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Seck 16-8-2 Mixer

User Report | Home & Studio Recording, Apr 1984

User Report

Microcosm

News | Topic: Computing | Electronic Soundmaker & Computer Music, Mar 1984

Exclusive news analysis

Rebis Effects Rack

Review | Home & Studio Recording, Sep 1984

Rebis RA226 Digital Sampler

Group: Recording World

Review | International Musician & Recording World, Feb 1986
Studio Test

Curtis Schwartz on the rack

4T/FX and d2d Edit

Group: Quality Control

Review | Music Technology, Aug 1993
Software for the Atari Falcon

From D2D2U - tapeless recording on the Falcon

Sweetening the pill

Group: Sound Advice

Feature | Topic: Sampling | The Mix, Dec 1994
Sampler test

Three big names, but which one’s the best?

Emu Vintage Keys

Review | Sound On Sound, Apr 1993
Synthesizer Module

Mixing it! USA

Group: Mixing it!

Feature | The Mix, May 1995
News from America compiled by Simon Braund

Expand the Universe

Review | Home & Studio Recording, Oct 1986
Vesta Fire SF100 Space Commander

Spatial expansion can produce very impressive effects without sounding unsubtle. This digital unit gives you a lot of options, but you pay for them!

Disciple Of The Beat

Interview | Music Technology, Sep 1989

Dance music should be about more than 'moaning samples and ecstasy' claims producer Arthur Baker. Simon Trask talks to the man behind 'Planet Rock'.

Bass Studies

Interview | Music Technology, Oct 1988

In his career as disc jockey, audio engineer and pop star Tim Simenon has called upon musical influences as diverse as Rick James and Kraftwerk. Tim Goodyer talks tech with a DJ who intends to take cut-up records on the road.

Kurzweil K2000

Review | Music Technology, Jul 1992
Digital Synthesiser

After being quiet for a while, Kurzweil are stirring up quite a storm with their latest synth. MT grabbed one for review only to find it had been sold to New Order - consequently, Nick Batzdorf reports from the US.

Home Recording With Digital - Part 3

Feature Series | Home & Studio Recording, Mar 1984

Further PCM F1 interconnections

Question & Answer Time

Editorial | Music Technology, Nov 1987

Never a dull moment at the office, as the telephone keeps the world in touch with Music Technology.

The Shape of Things to Come

News | Sound On Sound, Dec 1987

Direct from the Far East, we bring you news of Yamaha's first 'pro' sampler, Roland's 16-bit digital reverb, Akai's low-cost digital multitrack and more...

Aphex Aural Exciter - Type B

Review | Home & Studio Recording, Apr 1984

Chip Parade - Part 8

Feature Series | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Apr 1984

The ubiquitous delay line

Vesta Fire SL-020 Dual Compressor/Limiter

Review | Home & Studio Recording, Nov 1984

Frankfurt: Guitars, Basses, Amps And Effects

Show Report | International Musician & Recording World, Apr 1986

One man in search of perfection. Dave Burrluck gives his verdict on the state of the axe

Rane MPE14 MIDI Programmable Equaliser

Review | Sound On Sound, Jun 1990

Dynamic MIDI control of EQ curves is only one of the creative benefits of this stereo 14-band equaliser, which offers tremendous tone-shaping power to those enlightened enough to explore its functions. Dave Lockwood sees the light and reports back.

Yamaha GQ1031 Graphic Equaliser

Review | Home & Studio Recording, May 1985

Digidesign Deck

Review | Sound On Sound, Nov 1990

Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates.

Digital Anarchy

Interview | Music Technology, Sep 1993

Mixed media pioneers Matt Black and Rob Pepperell talk about their plans for the future of entertainment and art, as part of the Hex project

Fast Forward

News | The Mix, Dec 1994
No hype, no waffle - just tomorrow's products today

A peek at what’s new

Tape Machine Survey - Part 3

Feature Series | Topic: Buyer's Guide | Sound International, Jul 1978

A readable survey covering manufacturers from I to T.

 

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