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Meet Gary ClarkInterview | Music Technology, Jun 1993Scottish band Danny Wilson were led by Gary Clark, who regards his debut solo album Ten Short Songs About Love as his finest work to date. From conception to birth, it was made entirely at home. Phil Ward drops in on the basement studio, and finds both album and proud father doing very well |
4 Guitar TestGroup: SoundCheck |
Keyboard SurveyReview | Topic: Buyer's Guide | International Musician & Recording World, May 1975 |
Techno RhythimInterview | Music Technology, Nov 1990Now making a huge impact in the north of Britain, Detroit's techno music owes its roots to a handful of far-sighted pioneers - amongst them Derrick May. Simon Trask discusses the future of electronic music. |
Illusions of SpaceInterview | Recording Musician, Aug 1992The Man Behind The Lexicon SoundDavid Griesinger pioneered the research behind the Lexicon digital reverb sound. He discusses his ideas with Paul White. |
Oberheim Matrix 1000Review | Sound On Sound, Sep 1988Looking for 'new' sounds? Martin Russ explores Oberheim's new Matrix 1000 analogue synth expander and discovers that digital isn't always best. |
Korg DRV3000Review | Sound On Sound, Sep 1987Digital ReverbFollowing on from the DRV 1000 and DRV2000, this latest digital reverb cum multi-effects processor is Korg's most sophisticated yet - 16-bit, 20kHz bandwidth, full MIDI control and, for all armchair enthusiasts, an infra-red remote control. David Hughes reports. |
Live WiresFeature | Topic: Live, Performing | Electronic Soundmaker & Computer Music, Aug 1985Playing LiveElectronic music live - a special focus |
Theme and VariationsShow Report | Music Technology, Mar 1988THE NAMM REPORTAnaheim recently played host to 1988's Winter NAMM show. MT's American correspondents were on hand to send back news of the latest developments in hi-tech musical equipment. |
Life is a CabaretInterview | Electronics & Music Maker, Nov 1984Away from the fickleness of the pop music world, Cabaret Voltaire have been quietly breaking the barriers of underground electronic music. Interview by Dan Goldstein. |
Upwardly mobileGroup: Control RoomSpirit PowerStationReturn of the powered mixer |
First TakeFeature | Topic: Recording | Electronics & Music Maker, Feb 1986Paul White and Dan Goldstein on how to beat the problems of venturing into a professional studio for the first time. If you’re new to recording, the advice is unmissable. |
Exorcising GhostsInterview | Music Technology, May 1991The charismatic singer, composer and lyricist rejoins the former members of Japan for their first LP in ten years. Tim Goodyer talks technology, philosophy and improvisation with David Sylvian. |
The Isle is Full of NoisesInterview | Electronics & Music Maker, Apr 1985...was the title of The South Bank Show's much-criticised electronic music extravaganza of a couple of months back. Here the programme's musical consultant, composer Tim Souster, argues the case in favour of the show's content. |
Talking On WaterInterview | Music Technology, Oct 1990With Talking Heads on the back burner, keyboard player Jerry Harrison is building a strong following as a solo artist. Nigel Lord talks messages and machinery to a Casual God. |
Emulator IIReview | Electronics & Music Maker, Nov 1984Eight-voice Polyphonic Sampling KeyboardPaul Wiffen goes gaga over E-mu Systems' latest attempt at giving the average keyboard player complete control over the sound sampling process. |
How To Become An Atari ST Power User - Part 2Feature Series | Topic: Computing | Sound On Sound, Sep 1991SoftwareThe second part of the series in which Martin Russ explains how to get the most out of your Atari ST computer. |
Syntech Studio 1Review | Electronics & Music Maker, Nov 1985An eight-track program capable of holding up to 16 sequences, and offering comprehensive editing facilities. Trish McGrath waits impatiently for its arrival in the UK. |
Incoming DataNews | Music Technology, Dec 1992 |
Visions of the FutureFeature | Topic: Video / Film / Picture | Music Technology, Jan 1991One of the stars of Channel 4's Fourmations, Brian Johnson's Improvisions combine musical performance with real-time manipulation of video images. Peter Ridsdale trips on this. |
Turner B302 & B502 Power AmplifiersReview | Home & Studio Recording, Jun 1984 |
MOTU PerformerReview | Music Technology, Jan 1992Apple Macintosh SoftwareOne of the leading Macintosh sequencing packages has recently undergone another of its periodic face lifts. Ian Waugh checks the state of the performing art. |
Akai XR10Review | Music Technology, Jun 1990Akai's latest drum machine attempts to combine the best of programmable and preset rhythm units. Simon Trask assesses this marketing strategy while listening to some dope drum sounds. |