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Alesis MIDIFEXReview | Sound On Sound, Aug 1986Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words. |
Soundtracs 16-8-16 MixerReview | Home & Studio Recording, Jan 1984 |
Four-Headed MonsterReview | Recording Musician, Feb 1993Sony DTC77ES Four-Head DAT RecorderFour heads can be better than one — and they needn't tax your overdraft, as Derek Johnson discovers with Sony's latest DAT recorder. |
Music Maker Equipment SceneNews | Electronics & Music Maker, Nov 1981 |
Back To BachInterview | Music Technology, Jun 1993Wendy Carlos still loves digital synthesis. Through her pioneering soundtrack work on movies like Tron, and her synthesised interpretations of the classics, she has done as much as Jarre, Kraftwerk and Eno in making synthesisers both respectable and popular. She also used to be Walter Carlos. Daniel Rue investigates |
Fostex G24SReview | Sound On Sound, Mar 1991SSSH... From You Know WhoFollowing last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S. |
Apple NotesFeature | Topic: Computing | Sound On Sound, Dec 1992 |
Acid RadicalInterview | Phaze 1, Feb 1989baby ford, golden boy of british acid, drops hints on getting the dancefloor moving |
Lab Notes: MUS1Feature | Topic: Computing | Polyphony, Apr/May 1978With the New Miracle Ingredient - STG |
Oriental IntrigueFeature | Topic: Design, Development & Manufacture | Music Technology, Dec 1990Already assured their place in history for inventing the Portastudio, Tascam have also given us a one-inch 24-track machine and now the "Midistudio'. Tim Goodyer visits Japan to find out more about this revolutionary company. |
Partners In RhymeInterview | Music Technology, Feb 1992Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man. |
Yamaha WX7Review | Music Technology, Jun 1988Wind ControllerYamaha's WX7 MIDI wind controller has already attracted the attention of professional sax players like Courtney Pine. Man Jumping saxophonist Andy Blake gets his second wind. |
Roland CPE-800 Compu-EditorReview | Electronics & Music Maker, Nov 1981 |
How It Works - Hard Disk Recorders - Part 12Feature Series | Topic: Digital Audio, Recording | Sound On Sound, Apr 1989An Alternative To TapeFrom the analogue to the digital era, magnetic tape has been the prime production medium for recorded music for several decades. David Mellor examines new developments in recording and speculates where they might lead. |
Incoming DataNews | Music Technology, Jul 1993 |
Return To Zero - Part 1Feature Series | Topic: Recording | Home & Studio Recording, Feb 1985A major new series, beginning this month, that helps readers take their first steps into the world of recording. First off is a comprehensive glossary of recording terms. |
Skill Centre: Pino PalladinoFeature | Making Music, Nov 1986Pino Palladino Gives Us His "Wherever..." BasslineFretless Pino shows you how to play the bassline to Paul Young's 'Wherever I Lay My Hat'. |
Zypher Electronics Digi-Atom 4800Review | Electronics & Music Maker, Sep 1984Analogue-to-MIDI converterThe first of its kind to appear on the UK market, the Digi-Atom is a CV-to-MIDI converter that allows old analogue equipment to be used in conjunction with new MIDI gear. Paul White again. |
Pedal PowerReview | Home & Studio Recording, Nov 1985Boss DSD2 Sampler/DelayThe Boss DSD2 Sampling pedal. |
Guitarist's GrailReview | Sound On Sound, Jan 1992Tech 21 SansampThe ultimate DI sound is the Holy Grail for recording guitarists. Dave Lockwood test (over)drives a black box that moves a step closer to the goal. |
New AfricaFeature | Topic: History / Culture | Phaze 1, Apr 1989if your music feels lacklustre, dabble in dance rhythms from the dark continent |