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Heroes - Part 4Feature Series | Topic: History / Culture | One Two Testing, Apr 1984Lieber and StollerMore record production legends. This month Lieber and Stoller and the black breakthrough. |
Dr T CopyistReview | Music Technology, Jun 1987Software for IBM PC and Atari STMusic transcription comes to Atari ST and IBM PC computers with this new program. Chris Many finds out if it does a better job than the human hand. |
Back to Basics - Part 6Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jun 1985The LFO and its applications are this month's subjects in Steve Howell's story of sound synthesis from first principles. |
Kaja Who's-WhoInterview Audio | One Two Testing, Nov 1983Is there life after Limahl? Yup. The four shy boys take turns to explain how they do it, and what they do it on. |
Kawai Q80Review | Music Technology, Nov 1988MIDI SequencerAs software writers continue to flood the market with sequencing packages, Kawai go dedicated. Dave Bertovic investigates the hardware alternative. |
SDA Promidi Studio SystemReview | Music Technology, Jul 1988Software for the IBM PCSystem Design Associates' Promidi Studio System is a powerful sequencing package for IBM and compatible computers that records straight to disk. Ian Waugh checks it out. |
Hands On: Soundcraft Spirit Studio Mixer - Part 2Feature Series | Topic: Mixing | Sound On Sound, May 1992David Mellor concludes his guide to this low-cost high-quality console. |
Rock In OppositionGroup: Alternatives to 'Product'A European music co-operative explained by Henry Cow/Art Bears percussionist Chris Cutler. |
Mixing ItShow Report | Music Technology, Sep 1987Studio or stage? As technology advances, the traditional distinction between "recording technology" and "keyboard technology" becomes more and more confused - as this years recording show displayed. Report by Simon Trask. |
Grey Matter Response E! BoardReview | Music Technology, May 1988For the DX7IIGrey Matter Response's E! expansion for the DX7 virtually gave it the power of the DX7II; E! for the DX7II represents another quantum leap in DX capability. Chris Many checks it out. |
Audio-Technica Pro 5 and ATM 10Review | Home & Studio Recording, Jan 1985 |
How to Choose A StudioFeature | Topic: Recording Studios | Home & Studio Recording, Aug 1984Advice on what to look for in a commercial studio when considering your first recording venture. |
Tape RecordersFeature | Topic: Recording, Tape, Vinyl, CD, DAT | Recording Musician, Aug 1992Paul White explains the basic principles of tape recorders to help you make better recordings. |
Music in EducationFeature | Topic: Education, Sequencing | Recording Musician, Mar 1993A Software Sequencing TutorialContinuing from last month's step-by-step guide to sequencer recording, we look at the more advanced features and facilities of a typical sequencing system. |
Sennheiser MicrophonesReview | Sound On Sound, Nov 1986The new range of condenser mics from this respected German firm utilise frequency modulation techniques to achieve a wide, flat response. Gareth Stuart checks them out. |
Dr.T's CopyistReview | Sound On Sound, May 1990Music Transcription ProgramWriting out full scores and individual parts for fellow musicians used to be a slavish occupation for a skilled select few. Now, with the benefit of low cost computers and music transcription programs like this one from DR.T, almost anyone can produce professional results that don't cost the earth. Amanda Stuart explores. |
Digitech DSP 128 PlusReview | Music Technology, May 1989Digital Multi-effects ProcessorIn the multi-effects processor wars, Digitech's DSP 128 Plus distinguishes itself with comprehensive facilities and little sound colouration. Ian Waugh treats himself. |
Out of AfricaInterview | Home & Studio Recording, Aug 1986Recently returned from South Africa, Greg Cutler talks to Janet Angus about music, recording and how to cope with pythons. |
Chip ChatGroup: Computer MusicianThe Texas TMS 5220 Speech Chip comes under scrutiny. |
SpotlightFeature | Topic: Electronics / Build | Polyphony, Feb 1978Early Experiments with Computer Music |