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Allen & Heath 1221Review | Electronics & Music Maker, Nov 1982 |
Two PayFeature | Topic: Tuition / Technique, Music Theory | Making Music, Aug 1986Two-Chord SongsJust two, yup. Everyone from the Who to Duran Duran has used the trick. Now you can. |
Tascam MSR24SReview | Sound On Sound, Feb 1991'S' AppealIs it the birth of a new standard? Dave Lockwood drools over Tascam's Dolby S-equipped one-inch 24-track. |
Psychoacoustic Enhancer - Part 9Feature Series | Topic: Electronics / Build | Home & Studio Recording, Aug 1985This exciting project from Paul Williams is capable of making even the most dull recordings come to life - it's a pity it can't do anything about duff songwriting though. |
Expand AbilityReview | Electronics & Music Maker, Jul 1985Two manufacturers follow their already established polysynths with keyboardless voice expanders. Trish McGrath puts the Chase Bit 01 and Siel Expander 80 through their paces. |
Souper TrouperReview | Sound On Sound, Oct 1993Digital Soup Editing Software For The PCIt's very cheap and immensely powerful. Read our review to find out more... |
Plasmec Systems ADASReview | Music Technology, Nov 1991Hard Disk Recording SystemDirect-to-disk digital recording comes of age on the Atari ST computer. Vic Lennard checks out the system which may change your life. |
Akai EWI-2000 & EWV-2000Review | Music Technology, Apr 1988Electronic Wind InstrumentState-of-the-art wind synthesis. Man Jumping's Andy Blake gets his fingers around Akai's wind controller and voicing module and finds a happy marriage between expression and analogue synthesis. |
Korg DS8 Digital SynthesizerReview | Sound On Sound, Mar 1987Korg's very latest keyboard is non other than a touch-sensitive, sub-£1000, 8-voice FM synthesizer! Mark Jenkins managed to catch a sneak preview. |
The Power of WindFeature | Topic: Design, Development & Manufacture | Music Technology, Dec 1987Nyle Steiner and Sal Gallina InterviewedAs wind synthesis gains momentum we sent Nick Armington and Lars Lofas out to track down and talk to the men responsible for the design of the Yamaha WX1 and Akai EWI. |
NewsdeskNews | Music Technology, Aug 1992 |
Pearl PM-66 Programmable MixerReview | Home & Studio Recording, Dec 1983 |
The Sound That Steve BuiltInterview | Recording Musician, Sep 1992Marillion's guitarist talks to John Harris about the band's home studio and about getting great guitar sounds on tape... |
Pushing Back Frontiers?Review | Sound On Sound, May 1988Emulator III Sampling KeyboardIf there is one company which has made its name on sampling that company is E-mu Systems. The term 'Emulator' is now synonymous with sampling and now the third instrument in this distinguished series is on the market. Paul Wiffen checks it out and finds E-mu bang up to date. |
AudioFrame Grows UpReview | Sound On Sound, Jan 1989Although expensive, digital audio workstations are a pointer to the kind of features we can expect to see on the next generation of 'affordable' hi-tech instruments. Craig Anderton takes a look at one of the very latest workstations to appear, the AudioFrame. |
Amdek Graphic Equaliser KitFeature | Topic: Electronics / Build | Electronics & Music Maker, Oct 1983Build and modify this 10-band processor kit |
Prime CutsFeature | Topic: Tape, Vinyl, CD, DAT | Making Music, Sep 1986 |
Shape Of Things To ComeNews | Sound On Sound, Mar 1991News of Roland's brand new megasynth, yamaha's latest effects processors, and more — all in glorious colour. |
E-mu MorpheusGroup: Quality ControlZ-plane synthesiserFrom one of the few companies still committed to developing new methods of sound synthesis, the Morpheus promises much. Does it deliver? |
The Fifth DimensionReview | Electronics & Music Maker, Oct 1985Yamaha DX5Merely two DX7s in a box, or a valid addition to the Yamaha range of FM digital keyboards? Simon Trask takes the mid-price algorithm through its paces, and comes to mixed conclusions. |