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Search results
 Grey Matter Response E! BoardReview | Music Technology, May 1988For the DX7IIGrey Matter Response's E! expansion for the DX7 virtually gave it the power of the DX7II; E! for the DX7II represents another quantum leap in DX capability. Chris Many checks it out. |
 Soundchaser Computer Music SystemReview Audio | Electronics & Music Maker, Jan 1982 |
 Chip Parade - Part 7Feature Series | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Mar 1984More micro chips |
 Vesta-Fire DEX-810 Driving ExciterReview | Home & Studio Recording, Aug 1984 |
 Improving a Copy Guitar - Part 2Feature Series | Topic: Maintenance / Repair / Modification | International Musician & Recording World, Jun 1975 |
 Sampling Natural SoundsFeature | Topic: Location Sound, Recording, Sampling | Sound On Sound, Apr 1990As a humble home studio hopeful who has never pointed a mic in earnest at anything outdoors before, James Walters goes in search of the basic equipment. |
 Digital Mixing MagicFeature | Topic: Mixing, Sampling | Sound On Sound, Aug 1990With Sampling KeyboardsVocal line out of tune? Lead guitarist fluffed his solo again? Craig Anderton reveals some ways of using a sampler to fix these, and other problems, in the mix. |
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 Music On The MacintoshFeature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992Software and HardwareNewer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface. |
 Roland S10Review | International Musician & Recording World, Dec 1986SamplercheckTony Mills samples Roland's first entry into serious user-n..n..nineteen-ing |
 ToolboxNews | The Mix, Apr 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds and samples |
 Westwood BoundFeature | Topic: Recording Studios | Home & Studio Recording, Sep 1986A look behind the scenes in one of the country's most respected voice-over studios. |
 The Bassment TapesInterview | Music Technology, Sep 1989From the chart success of 'Bass (How Low Can You Go)' to an album and a 24-track studio in his lounge - Simon Harris talks sounds and samples with Tim Goodyer. |
 MonologueRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Aug 1991Arp Pro Soloist, Korg Sigma & Roland SH2000In the early days of analogue synths, reconciling electronics and expression was hard work. Gordon Reid looks at the beginnings of pressure sensitivity. |
 Roland JV80Review | Music Technology, May 1992Digital SynthesiserRoland's latest professional digital synthesiser crosses the frontier between their successful D-series technology and a new generation of Roland synths - without costing a fortune. Simon Trask welcomes the JV80. |
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 Brave New ScienceInterview | Music Technology, Jul 1987Six years have passed since New York's best-known performance artist leapt to fame with 'O, Superman'. Tim Goodyer finds she's still stretching technology to its limits in her new film 'Home of the Brave'. |
 Akai S900 RevisitedReview | Sound On Sound, Oct 1987S900 owner David Mellor receives a package in the post from Akai, which rekindles his enthusiasm in the sampler which was one of the first to combine a wealth of facilities with a reasonable price. Will the Version 2.0 software update bring the Akai into line with the latest samplers on the market or has it become old technology - just after its first birthday? |
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 MicrocosmNews | Topic: Computing | Electronic Soundmaker & Computer Music, Mar 1984Exclusive news analysis |
 Rebis Effects RackReview | Home & Studio Recording, Sep 1984 |
 Rebis RA226 Digital SamplerGroup: Recording WorldStudio TestCurtis Schwartz on the rack |
 4T/FX and d2d EditGroup: Quality ControlSoftware for the Atari FalconFrom D2D2U - tapeless recording on the Falcon |
 Sweetening the pillGroup: Sound AdviceSampler testThree big names, but which one’s the best? |
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