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Making A Video DemoFeature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jun 1991...On A Shoestring BudgetHaving a problem getting your music listened to by film production companies? Paul D. Lehrman tells the tale of how he put together a showreel of his music without it costing him the earth. |
The Shape of Things to ComeNews | Sound On Sound, May 1988A chance to check out some of the forthcoming new products that might force you to dig deeper into your pockets later this year. |
Drum FunFeature | Topic: Sampling | Sound On Sound, Jun 1991Even the biggest sample library never seems to have quite enough drum sounds. The solution? Roll your own. Craig Anderton passes on some hot hints and tips on how to get the best possible drum sounds out of your sampler. |
Monitor Special: Urei 809 - Part 1Review Series | Home & Studio Recording, Jul 1986Ken Dibble checks out this pair of Urei monitors and draws some interesting conclusions. |
Ryuichi SakamotoInterview | Sound On Sound, Sep 1990Japanese Artist: World MusicianDespite the cult following for Yellow Magic Orchestra, collaborations with David Byrne on the Oscar-winning soundtrack to 'The Last Emperor', and a long-standing musical friendship with David Sylvian, the multi-faceted talents of Ryuichi Sakamoto are still not widely appreciated. Mark J. Prendergast attempts to rectify the situation... |
Master CraftsmanInterview | Sound On Sound, Mar 1987Since the break-up of his group Japan in November 1982, David Sylvian has been slowly widening the base of his music to encompass both ethnic and avant-garde sounds. Mark Prendergast gathers the facts on the change of style. |
Ensoniq EPSReview | Music Technology, Oct 1988Performance SamplerIt's been a while in the pipeline but Ensoniq's successor to their popular Mirage sampler is up and running. Simon Trask checks out the latest "peoples' sampler". |
The Shape of Things to ComeNews | Sound On Sound, Aug 1988Three pages of forthcoming new products to tempt you to dig deeper into your pockets later on this year. |
Steinberg Cubase AudioReview | Sound On Sound, Nov 1992 |
Computer WorldFeature | Topic: Buyer's Guide, Computing | Music Technology, Jan 1994Want to get into computing and multimedia but unsure where to start? Ian Waugh guides you through the maze of computers and jargon |
Studio VisionReview | Sound On Sound, Feb 1991The Freedom FactorOpcode's ground-breaking sequencer, Studio Vision, lets you manipulate audio data as easily as MIDI events. All you need is a hard disk recording system like Digidesign's Sound Tools, a fast Macintosh computer with plenty of storage capacity, and some creative ideas. Paul D. Lehrman reports. |
The Hot 100Review | Sound On Sound, Jul 1992Yamaha TG100 General MIDI Tone ModuleA lightweight multi-timbral module, with 28-voice polyphony and 192 sounds, which also acts as a MIDI Interface for your computer — where's the catch? Paul Wiffen looks hard but just can't seem to find it. |
Digidesign SamplecellReview | Sound On Sound, Mar 1991Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses. |
The Transcontinental Midi Songwriting ShuffleFeature | Topic: Computing, Sequencing | Sound On Sound, May 1989MIDI Composition via ComputerThe tale of two songwriters on opposite coasts of America, using different computers and musical instruments, writing and producing a single without face-to-face collaboration until the final mixdown. Al Hospers reveals what happened. |
Convention InventionShow Report | Music Technology, Feb 1989AES Convention 1988Los Angeles' recent AES convention pointed the way ahead for recording technology. Bob O'Donnell takes a trip to the fair and finds the rides to his liking. |
Robert FrippInterview | Sound On Sound, Mar 1988A man continually in search of magic moments in the perfect quality of music.He's played guitar with the best - David Bowie, Peter Gabriel, David Sylvian, Talking Heads, Brian Eno and, of course, King Crimson - and he's also worked away from the public eye, pursuing truths other than the rock and roll life. Mark Prendergast discovers that Robert Fripp's insights are of interest to more than just guitarists. |
Incoming DataNews | Music Technology, Nov 1992 |
SOS Guide to Music SoftwareFeature | Topic: Buyer's Guide | Sound On Sound, Apr 1988Last month we gave you advice on choosing a computer for musical applications; as a follow on, this month Mike Barnes provides a comprehensive rundown of available music software for the Atari, Macintosh, IBM PC, and Amiga computers. |
Shape of Things To ComeNews | Sound On Sound, Mar 1989 |
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