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Tascam M2524

Review | Music Technology, Jan 1992
Mixing Desk

Tascam make their bid for the growing private studio/pre-production market with two brand new MIDI-controlled mixers. Tim Goodyer follows the expansion of automated mixing on a budget.

Alesis MIDIFEX

Review | Sound On Sound, Aug 1986

Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words.

Soundtracs 16-8-16 Mixer

Review | Home & Studio Recording, Jan 1984

Four-Headed Monster

Review | Recording Musician, Feb 1993
Sony DTC77ES Four-Head DAT Recorder

Four heads can be better than one — and they needn't tax your overdraft, as Derek Johnson discovers with Sony's latest DAT recorder.

Music Maker Equipment Scene

News | Electronics & Music Maker, Nov 1981

Back To Bach

Interview | Music Technology, Jun 1993

Wendy Carlos still loves digital synthesis. Through her pioneering soundtrack work on movies like Tron, and her synthesised interpretations of the classics, she has done as much as Jarre, Kraftwerk and Eno in making synthesisers both respectable and popular. She also used to be Walter Carlos. Daniel Rue investigates

Fostex G24S

Review | Sound On Sound, Mar 1991
SSSH... From You Know Who

Following last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S.

Country Life

Interview | One Two Testing, Dec 1984

the instrumental side of touring

Apple Notes

Feature | Topic: Computing | Sound On Sound, Dec 1992

Acid Radical

Interview | Phaze 1, Feb 1989

baby ford, golden boy of british acid, drops hints on getting the dancefloor moving

Kahler Bass Tremolo

Review | One Two Testing, Jan 1985

wanging for four strings

Lab Notes: MUS1

Feature | Topic: Computing | Polyphony, Apr/May 1978
With the New Miracle Ingredient - STG

Macworld '89

Show Report | Music Technology, Feb 1990

The Atari ST may currently be the most popular music computer, but a lot of music software is still being pioneered on the Apple Mac. Mike Collins visited MacWorld '89 for the latest musical developments.

Modern Times

Editorial | Music Technology, Jan 1990

As we move into a new decade, Tim Goodyer looks back at the '80s and forward to the '90s - where can we hope to see the hi-tech music industry take us next?

 

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