5Review | Music Technology, Jul 1989L/A SynthesiserSimon Trask investigates the latest and cheapest in an increasingly long line of L/A synths from Roland. But if L/A is the way for you, are you better off with a D5 or a D10? |
DigiTech IPS33 SmartShiftReview | Music Technology, Jul 1989Intelligent Pitch ShifterMost pitch shifters wouldn't know their A minor from their E major, but DigiTech's IPS33 knows a thing or two about playing in key. Simon Trask finds himself in harmony with the Intelligent Pitch Shifter. |
Ensoniq VFXReview | Music Technology, Jul 1989Dynamic Component SynthesiserInitial impressions of the VFX have been glowing, to say the least, but will Ensoniq's latest synth break the Japanese stranglehold on the marketplace? Simon Trask investigates further. |
Roland W30Review | Music Technology, Jul 1989Music WorkstationThe cynics will say the W30 is nothing but a repackaging exercise on Roland's part, but Simon Trask looks a little deeper. Do a combined sampler and sequencer make the ideal workstation? |
The Blueprint of HiphopInterview | Music Technology, Aug 1989From the New York roots of hip hop, KRS One talks about street-level production values and samples as the poor musician's alternative to real musicians. Simon Trask listens to the Music of the Spheres. |
Roland U20Review | Music Technology, Aug 1989RS-PCM KeyboardRoland's U110 sample reading module proved popular enough to make a second appearance, complete with keyboard, in the U20 - but there's more. Simon Trask checks out Roland's RS-PCM keyboard. |
World SystemInterview | Music Technology, Aug 1989It's the talk of Paris' hep musical set, Peter Gabriel set up a new record label for it and Ray Lema is one of its greatest exponents - Simon Trask discovers hitech ethnic music is about to make its mark on popular culture. |
Cheetah Master Series 7PReview | Music Technology, Sep 1989Controller KeyboardAs synth and sampler expanders become more popular, the demand for an affordable master keyboard increases. Simon Trask puts Cheetah's latest - and best test. |
Korg M3R & RE1Review | Music Technology, Sep 1989Korg AI Synthesis module & remote editorKorg's M1 workstation has already become an industry standard; now the same AI synthesis system is available in the cheaper M3R. Simon Trask checks out 19" of pure pleasure. |
Disciple Of The BeatInterview | Music Technology, Sep 1989Dance music should be about more than 'moaning samples and ecstasy' claims producer Arthur Baker. Simon Trask talks to the man behind 'Planet Rock'. |
Trade Winds - BMF 1989Show Report | Music Technology, Sep 1989British Music Fair Show ReportThis year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question. |
Roland PAD5Review | Music Technology, Oct 1989Following the success of the Octapad and Octapad II, Roland have come down-budget with a MIDI percussion controller to suit all pockets. Simon Trask scores a hit. |
Casio VZ8MReview | Music Technology, Oct 1989iPD Synth ExpanderThe VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation. |