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Young, Gifted And BlueInterview | International Musician & Recording World, Feb 1986This Roland Gift is nothing to do with the competition, says Mark Cordery |
The Musician's Micro - Part 1Review Series | Sound On Sound, Jun 1989Yamaha C1 Music ComputerIn the first of this two-part review, Ian Gilby discusses the hardware aspects of Yamaha's new portable PC compatible music computer. |
Steve HillageInterview | Electronics & Music Maker, Jun 1983A journey through the musical world of this well respected guitarist |
Studio DiaryFeature | Topic: Recording Studios | International Musician & Recording World, Apr 1975 |
Remo Discovery SetReview | International Musician & Recording World, Dec 1985DrumcheckHenrit gives it some stick in Frisco |
NewsNews | Sound International, Oct 1978Studios & RecordingFor there is good news yet to hear and fine things to be seen, before we go to Paradise by way of page thirteen. |
Roland CPE-800 Compu-EditorReview | Electronics & Music Maker, Nov 1981 |
Bon An' MeInterview | International Musician & Recording World, Nov 1986Rising young rockers Bon Jovi sell hundreds of thousand of records, own lots of guitars, and look disgustingly healthy. It's enough to make Patrick Dutch throw up... |
Inside Views: Steinberg ResearchFeature | Topic: Design, Development & Manufacture | Sound On Sound, Jul 1986The first in a new series that takes a behind the scenes look at companies specialising in the development of hi-tech music and recording products. This month Tony Hastings catches the night boat to Hamburg to report on MIDI software designers Steinberg Research. |
On StageMusic Review | Electronics & Music Maker, Sep 1984Two sparkling summer concerts, by Ultravox and Michael Nyman. |
SmokeGroup: The Front End |
Steinberger BassReview | Electronics & Music Maker, Jul 1982 |
Steve ReichInterview | Sound On Sound, Sep 1991Despite an outward contempt for technology, Steve Reich has exploited it to create some of the century's seminal works of modern music, and will rely on the latest in digital electronics for his current project. Mark J. Prendergast tries to make sense of it all. |
Dodgy PracticesFeature | Topic: Performing | Electronics & Music Maker, May 1986All the musical ideas, playing prowess and flash hardware in the world won't make your band sound good - unless you get the most out of rehearsals. Trevor Gilchrist offers some clues. |
The Shape Of Things To ComeNews | Sound On Sound, Jun 1986Details of new MIDI software and something for all Fostex Model 80 owners are amongst the new products we have for you this month. |
W.A.P.Feature | Topic: Education | Music UK, Nov 1983The tuition course that breaks the barriersWAP Spells Tuition — Lorna Read Investigates Music Course |
Wild About the OSCarReview | In Tune, Jan 1985The Oxford Synthesiser Co.'s OSCAR Programmable Music Synth - with Midi. |
So You Want To Be A...Feature | Topic: Live | International Musician & Recording World, May 1985RoadieMike Hrano looks at the ups and downs of humping |
The Magic of Daniel Lanois - Part 2Interview Series | Sound On Sound, Sep 1987In the concluding part of our in-depth interview with this French-Canadian engineer/producer, Mark Prendergast discovers how Lanois recorded the 'So' album with Peter Gabriel and more about his co-production with Brian Eno of U2's 'The Joshua Tree' and 'Unforgettable Fire' LPs. |