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Alesis SR16Review | Music Technology, Feb 1991Drum MachineWith more machines appearing every month, there's no denying that it's boom-time for the beatbox. Simon Trask rocks to the rhythm of this latest offering from Alesis. |
Ensoniq EPS16 PlusReview | Music Technology, Feb 1991Digital Sampling WorkstationAfter a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples. |
Working BeatsInterview | Music Technology, Mar 1991From their excellent 1984 debut single 'Venceremos', Working Week have charted a unique course between fashionability and credibility. Simon Trask works out with Simon Booth. |
Roland MV30 Studio MReview | Music Technology, Mar 1991Music Production SystemIs it a bird, is it a plane? No, it's a multitimbral synth module, it's a sequencer, it's an automated mixer... Simon Trask puzzles over Roland's Studio M. |
Cheetah MD16Review | Music Technology, Mar 1991Drum MachinePossibly the most requested review in recent years, Cheetah's MD16 drum machine is finally here and ready for inspection. Simon Trask gives it a good beating. |
World PartyInterview | Music Technology, Apr 1991World music's elder statesman puts aside his many saxophones to talk musical styles, modern technology and old-fashioned emotion. Simon Trask catches him onstage and off. |
Dream FactoryInterview | Music Technology, Apr 1991Arriving on the world stage, the Dream Warriors' unique musical style is giving Canadian hip hop American-style exposure. Simon Trask talks musical sentences. |
Yamaha QY10Review | Music Technology, May 1991Music SequencerThe phrase "size isn't everything" could have been written for this pocket-sized sequencer and synth expander. Simon Trask predicts big things. |
Akai S1100Review | Music Technology, May 1991Digital Stereo SamplerHaving set the music industry standard in sampling with their S1000, Akai are now taking moving pictures into their stride. Simon Trask gets frame-accurate on the S1100. |
Soul of the MachineInterview | Music Technology, Jun 1991Neatly sidestepping the monotonous beats and cliched melodies that typify too many dance acts, this Swiss-American collaboration are making refreshing music. Simon Trask and Heinrich Zwahlen share a technical obsession. |
Philip Rees Percussion Sample PlayerReview | Music Technology, Jun 1991Drum ExpanderMore than a beatbox, less than a sampler, the Percussion Sample Player appears to be a unique rhythmatist's instrument. Simon Trask looks at the pros and cons of a dedicated drum sampler. |
Roland JD800Review | Music Technology, Jun 1991Digital SynthesiserRoland's latest synth combines the power of digital synthesis with the interactive approach of analogue programming. The pleasure of synthesis returns to the player and to Simon Trask. |
Roland JX1Review | Music Technology, Jul 1991Performance SynthesiserIf you'd begun to believe that you needed a degree to use any modern synth, think again: think JX1. Simon Trask discovers the truth behind the Japanese "Think SynX Concept" adverts. |
Machine HeadInterview | Music Technology, Jul 1991The line between man and machine is blurred; today there exists an entity whose purpose is to make music. Simon Trask discovers that its sights are locked on the dance charts and it absolutely will not stop. |
Yamaha RY30Review | Music Technology, Jul 1991Drum MachineAs the drum machine goes from strength to strength, Yamaha give it a new dimension by adding a synth-style "bend" wheel. Simon Trask wonders if the beatbox will ever be the same again. |
Baby BoomInterview | Music Technology, Aug 1991Eccentric Swiss pioneers Yello follow 1989's Flag with another long playing sound fantasy. Simon Trask talks to Boris Blank about his old Fairlight and his new Baby. |
Deep VibrationsInterview | Music Technology, Aug 1991Turning their backs on pop notoriety to meet electronic experimentation head on, Sheffield's LFO are taking dance music into new areas. Simon Trask gets a new perspective on nostalgia. |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
Waxing LyricalInterview | Music Technology, Sep 1991When you come across a hi-tech band who won't even use commercial synths for fear of being imitated, they must have something special to protect. Simon Trask pays a visit to Leeds to check out the mysterious Nightmares on Wax. |
Oberheim DrummerReview | Music Technology, Sep 1991Interactive Drum Pattern SequencerIf your drum patterns sound uninspired it could be because you lack the subtle touch of the human drummer. Simon Trask looks at an electronic aid to drum programming. |
Korg A5 Multi-FX/GuitarReview | Music Technology, Oct 1991Performance Signal ProcessorKorg's A5 series of effects is aimed to offer a variety of effects to a variety of musicians. Simon Trask test drives them and discovers guitar distortion works for drum machines. |
E-MU Systems Pro/cussionReview | Music Technology, Oct 1991Maximum Percussion ModuleHaving set standards with their Proteus sample reader and their Pro/formance piano module. E-mu are trying again. Simon Trask beats up the new Pro/cussion drum expander. |
Yamaha SY99Review | Music Technology, Oct 1991AFM/AWM SynthesiserOn from the revolutionary DX7, on from the souped-up DX7 II, on even from the mighty SY77, comes the SY99. Simon Trask takes the new Yamaha flagship on her maiden voyage. |
All Systems GoInterview | Music Technology, Oct 1991If you can't imagine how Steve Hillage, Derrick May and The Orb would sound making music together, you can buy their forthcoming LP and find out. Simon Trask talks to the man behind the guitar and the project. |
Oberheim StrummerReview | Music Technology, Nov 1991Keyboard to Guitar Chord ConverterLatest in Oberheim's Perf/X series is a unit designed to bridge the gap between keyboard and guitar. Simon Trask perfects his Jimi Hendrix impression. |