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Korg M3R & RE1

Review | Music Technology, Sep 1989
Korg AI Synthesis module & remote editor

Korg's M1 workstation has already become an industry standard; now the same AI synthesis system is available in the cheaper M3R. Simon Trask checks out 19" of pure pleasure.

CEDAR/Harmonia Mundi Real-Time De-Clicker

Review | Music Technology, Aug 1991
Signal Processor

It sounds like a cheap TV ad, but this device puts an end to all known clicks and pops. Vic Lennard gives the latest development in noise elimination the Rice Krispies test.

Frankfurt Paydirt

Show Report | Music Technology, May 1992

The annual pilgrimage to Europe's largest music fair is over for another year. Vic Lennard brings hot news of the latest hi-tech developments, innovations, launches, lunches...

Tascam Studio 8

Review | Sound On Sound, Jan 1986

Continuing the tradition that began with their 144 Portastudio, Tascam have created a combined package of mixer and 8-track recorder - the 388 Studio 8 - whose compact dimensions belie its true versatility. Dave Lockwood assesses its performance.

Hybrid Arts MIDITrack ST

Review | Music Technology, Jun 1987

In the maze of MIDI software now available for the Atari ST, this sequencer stands out for offering two entirely different recording systems.

Grey Matter Response E! Board

Review | Music Technology, May 1988
For the DX7II

Grey Matter Response's E! expansion for the DX7 virtually gave it the power of the DX7II; E! for the DX7II represents another quantum leap in DX capability. Chris Many checks it out.

Soundchaser Computer Music System

Review Audio | Electronics & Music Maker, Jan 1982

Chip Parade - Part 7

Feature Series | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Mar 1984

More micro chips

Vesta-Fire DEX-810 Driving Exciter

Review | Home & Studio Recording, Aug 1984

Improving a Copy Guitar - Part 2

Feature Series | Topic: Maintenance / Repair / Modification | International Musician & Recording World, Jun 1975

Sampling Natural Sounds

Feature | Topic: Location Sound, Recording, Sampling | Sound On Sound, Apr 1990

As a humble home studio hopeful who has never pointed a mic in earnest at anything outdoors before, James Walters goes in search of the basic equipment.

Digital Mixing Magic

Feature | Topic: Mixing, Sampling | Sound On Sound, Aug 1990
With Sampling Keyboards

Vocal line out of tune? Lead guitarist fluffed his solo again? Craig Anderton reveals some ways of using a sampler to fix these, and other problems, in the mix.

MIDI-UM

Group: Synth Sense

Feature | Topic: MIDI | One Two Testing, Nov 1984
does it work?

Music On The Macintosh

Feature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992
Software and Hardware

Newer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface.

Roland S10

Review | International Musician & Recording World, Dec 1986
Samplercheck

Tony Mills samples Roland's first entry into serious user-n..n..nineteen-ing

Toolbox

News | The Mix, Apr 1995
Sounds, samples, & software upgrades for the modern studio

New software, updates, sounds and samples

Westwood Bound

Feature | Topic: Recording Studios | Home & Studio Recording, Sep 1986

A look behind the scenes in one of the country's most respected voice-over studios.

The Bassment Tapes

Interview | Music Technology, Sep 1989

From the chart success of 'Bass (How Low Can You Go)' to an album and a 24-track studio in his lounge - Simon Harris talks sounds and samples with Tim Goodyer.

Monologue

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Aug 1991
Arp Pro Soloist, Korg Sigma & Roland SH2000

In the early days of analogue synths, reconciling electronics and expression was hard work. Gordon Reid looks at the beginnings of pressure sensitivity.

Roland JV80

Review | Music Technology, May 1992
Digital Synthesiser

Roland's latest professional digital synthesiser crosses the frontier between their successful D-series technology and a new generation of Roland synths - without costing a fortune. Simon Trask welcomes the JV80.

Calrec Soundfield (Mark 4)

Review | Home & Studio Recording, Mar 1984
Microphone

Brave New Science

Interview | Music Technology, Jul 1987

Six years have passed since New York's best-known performance artist leapt to fame with 'O, Superman'. Tim Goodyer finds she's still stretching technology to its limits in her new film 'Home of the Brave'.

Akai S900 Revisited

Review | Sound On Sound, Oct 1987

S900 owner David Mellor receives a package in the post from Akai, which rekindles his enthusiasm in the sampler which was one of the first to combine a wealth of facilities with a reasonable price. Will the Version 2.0 software update bring the Akai into line with the latest samplers on the market or has it become old technology - just after its first birthday?

Seck 16-8-2 Mixer

User Report | Home & Studio Recording, Apr 1984

User Report

Microcosm

News | Topic: Computing | Electronic Soundmaker & Computer Music, Mar 1984

Exclusive news analysis

 

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