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Elemental RhythmInterview | Music Technology, Feb 1991From Charlie Parker to writing his own software, jazz saxophonist and technophile Steve Coleman has a unique insight into music. Simon Trask tunes in. |
Miles AheadFeature | Phaze 1, Apr 1989RETROSPECT: miles daviswhat can a 63-year-old jazz trumpeter teach you about playing? rather a lot, actually |
Richard Harvey - Part 1Interview Series | Sound International, Jan 1979Meanwhile Richard tells me that Richard is a multi-instrumentalist and used to play with Gryphon. Course I knew that cos I've read the piece, but you haven't yet, have you? |
Summers' ComingInterview | Making Music, Feb 1987A new band, a new album, and a new year. Planning ahead with the Police behind you. |
The Life Of Brian - Part 1Interview Series | Electronic Soundmaker & Computer Music, Oct 1984Part 1 of a two part in-depth interview with Brian Eno and his latest collaborator Harold Budd. |
Smoke: The Gossip ColumnNews | Making Music, Apr 1986All the snippety little secret bits of musicians' gossip that no-one else would print |
Studio Of The MonthGroup: Recording WorldThe StrongroomTony Reed gives a hand at Strongroom Studio — almost |
Canned MusicInterview | Music Technology, Apr 1987Dan Goldstein talks to the Can founder member whose current interests include providing the Pope with a backing band, recording with four valve tape machines, and chopping-up bits of Bulgarian folk music. |
Deacon BlueGroup: ChitChat |
The ProducersGroup: Recording WorldChas de Whalley encounters his old pal Huey Lewis to discuss the merits of self-production |
It's ImmaterialInterview | Music Technology, Sep 1990In the battleground that is the record business, one band have managed to find the space to be one of the most individual and resourceful of British talents. Nigel Lord talks uncommerciality in an Immaterial world. |
Master CutsFeature | Topic: Mastering | International Musician & Recording World, Jul 1975The Master RoomCutting masters is a fine art. George Peckham discusses the problems |
Production Masterclass with Stephen TaylerInterview | Recording Musician, Feb 1993Recording Chris de BurghStephen Tayler tells Richard Buskin all about recording and mixing Chris de Burgh's recent single, 'By My Side'. |
EMI StudiosFeature | Topic: Recording Studios | International Musician & Recording World, Nov 1975Abbey RoadPerhaps the most famous recording studio in the world explored by IM's Eamonn Percival |
New OrderInterview | Music Technology, Apr 1989Making their presence felt in the singles charts once again, New Order are celebrating eight years together with a new album and forthcoming tour. David Bradwell and Chris Williams investigate the Order of things. |
Image & InspirationInterview | Electronic Soundmaker & Computer Music, Nov 1984Keith Emerson outlines his guide to cinema soundtracks. |
Painter In SoundInterview | Sound On Sound, Aug 1986Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain. |
Raspberries' Eric CarmenGroup: Joe Walsh & Rasperries |
Summerschool Ure-ithmicsFeature | Topic: Video / Film / Picture | Making Music, Oct 1986Andy Summers & Midge Ure Go To RockschoolA day's filming for TV's Rockschool reveals Andy and Midge's playing tricks. |
Tricks & talesGroup: In SessionNow at last, it can be revealed! The veteran producer spills the beans about those 70s Genesis albums... and updates us on work in progress |
Would Your Mother Recognise You On The Radio?Interview | Music Technology, Jan 1987...Is one of the producers responsible for the new wave of guitar-based pop. Paul Tingen finds he has plenty to say about modern music technology, not all of it favourable. |
Inside FrippertronicsInterview | Sound On Sound, Dec 1993Robert Fripp Lays Bare His Legendary Effects RackA rare interview with this virtuoso King Crimson guitarist and much admired 'guest soloist'. |