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Ensoniq VFXReview | Micro Music, Dec 1989Paul Wiffen tinkers with the synth/workstation that has made the competition sit up and listen |
Talkback - Part 1Interview Series | Sound International, Aug 1978First of an occasional series of chats with engineers; Richard Elen extracts facts from Phill Brown. |
Tears For FearsInterview | Music Technology, Jun 1990After spending four years recording The Seeds of Love, Tears for Fears are back and touring the world. Curt Smith and Roland Orzabal talk tears and technology with Dan Rue and Tim Goodyer. |
Jazz BabyInterview | Music Technology, Dec 1990The release of Jason Rebello's first LP shows him to be more than the tasteful performer the jazz circuit already recognises. Simon Trask talks to one of Britain's leading jazz keyboardsmen. |
Inner SpaceInterview | Music Technology, Jun 1992Confronting the "difficult third album" syndrome has presented fewer problems for Inner City mentor Kevin Saunderson than the "more of the same" second album syndrome. Simon Trask discusses musical ideologies, pop trends and advancing technology. |
The Shape Of Things To ComeNews | Sound On Sound, Mar 1986An extended feature this month to incorporate many of the new products shown at NAMM and the Frankfurt Music Fair. |
Four-String KingsFeature | Topic: Tuition / Technique | International Musician & Recording World, Dec 1985Pino Palladino, Mark King, Robbie Shakespeare and Geddy Lee — student of the groove Chris Maillard gets some lessons |
The Empire Strikes BackInterview | Music Technology, Oct 1988Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable. |
VangelisInterview | Sound On Sound, Jul 1990With some 17 solo albums to his credit, as well as two ballets, five collaborations with Jon Anderson, and film soundtracks that include 'Blade Runner' and the Oscar-winning 'Chariots Of Fire', Vangelis has continually explored the creation of musical forms via the integration of the acoustic with the electronic. Recently, he took time out to talk about his own work methods and express his views on the current technological scene. Richard Buskin asks the questions. |
The Cassandra ComplexInterview | Micro Music, Dec 1989Steve Cogan finds out just what Satan and Bugs Bunny have to do with this Cyberpunk band who swear by their ST |
Talking On WaterInterview | Music Technology, Oct 1990With Talking Heads on the back burner, keyboard player Jerry Harrison is building a strong following as a solo artist. Nigel Lord talks messages and machinery to a Casual God. |
Pomp Up The VolumeFeature | Topic: History / Culture | Phaze 1, Feb 1989a history of progressive rock - is there a new day dawning for the dinosaurs? |
Sequencer PlusReview | Sound On Sound, Nov 1987Want to make real music on your Amstrad PC? Ian Gilby takes you through one of the best designed, professional MIDI recording packages there is. Voyetra Technologies' Sequencer Plus runs on any IBM PC compatible computer and offers 64 tracks, sync-to-tape, a programmable tempo track, extensive note and MIDI editing facilities, and... you'll have to read the review to find out more. |
Getting The Holy Ghost AcrossInterview | Sound On Sound, Jul 1986Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together. |
Kawai K1 Visual EditorsReview | Music Technology, Mar 1989Software for the Atari STCoupled with its success, the digital parameter access-editing of Kawai's K1 synthesiser has made it an obvious target for software editors - like these from Dr Ts, Soundbits, Drumware and Steinberg. Vic Lennard looks on. |
Keyboards Under £1500Group: The MIDI Connection Supplement |
Brave New ScienceInterview | Music Technology, Jul 1987Six years have passed since New York's best-known performance artist leapt to fame with 'O, Superman'. Tim Goodyer finds she's still stretching technology to its limits in her new film 'Home of the Brave'. |
When the Levy Breaks...Feature | Topic: Music Business, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jun 1985Rivalled only by War and Peace for its length and emotional content, this article by our own Neville Unwin presents both sides of the 'blank tape levy' argument. |
E-Mu Emax SamplerReview | Music Technology, Jan 1987Polyphonic Sampling KeyboardAn exclusive, in-depth report on the machine that promises to bring Emulator quality to the masses. Paul Wiffen, Emulator fan, finds out if the promises are fulfilled. |
Dance To The MachineInterview | Home & Studio Recording, May 1986Janet Angus discovers the secret of Peter's success in producing big selling dance music. |
LettersFeedback | Polyphony, Nov/Dec 1978 |
In The DreamhouseInterview | Electronic Soundmaker & Computer Music, Jan 1985An ES&CM exclusive... At home with top synth pioneers Tangerine Dream, in their own recording studio - a three page special. |
New OrderInterview | Music Technology, Apr 1989Making their presence felt in the singles charts once again, New Order are celebrating eight years together with a new album and forthcoming tour. David Bradwell and Chris Williams investigate the Order of things. |
Criminal Record? - Part 1Feature Series | Topic: Sampling | Music Technology, Mar 1992Sample CDsFirst they were sampling off other peoples' records, now they're selling records to sample off. Tim Goodyer listens while Simon Harris, Pascal Gabriel, Norman Cook, Ed Stratton and Coldcut put the case for sampling CDs. |