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Cactus Electronic Five Drum Kit

Review | International Musician & Recording World, Jul 1985
Drumcheck

New sounds, new style, new solid set-up

Fundamental Music Notation - Part 1

Feature Series | Topic: Music Theory | Polyphony, Jul 1976
Pitch

From Beat Dis Boy To Mega-Blast Man

Interview | Phaze 1, Nov 1988

tim simenon turns the tables

Fairlight's Father - Part 2

Interview Series | Music Technology, Jun 1987
TechTalk: Kim Ryrie

Second and final part of our interview with Fairlight's co-founder. Simon Trask listens to what he has to say about the future of musical technology.

Tune In, Turn On, Chill Out

Interview | Music Technology, Jun 1991

Riding the ambient house wave, The Orb have released a concept album that mixes dance beats with new age textures. Tim Goodyer tunes in to Alex Paterson and Thrash as they chill out with technology.

Renaissance man

Group: In Session

Interview | The Mix, Oct 1994

Jazzer who likes to mix his rhythms

Level 42

Group: Amps

Interview | One Two Testing, Jan 1983

What goes twang, thump and pank? Probably Mark King, bass player and vocalist in Level 42, then again it might just be his right thumb. We discuss digits, strings and things.

Robbie Robertson

Interview | Sound On Sound, Jun 1988

After calling it a day with seventies’ supergroup The Band, and an interim period spent scoring soundtracks for Martin Scorsese films, guitarist Robbie Robertson has teamed up with Daniel Lanois, Peter Gabriel and U2 to create an impeccable first solo outing. Mark Prendergast lends the album an appreciative ear.

News

News | International Musician & Recording World, Apr 1985

The latest reports from the trade and prophet spheres

Jon Hassell

Interview | Sound On Sound, Jul 1991

Jon Hassell has been at the leading edge of new music for three decades, with major contributions to western avant garde and world music. Following the re-release of two classic albums from the early '80s, Mark J. Prendergast presents a retrospective of Hassell's work.

1984

Retrospective | One Two Testing, Jan 1985

through the year darkly with One Two

Emerson

Feature | One Two Testing, Jul 1984

a life story

Wally Badarou

Interview | Sound On Sound, Dec 1990
Creating The Future

Anyone can dream about the studio of the future, but it takes a unique talent to build it in the present. Wally Badarou's personal studio defies conventional ideas of studio design, substituting voice-controlled DMP11s for a large console, and putting the musician first. Paul Tingen listens in.

Fender Starcaster

Review | Sound International, Jul 1978

Looks like Fender without Leo is a bit like the Four Seasons without Frankie Vivaldi (anagram - 14 letters).

Short Cuts

Group: Quality Control

Review | Music Technology, Apr 1994

Computer Manuals: The Incredible Sound Machine by Mark Andrews, Cool Mac Sounds by Craig O'Donnell, Ontrack Computer Systems Rocket Drive software for the PC, Paramount Rock, Rap & Roll CD-ROM

Lowrey MX-1 Instrument Review

Review Audio | Electronics & Music Maker, May 1981

Gangland

Interview | One Two Testing, Dec 1983

Bassist Sara Lee and guitar player Andy Gill discuss sonic invention and positive discrimination.

Bits and Pieces

Feature | Topic: Digital Audio | Electronic Soundmaker & Computer Music, Jun 1984

And you thought PCM was a medical complaint...

Life's A Beach

Feature | Phaze 1, Feb 1989
RETROSPECT: the beach boys

celebrating sweet surfurbia - from good vibrations to kokomo

S'Express

Interview | Micro Music, Apr/May 1989

Fresh from Germany - Mark Moore spoke to us about the European music scene and the kind of technology he uses

Macworld '89

Show Report | Music Technology, Feb 1990

The Atari ST may currently be the most popular music computer, but a lot of music software is still being pioneered on the Apple Mac. Mike Collins visited MacWorld '89 for the latest musical developments.

Jo Partridge

Interview | Home & Studio Recording, Jun 1985

Janet Angus talks to Jo about his enthralling past and his new studio where surfing is the most serious distraction.

Maths, Music & Motion

Feature | Topic: Effects Processing | Music Technology, Dec 1993

Expert tips on fine-tuning your effects in exact time with your BPMs.

Song for the Sideman

Feature | Topic: Live, Performing | Making Music, Apr 1986
Touring With Nik Kershaw

Drummer Mark Price tells what it's really like to be up there on stage. Did anyone say terrifying?

Remo Encore

Review | International Musician & Recording World, Jun 1986
DrumCheck

A cardboard kit? That doesn't need tuning? And professionals love? Bob Henrit has the facts

 

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