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MEL FX1001 multi-effectsReview | Sound On Sound, Nov 1986Group six versatile effects units together in a 2U rack case, add MIDI control, a 3.5-inch disk drive with onboard microprocessor, and what have you got? Ian Gilby provides the answer... |
Behind The Synthesizer ExperienceFeature | Sound On Sound, Mar 1987Richard Elen talks to Dave Tuffnell, the man behind a unique electronic music information service - ESSP. |
Sessionmaster Guitar PreampReview | Recording Musician, Jul 1992Instant rock guitar without all the hassle of amps and microphones. |
State of the IndustryShow Report | Home & Studio Recording, May 1987Yet another show. Organised by the Audio Engineering Society, this 4-day show displayed the latest advancements in recording technology. |
Mixed BlesssingsReview | Phaze 1, Jul 1989Dream Machine: Studiomaster 848r ProLine Mixerthe spotlight falls on the Studiomaster 848R mixer |
Ibanez SDR1000+Review | Music Technology, Oct 1987Digital ReverbDigital reverberation continues its advance. Simon Trask puzzles over a unit that combines improved facilities and a lower price tag than its predecessor. |
Doing the BusinessFeature | Topic: Music Business, Recording | In Tune, Jun 1985DemosMaking the Most of Studio Time |
Talk Talk To MeInterview | Electronics & Music Maker, Mar 1986As the band reach their greatest level of British success and release their third album, Talk Talk's Mark Hollis and Tim Friese-Greene discuss the curse of the synthesiser and the blessing of the piano with Tim Goodyer. |
Taking StockInterview | Electronic Soundmaker & Computer Music, May 1985An exclusive interview with the innovator of electronic music and mentor of today's stars, Karlheinz Stockhausen. |
MXR 01 Digital ReverbReview | Home & Studio Recording, May 1984 |
Recording Heavy Rock 'Live'Feature | Topic: Humour, Live, Recording | Home & Studio Recording, Jan 1985Where 'live' recording is involved, truth is stranger than fiction. Or is it? |
Recording Electric GuitarFeature | Topic: Recording | Recording Musician, Nov 1992Getting a professional electric guitar sound onto tape is not difficult — if you follow a few simple rules. |
Immaterial GainsInterview | Electronics & Music Maker, Sep 1986A Merseyside duo with a fresh approach to pop arrangements are currently making some of the most inventive music in the British singles charts. Tim Goodyer chats to them. |
The Big PictureFeature | Topic: Video / Film / Picture | Music Technology, Apr 1990Been to the flicks recently? Impressed by the sound system? Thought not. Tim Goodyer looks at the current plight of cinema sound and some of the digital alternatives. |
Korg Poly 61Review | Electronics & Music Maker, Mar 1983 |
WakemanInterview | International Musician & Recording World, Sep 1975I.M. caught Rick Wakeman after Arthur and before Liszt |
Home Recording With Digital - Part 1Feature Series | Topic: Digital Audio, Recording | Home & Studio Recording, Dec 1983Sony PCM F1Introducing the Sony PCM F1 recorder. |
Icon Research APB1Review | Music Technology, May 1990MIDI Controlled Audio PatchbayWhether you're running a commercial studio or a bedroom recording suite'. a programmable MIDI Patchbay could revolutionise your working methods. Nigel Lord is on the patch. |
Company Report - RolandFeature | Topic: Advertisement Feature, Design, Development & Manufacture | One Two Testing, Mar 1985the Roland story |
AlternativesGroup: Computer MusicianAccording to the experts, most of the upcoming computer research and development will be based around software. Ed Stenson looks at one programming language that could prove useful in more than a few musical applications. |
A Brief History Of LiveFeature | Topic: Live | Recording Musician, May 1993Two of the industry's brightest names cast their minds back and reminisce to RM about the birth of the PA system. |
Community MusicFeature | Topic: Education, Recording Studios | Home & Studio Recording, Dec 1986A studio devoted to the service of the community. |