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Pedal PowerReview | Home & Studio Recording, Nov 1985Boss DSD2 Sampler/DelayThe Boss DSD2 Sampling pedal. |
Guitarist's GrailReview | Sound On Sound, Jan 1992Tech 21 SansampThe ultimate DI sound is the Holy Grail for recording guitarists. Dave Lockwood test (over)drives a black box that moves a step closer to the goal. |
New AfricaFeature | Topic: History / Culture | Phaze 1, Apr 1989if your music feels lacklustre, dabble in dance rhythms from the dark continent |
MDB Window RecorderReview | International Musician & Recording World, Oct 1985SamplercheckJim Betteridge gets sample minded again |
Korg S3 - Part 1Review Series | Music Technology, Jan 1991Rhythm WorkstationThe drum machine's reply to the keyboard workstation is Korg's S3 Rhythm Workstation. Simon Trask looks at the first of a new breed of drum machine, sequencer and effects processor. |
Playing the BluesInterview | Music Technology, Jul 1988Pop hopefuls or Stock, Aitken and Waterman puppets? The men in Blue give David "newboy" Bradwell the inside story on the SAW production stable. |
Ibanez HD1000 Harmonics/DelayReview | Electronics & Music Maker, Nov 1983 |
Cut & Thrust - Part 2Feature Series | Topic: Marketing / Promotion, Music Business | Music Technology, Feb 1993Cutting A RecordWhen push comes to shove - part two of MT's guide to releasing and promoting your own record |
Six AppealReview | Recording Musician, Mar 1993Vestax MR66 6-Track Recorder and RMC88 Studio MixerPut these two together and you have a flexible recording and mixing system. |
Alpha-SyntauriReview | Electronics & Music Maker, Dec 1981A computer-based digital music synthesiser |
Digitech DSP 128 PlusReview | Sound On Sound, Apr 1989Multi-Simultaneous Effects ProcessorHot on the heels of the Multiverb and Quadraverb comes Digitech's contender for the title of best 'four effects at once' signal processor. Paul Ireson checks out the form. |
Yamaha RTC1Review | Sound On Sound, Nov 1989Mixer Remote ControlIn response to suggestions from engineers Yamaha have developed the RTC1, which provides remote control of up to four DMP7, DMP7D and/or DMP11 digital mixers. Terry Holton tries one out. |
Index To ArticlesIndex | Home & Studio Recording, Feb 1985September 1983 - January 1985All articles ever featured in HSR from September 83 to January 85 listed for your delectation. |
This Is The Light Programme...Review | In Tune, Jul 1986Peavey Programax 10 MIDI Programmable Guitar ComboMIDI marvel |
Professionals Just Wanna Have FunShow Report | Sound On Sound, May 1991Musik Messe Frankfurt ReportEvery year without fail, hi-tech instrument manufacturers congregate in the huge exhibition halls of frankfurt to show off their very latest creations. Paul Ireson brings you the edited highlights of this year's show. |
Complete ControlGroup: Control RoomYamaha PromixAffordable digital mixer previewed |
Star WiresFeature | Topic: Maintenance / Repair / Modification | Sound On Sound, Feb 1992The Wires and Wherefores of Connecting up Your StudioIf you're spending hundreds or even thousands of pounds on studio equipment, you might as well spend a little time to ensure that it's actually connected up properly. Wilf Smarties explains how to avoid hums, buzzes, earth loops, and all those other nasty shocks... |
Sampling Techniques - Part 2Feature Series | Topic: Sampling | Sound On Sound, Jan 1993How To Get The Most From Your Sampler |
BMF Product NewsGroup: Roland Newslink - Autumn 1986Four pages packed with news hot from BMF |
UltravoxInterview Audio | Electronics & Music Maker, Apr 1981 |
Voodoo ChileInterview | Music Technology, Apr 1990You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists. |
Korg SoundLinkReview | Music Technology, Mar 1992Digital Audio WorkstationFrom the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future. |