- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 126 - 150 of 294 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
How East Met WestFeature | Topic: Design, Development & Manufacture | Music Technology, Nov 1986New technology has already brought the music industries of East and West closer together, but how has that affected the music itself, and what will happen as the two cultures get closer still? Gary Larson gives his viewpoint. |
Driving in the fast laneGroup: Control RoomMicropolis A/V driveSeriously big hard disk |
Computers, Music And ArtInterview | Music Technology, Nov 1986His may be an unfamiliar name, but this avant-garde composer has been writing music that stretches technology to its limits for two decades. Ron Briefel talks to the man about his current passion - Yamaha's X-series equipment. |
The Electronic Keyboard - Part 1Feature Series | Topic: Vintage Instruments | Electronics & Music Maker, Mar 1983Part 1 looks at early keyboard instruments |
Time ExposureFeature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them. |
Blue NotesReview | Recording Musician, Sep 1992AKG Blue Line MicrophonesA modular range of microphones covering almost every audio eventuality from broadcast to recording and AV. |
Studio Sound Techniques - Part 4Feature Series | Topic: Electronics / Build, Maintenance / Repair / Modification | Electronics & Music Maker, Feb 1983Even more about Mixing ConsolesMore about Mixing Consoles |
MPC DSM32 Electronic Drum SystemReview | Electronics & Music Maker, Mar 1985Electronic Drum Module and Super PadsTo complete their recent flurry of new products, the Cambridgeshire company have come up with a programmable drum synth module and a set of 'Super Pads' specially designed for it. Nigel Lord takes the system for a trial run. |
The Adams FamilyInterview | International Musician & Recording World, May 1986Tony Horkins confesses a closet liking for the king of Canadian A.O.R. Let the kids rock... |
Hybrid Arts SMPTETrack GoldReview | Music Technology, Sep 1991Atari ST SoftwareWithout UK distribution, Hybrid's Atari sequencers have almost been forgotten. But now they're back with a Gold update to shout about, as Vic Lennard finds out. |
Drum Programming - Part 1Feature Series | Topic: Drum Programming | Sound On Sound, May 1992A Series By Warren CannIf you use a drum machine or programme drum parts on your sequencer, chances are you need help. Warren Cann explains why in this introduction to his new series on drum programming. |
Digital Sampler/Delay - Part 1Feature Series | Topic: Electronics / Build | Home & Studio Recording, Feb 1986Tantek's most ambitious project to date. |
Penthouse and StatementInterview | One Two Testing, Nov 1982DATA: Martyn Ware/new album/Synclavier keyboard/digital technique... HARD COPY |
Yamaha MIDI GrandReview | Music Technology, Jun 1988Grand PianoFor everyone who's ever wished they could play their favourite synthesiser patch from a grand piano, Yamaha have the answer. Simon Trask discovers that old and new technology can co-exist in harmony. |
Master Tracks JuniorReview | Music Technology, Jun 1988Software for the Atari STA powerful sequencer for a less than overpowering price? Simon "loadsamidi" Trask discovers the slimmed-down version of Master Tracks Pro might just be Passport's passport to mass popularity. |
The Explosive MixtureFeature | Topic: Mixing | One Two Testing, Jun 1985The First Singleand sensible use of mixing time |
Tascam DA30Review | Sound On Sound, Sep 1990DAT RecorderTascam's latest machine has all the features we have come to expect of a professional DAT recorder. Dave Lockwood assesses its performance. |
Ray Staff - Cutting EngineerFeature | Topic: Recording Studios, Tape, Vinyl, CD, DAT | Home & Studio Recording, Apr 1984Ray Staff - Disc Cutting Engineer at Trident Studios. |
Science and SensibilityInterview | Electronic Soundmaker & Computer Music, Aug/Sep 1984Thomas Dolby explains his new strategy |
Mono ManiaRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Oct 1990SEQUENTIAL CIRCUITS PRO ONEThe most popular post-Minimoog monosynth is still the best alternative for everything from new age to northern techno. Greg Truckell reintroduces an old friend. |
What is Reverb?Feature | Topic: Effects Processing | Phaze 1, Feb 1989What in the name of Prince is Reverb and how can it help your music?and what can it do for you, your sound, and your music? |
To Hull And BackInterview | International Musician & Recording World, Nov 1986With The HousemartinsWhat a nice, ordinary, loveable bunch of geezers they are, Paul Trynka declares |