Steve Cogan talks to Chris and Cosey at their Norfolk home

Two guys with a home studio and some racks of realty nice gear. Plus two albums of unique electronic music. Simon Trask meets them

The MRA: A Manifesto

SOS reader Paul Jacques decides he's had enough of candyfloss dross music and reveals his solution — the musician's revolutionary army.

Tittle-tattle on the hurly-burly

This one would have been called Vangelis Odyssey Papathanassiou and Keith Spencer-Allen talk to Ralph Antidisestablishmentarianism Denyer, but there wasn't room.

Featuring Ash Prema

Roedelius explains the necessity of home recording and why he's addicted to the colour green!

What is 'New Age' music? Who plays it, and why is it apparently so popular? Our resident musicologist Mark Prendergast traces its development back to the work of 'new music' composers Arnold Schoenberg and Erik Satie.

Brian Eno and the studio

Manchester School Of Sound Recording

A course in recording provides a way of breaking out of the classic Catch 22 — you can't get studio work without experience, and can't get experience without work. Tim Hurrell reports on the Manchester School Of Sound Recording and what their 1-year course has to offer.

Neuronium — Michel Huygen

Three Guitarists

Chas de Whalley talks to the other John Williams about his recent work with chart-toppers The Housemartins

The man behind Clapton, guitarist supreme Albert Lee talks guitars and playing with Max Kay.

Since the members of Ultravox went their separate ways, Billy Currie's solo career has taken him from band leader, through studio owner, to record label boss for the release of his second solo album. Interview by Mark Jenkins.

Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend.

Neil Innes — Python and beyond

Fritz McIntyre - the key is simplicity

It's just another month in the diary, exploding monitors and mains fuses

Des Carson at Riverside Studio.

Could the arrival of new storage media such as magneto-optical disks change the way we perceive music?