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Cactus Electronic Five Drum KitReview | International Musician & Recording World, Jul 1985DrumcheckNew sounds, new style, new solid set-up |
Fairlight's Father - Part 2Interview Series | Music Technology, Jun 1987TechTalk: Kim RyrieSecond and final part of our interview with Fairlight's co-founder. Simon Trask listens to what he has to say about the future of musical technology. |
Tune In, Turn On, Chill OutInterview | Music Technology, Jun 1991Riding the ambient house wave, The Orb have released a concept album that mixes dance beats with new age textures. Tim Goodyer tunes in to Alex Paterson and Thrash as they chill out with technology. |
Level 42Group: AmpsWhat goes twang, thump and pank? Probably Mark King, bass player and vocalist in Level 42, then again it might just be his right thumb. We discuss digits, strings and things. |
Robbie RobertsonInterview | Sound On Sound, Jun 1988After calling it a day with seventies’ supergroup The Band, and an interim period spent scoring soundtracks for Martin Scorsese films, guitarist Robbie Robertson has teamed up with Daniel Lanois, Peter Gabriel and U2 to create an impeccable first solo outing. Mark Prendergast lends the album an appreciative ear. |
NewsNews | International Musician & Recording World, Apr 1985The latest reports from the trade and prophet spheres |
Jon HassellInterview | Sound On Sound, Jul 1991Jon Hassell has been at the leading edge of new music for three decades, with major contributions to western avant garde and world music. Following the re-release of two classic albums from the early '80s, Mark J. Prendergast presents a retrospective of Hassell's work. |
Wally BadarouInterview | Sound On Sound, Dec 1990Creating The FutureAnyone can dream about the studio of the future, but it takes a unique talent to build it in the present. Wally Badarou's personal studio defies conventional ideas of studio design, substituting voice-controlled DMP11s for a large console, and putting the musician first. Paul Tingen listens in. |
Fender StarcasterReview | Sound International, Jul 1978Looks like Fender without Leo is a bit like the Four Seasons without Frankie Vivaldi (anagram - 14 letters). |
Short CutsGroup: Quality ControlComputer Manuals: The Incredible Sound Machine by Mark Andrews, Cool Mac Sounds by Craig O'Donnell, Ontrack Computer Systems Rocket Drive software for the PC, Paramount Rock, Rap & Roll CD-ROM |
Lowrey MX-1 Instrument ReviewReview Audio | Electronics & Music Maker, May 1981 |
GanglandInterview | One Two Testing, Dec 1983Bassist Sara Lee and guitar player Andy Gill discuss sonic invention and positive discrimination. |
Bits and PiecesFeature | Topic: Digital Audio | Electronic Soundmaker & Computer Music, Jun 1984And you thought PCM was a medical complaint... |
Life's A BeachFeature | Phaze 1, Feb 1989RETROSPECT: the beach boyscelebrating sweet surfurbia - from good vibrations to kokomo |
S'ExpressInterview | Micro Music, Apr/May 1989Fresh from Germany - Mark Moore spoke to us about the European music scene and the kind of technology he uses |
Macworld '89Show Report | Music Technology, Feb 1990The Atari ST may currently be the most popular music computer, but a lot of music software is still being pioneered on the Apple Mac. Mike Collins visited MacWorld '89 for the latest musical developments. |
Jo PartridgeInterview | Home & Studio Recording, Jun 1985Janet Angus talks to Jo about his enthralling past and his new studio where surfing is the most serious distraction. |
Maths, Music & MotionFeature | Topic: Effects Processing | Music Technology, Dec 1993Expert tips on fine-tuning your effects in exact time with your BPMs. |
Song for the SidemanFeature | Topic: Live, Performing | Making Music, Apr 1986Touring With Nik KershawDrummer Mark Price tells what it's really like to be up there on stage. Did anyone say terrifying? |
Remo EncoreReview | International Musician & Recording World, Jun 1986DrumCheckA cardboard kit? That doesn't need tuning? And professionals love? Bob Henrit has the facts |