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Cope's ScopeInterview | Making Music, Apr 1987 |
Technology's ChampionInterview | Electronics & Music Maker, Jun 1986In a career spanning nearly 20 years, Gabriel has done everything from fronting Britain's best-known pomp rock band to manipulating ethnic music using modern technology. Dan Goldstein talks to a man of many talents. |
Patrick LeonardInterview | Sound On Sound, Aug 1991Patrick Leonard has a surprisingly low profile for the producer and cowriter of many of Madonna's biggest hits, but his production work and nascent solo career suggest that wider recognition is on the way. Paul Tingen meets a man of many talents and strong views. |
Rolling Stones' Mobile StudioFeature | Topic: Live, Location Sound, Recording Studios | Home & Studio Recording, Sep 1984Mick McKennaEngineer Mick McKenna provides an insight into recording with the Rolling Stones Mobile. |
Projects UKFeature | Topic: Education, Recording Studios | Sound On Sound, Apr 1990Local community arts centres often house some sort of sound studio, and these can be the only way interested members of the public gain first-hand experience of recording and hi-tech equipment. David Hughes reports on one such North-East based facility. |
The Meek & The MotleyInterview | International Musician & Recording World, Apr 1986Tony Horkins meets the crue-d crowd, and gets a lesson in manners |
Video In The DarkInterview | Electronics & Music Maker, Apr 1986After over a decade at the forefront of instrumental music, Mike Oldfield is branching out into video and film. Annabel Scott visits the man's new audiovisual studio, and pops a few pertinent questions. |
MonologueRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Aug 1991Arp Pro Soloist, Korg Sigma & Roland SH2000In the early days of analogue synths, reconciling electronics and expression was hard work. Gordon Reid looks at the beginnings of pressure sensitivity. |
Hi-NRG ParadiseInterview | Music Technology, May 1988Musical trends come and go but the hi-nrg beat goes on and on... David Bradwell talks to the hi-nrg production team who've released more records in the last 12 months than Stock, Aitken and Waterman. |
Doing That Digital ThingFeature | Topic: Digital Audio, Recording, Tape, Vinyl, CD, DAT | Making Music, Sep 1986Producer John Walters discusses how those noughts and ones will affect us musiciany beings. |
UKInterview | Sound International, Jul 1978The Rhythm SectionHarmony in the UK - John Wetton and Bill Bruford still rhythmic after all these years. |
Artistic LicenseInterview | Music Technology, Dec 1989Well established as sampling innovators, the Art Of Noise have just released their fourth LP. David Bradwell talks to the Art's JJ Jeczalik about Fairlights and fairplay. |
How Men Are NowInterview | Music Technology, Jan 1987The Luxury Gap boys pat themselves on the back after recording their fourth album, 'Pleasure One'. Tim Goodyer finds out how it was done, and discovers the threesome may soon be playing their first-ever concerts. |
Richard PinhasInterview | Electronics & Music Maker, Sep 1982The Man and his MusicWe feature one of France's most fascinating Electro-Musicians, and look at the man, his music and the philosophy behind his composition. |
Hands Across the KeyboardInterview | Music Technology, Feb 1987Veteran songwriter Peter Hammill and programmer Paul Ridout have used some revolutionary applications of MIDI technology in the creation of Hammill's latest album. Paul Tingen interviews them, and comes away suitably impressed. |
The Note In God's EyeGroup: One Two TidingsExclusive God Interviewshy creator quizzed |
Sugar BeatGroup: Mixing It! |
MIDI by NumbersGroup: MIDI Supplement - Part OneAn interview with, the BPI's Producer of the Year.Culture Club producer Steve Levine discusses his attitudes to modern music-making, and how the new interface makes his life easier. |
Junk CultureInterview | Electronics & Music Maker, Jun 1984Synth-pioneers Orchestral Manoeuvres in the Dark talk to Dan Goldstein about the twists and turns in their musical development, and how they managed to make their new album, Junk Culture, sound more acoustic through the use of computer instruments. |
Production Values - Part 2Feature Series | Making Music, Jul 1986Part two, in which we meet the fifth Beatle, George Martin, and also brush with Trevor Horn's Fairlight. |
Studio ChoiceFeature | Topic: Recording Studios | International Musician & Recording World, Aug 1975Quite why a particular studio becomes popular at one time is a mystery. We seek to solve it by asking top musicians about their choice of studios. |
Millstream StudioFeature | Topic: Recording Studios | Home & Studio Recording, Nov 1985At one time it was a pottery studio. At another it was the home of Edward the Confessor. Now it is Millstream Recording Studio. Owner Dik Cadbury tells all. |