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Microdeal Replay

Review | Music Technology, Apr 1989
Software for the Atari ST

Sampling is the name of the game, but without the equipment you can't play. Simon Trask investigates a unit that wil turn your Atari into a sampler for under eighty quid.

Akai XE8 MIDI Drum Expander

Review | Music Technology, Apr 1989

As the sequencer comes of age, the role of the drum machine is brought into question: why have a sequencer in your drum box if there's already one in your computer? Simon Trask investigates what may be the next step for the beat box.

Oberheim Systemizer MIDI Performance Effect

Review | Music Technology, Apr 1989

If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system.

Akai MX76

Review | Music Technology, May 1989
MIDI Master Keyboard

Akai's new MIDI master keyboard boasts a weighted six-octave keyboard and new terminology for its features. Simon Trask decides MIDI control is more than a simple matter of feel.

Roland CD5

Review | Music Technology, May 1989
CD ROM Player

Expensive it maybe, but CD ROM storage is one way of making a sampler a much more powerful instrument. And if you're using a Roland S550, it may not be as expensive as you think, as Simon Trask discovers.

45 Kingdom

Interview | Music Technology, May 1989

As well as being famous for the size of his record collection, DJ Mark is currently one of the major forces in hip hop sampling. The 45 King tells Simon Trask about the biters and the bitten.

The Human Side Of House

Interview | Phaze 1, May 1989

a house music producer who hates sampling and big drum sounds? some mistake, surely?

DJ Technology

Interview | Music Technology, Jun 1989

Winning the '89 Technics World DJ Mixing Championship has allowed Cutmaster Swift to plough the prize money into his studio. Simon Trask talks samples and scratches with the Champion.

Ensoniq VFX

Review | Music Technology, Jun 1989

"A new synth, a new style of synthesis" could be Ensoniq's motto as they unveil their new VFX and its Transwave synthesis. Simon Trask previews the sound of things to come.

Roland A50 & A80

Review | Music Technology, Jun 1989
MIDI Keyboard Controllers

As MIDI equipment becomes more and more sophisticated, the job of a MIDI controller keyboard becomes more and more demanding. Simon Trask takes the A train with Roland's latest MIDI controllers.

Roland D5 Synthesiser

Group: Review

Feature | Phaze 1, Jul 1989

Roland D5

Review | Music Technology, Jul 1989
L/A Synthesiser

Simon Trask investigates the latest and cheapest in an increasingly long line of L/A synths from Roland. But if L/A is the way for you, are you better off with a D5 or a D10?

DigiTech IPS33 SmartShift

Review | Music Technology, Jul 1989
Intelligent Pitch Shifter

Most pitch shifters wouldn't know their A minor from their E major, but DigiTech's IPS33 knows a thing or two about playing in key. Simon Trask finds himself in harmony with the Intelligent Pitch Shifter.

Ensoniq VFX

Review | Music Technology, Jul 1989
Dynamic Component Synthesiser

Initial impressions of the VFX have been glowing, to say the least, but will Ensoniq's latest synth break the Japanese stranglehold on the marketplace? Simon Trask investigates further.

Roland W30

Review | Music Technology, Jul 1989
Music Workstation

The cynics will say the W30 is nothing but a repackaging exercise on Roland's part, but Simon Trask looks a little deeper. Do a combined sampler and sequencer make the ideal workstation?

The Blueprint of Hiphop

Interview | Music Technology, Aug 1989

From the New York roots of hip hop, KRS One talks about street-level production values and samples as the poor musician's alternative to real musicians. Simon Trask listens to the Music of the Spheres.

Interface the Music

Feature | Topic: MIDI | Phaze 1, Aug 1989

explaining what MIDI can do for you

Roland U20

Review | Music Technology, Aug 1989
RS-PCM Keyboard

Roland's U110 sample reading module proved popular enough to make a second appearance, complete with keyboard, in the U20 - but there's more. Simon Trask checks out Roland's RS-PCM keyboard.

World System

Interview | Music Technology, Aug 1989

It's the talk of Paris' hep musical set, Peter Gabriel set up a new record label for it and Ray Lema is one of its greatest exponents - Simon Trask discovers hitech ethnic music is about to make its mark on popular culture.

Cheetah Master Series 7P

Review | Music Technology, Sep 1989
Controller Keyboard

As synth and sampler expanders become more popular, the demand for an affordable master keyboard increases. Simon Trask puts Cheetah's latest - and best test.

Korg M3R & RE1

Review | Music Technology, Sep 1989
Korg AI Synthesis module & remote editor

Korg's M1 workstation has already become an industry standard; now the same AI synthesis system is available in the cheaper M3R. Simon Trask checks out 19" of pure pleasure.

Disciple Of The Beat

Interview | Music Technology, Sep 1989

Dance music should be about more than 'moaning samples and ecstasy' claims producer Arthur Baker. Simon Trask talks to the man behind 'Planet Rock'.

Trade Winds - BMF 1989

Show Report | Music Technology, Sep 1989
British Music Fair Show Report

This year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question.

Roland PAD5

Review | Music Technology, Oct 1989

Following the success of the Octapad and Octapad II, Roland have come down-budget with a MIDI percussion controller to suit all pockets. Simon Trask scores a hit.

Casio VZ8M

Review | Music Technology, Oct 1989
iPD Synth Expander

The VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation.

 

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