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LA GearInterview | Music Technology, Oct 1989From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out. |
Can - The Right TimeInterview | Music Technology, Nov 1989In the '70s, Can paved the way for a generation of experimental electronic musicians. Simon Trask talks to Holger Czukay and Michael Karoli amidst the CD rerelease of their entire back-catalogue and a new LP for '89. |
The State of TechnologyInterview | Music Technology, Nov 1989England's North has consistently produced some of the most innovative electronic music. Simon Trask talks to a band set to take their place alongside New Order and Heaven 17. |
Roland RhodesReview | Music Technology, Nov 1989MK 80 Electronic PianoIn its day the Fender Rhodes changed the course of musical progress; now Roland have resurrected and improved Harold Rhodes' classic electric piano. Simon Trask plays on... |
Yamaha SY77 & TG55Preview | Music Technology, Dec 1989It's been a while since Yamaha revolutionised synthesisers with the DX7 but now they're making ambitious claims about their SY77. Simon Trask gets a glimpse of Yamaha's latest synth. |
ART SGEReview | Music Technology, Dec 1989Multi FX ProcessorWith multi-fx processors appearing faster than dissenting conservative back-benchers, the pressure is on to come up with something different. Simon Trask investigates a processor that uses analogue circuitry for its unique character. |
Korg T1Review | Music Technology, Dec 1989Music WorkstationKorg's latest line in synths is the T-series workstations - modestly designed to pick up where the successful M1 workstation left off. Simon Trask climbs aboard the flagship T1. |
Waldorf Electronics MicrowaveReview | Music Technology, Jan 1990Synthesiser ModuleFrom the ashes of the classic PPG Wave synthesisers rises the Microwave - a synth expander that combines the unique qualities of PPG's wavetables with late '80s technology. Cooking with Simon Trask. |
Yamaha SY77 Performance SynthesiserReview | Music Technology, Jan 1990Long awaited and long overdue, the SY77 is Yamaha's real successor to the DX7; it combines advanced FM synthesis, AWM sound modelling, digital filtering and musical usefulness. Innovation with Simon Trask. |
Steinberg TopazReview | Music Technology, Feb 1990Computer Controlled RecorderOne of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio. |
Cheetah MQ8Review | Music Technology, Feb 1990SequencerLatest in their line of cost-effective gear is Cheetah's MQ8 sequencer. Simon Trask investigates a budget sequencer that incorporates some of the features of the Zyklus MIDI Performance System. |
Yamaha Studio 100 SeriesReview | Music Technology, Mar 1990Studio ModulesThe 100 Series is Yamaha's compact, cost- effective line of studio modules. Simon Trask tests a selection of units from mixer through effects to monitors. |
Live And DirectInterview | Music Technology, Mar 1990By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music. |
Yamaha SY22Review | Music Technology, Apr 1990DYNAMIC VECTOR SYNTHESISERYamaha's new SY22 combines RCM synthesis with elements of the Prophet VS's vector synthesis to give us Dynamic Vector Synthesis. Simon Trask previews the return of the joystick synth. |
Voodoo ChileInterview | Music Technology, Apr 1990You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists. |
Roland R8MReview | Music Technology, Apr 1990Total Percussion Sound ModuleFrom the R8 Human Rhythm Composer comes the Total Percussion Sound Module "humanising' without a sequencer? Simon Trask investigates Roland's latest beat box and a selection of sound cards. |
Rhodes Model 660 & 760Review | Music Technology, May 1990RS-PCM KeyboardsResponding to the demand for accessible synthesisers, Roland's Rhodes division has come up with the first of a series of "playable" instruments. Simon Trask checks their performance. |
Boss Dr Rhythm DR550Review | Music Technology, May 1990Drum MachineThe latest in Boss' Dr Rhythm series drum machines sees affordability crossed with the sort of quality reserved for Roland's R8 flagship. Simon Trask asks if you can beat it. |
A Profusion Of DreamsShow Report | Music Technology, May 1990FRANKFURT REPORTTrade shows often make the best stage for unveiling new equipment - did this year's Frankfurt show witness any revolutions? Simon Trask brings the news from Germany. |
The PioneerInterview | Music Technology, May 1990From artistic oppression under Stalin to contributing to Stanley Kubrick's 2001: A Space Odyssey, György Ligeti has remained a true music pioneer. Simon Trask talks to a musical legend. |
Korg WavestationReview | Music Technology, Jun 1990Taking onboard the "Vector" synthesis of the Prophet VS, Korg's latest synth offers a fresh approach to modern synthesis. Simon Trask previews Korg's latest synth. |
Roland D70Review | Music Technology, Jun 1990Just when you thought it was safe to be blasé about L/A synthesis, Roland introduce a mighty synth sure to re-establish L/A as a current source of sounds. Simon Trask previews Roland's new flagship. |
Roland S770 - Part 1Review Series | Music Technology, Jun 1990We've waited patiently for Roland's super sampler - but now it's here, and every bit as hot as expected. Simon Trask asks if Roland have set a new standard in digital samplers. |
Age of ChanceInterview | Music Technology, Jun 1990Abandoning guitars for samplers, Skin became Fluke and discovered new artistic freedom. Simon Trask listens to the man/machine argument from people who've learned both sides of it. |
Akai XR10Review | Music Technology, Jun 1990Akai's latest drum machine attempts to combine the best of programmable and preset rhythm units. Simon Trask assesses this marketing strategy while listening to some dope drum sounds. |