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mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

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Ensoniq VFX

Review | Micro Music, Dec 1989

Paul Wiffen tinkers with the synth/workstation that has made the competition sit up and listen

Talkback - Part 1

Interview Series | Sound International, Aug 1978

First of an occasional series of chats with engineers; Richard Elen extracts facts from Phill Brown.

Tears For Fears

Interview | Music Technology, Jun 1990

After spending four years recording The Seeds of Love, Tears for Fears are back and touring the world. Curt Smith and Roland Orzabal talk tears and technology with Dan Rue and Tim Goodyer.

Jazz Baby

Interview | Music Technology, Dec 1990

The release of Jason Rebello's first LP shows him to be more than the tasteful performer the jazz circuit already recognises. Simon Trask talks to one of Britain's leading jazz keyboardsmen.

Inner Space

Interview | Music Technology, Jun 1992

Confronting the "difficult third album" syndrome has presented fewer problems for Inner City mentor Kevin Saunderson than the "more of the same" second album syndrome. Simon Trask discusses musical ideologies, pop trends and advancing technology.

The Shape Of Things To Come

News | Sound On Sound, Mar 1986

An extended feature this month to incorporate many of the new products shown at NAMM and the Frankfurt Music Fair.

Four-String Kings

Feature | Topic: Tuition / Technique | International Musician & Recording World, Dec 1985

Pino Palladino, Mark King, Robbie Shakespeare and Geddy Lee — student of the groove Chris Maillard gets some lessons

The Empire Strikes Back

Interview | Music Technology, Oct 1988

Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable.

Vangelis

Interview | Sound On Sound, Jul 1990

With some 17 solo albums to his credit, as well as two ballets, five collaborations with Jon Anderson, and film soundtracks that include 'Blade Runner' and the Oscar-winning 'Chariots Of Fire', Vangelis has continually explored the creation of musical forms via the integration of the acoustic with the electronic. Recently, he took time out to talk about his own work methods and express his views on the current technological scene. Richard Buskin asks the questions.

The Cassandra Complex

Interview | Micro Music, Dec 1989

Steve Cogan finds out just what Satan and Bugs Bunny have to do with this Cyberpunk band who swear by their ST

Talking On Water

Interview | Music Technology, Oct 1990

With Talking Heads on the back burner, keyboard player Jerry Harrison is building a strong following as a solo artist. Nigel Lord talks messages and machinery to a Casual God.

Pomp Up The Volume

Feature | Topic: History / Culture | Phaze 1, Feb 1989

a history of progressive rock - is there a new day dawning for the dinosaurs?

Sequencer Plus

Review | Sound On Sound, Nov 1987

Want to make real music on your Amstrad PC? Ian Gilby takes you through one of the best designed, professional MIDI recording packages there is. Voyetra Technologies' Sequencer Plus runs on any IBM PC compatible computer and offers 64 tracks, sync-to-tape, a programmable tempo track, extensive note and MIDI editing facilities, and... you'll have to read the review to find out more.

Getting The Holy Ghost Across

Interview | Sound On Sound, Jul 1986

Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.

Kawai K1 Visual Editors

Review | Music Technology, Mar 1989
Software for the Atari ST

Coupled with its success, the digital parameter access-editing of Kawai's K1 synthesiser has made it an obvious target for software editors - like these from Dr Ts, Soundbits, Drumware and Steinberg. Vic Lennard looks on.

Keyboards Under £1500

Group: The MIDI Connection Supplement

Feature | Topic: Buyer's Guide | International Musician & Recording World, Nov 1985

Brave New Science

Interview | Music Technology, Jul 1987

Six years have passed since New York's best-known performance artist leapt to fame with 'O, Superman'. Tim Goodyer finds she's still stretching technology to its limits in her new film 'Home of the Brave'.

When the Levy Breaks...

Feature | Topic: Music Business, Tape, Vinyl, CD, DAT | Home & Studio Recording, Jun 1985

Rivalled only by War and Peace for its length and emotional content, this article by our own Neville Unwin presents both sides of the 'blank tape levy' argument.

E-Mu Emax Sampler

Review | Music Technology, Jan 1987
Polyphonic Sampling Keyboard

An exclusive, in-depth report on the machine that promises to bring Emulator quality to the masses. Paul Wiffen, Emulator fan, finds out if the promises are fulfilled.

Dance To The Machine

Interview | Home & Studio Recording, May 1986

Janet Angus discovers the secret of Peter's success in producing big selling dance music.

Letters

Feedback | Polyphony, Nov/Dec 1978

In The Dreamhouse

Interview | Electronic Soundmaker & Computer Music, Jan 1985

An ES&CM exclusive... At home with top synth pioneers Tangerine Dream, in their own recording studio - a three page special.

New Order

Interview | Music Technology, Apr 1989

Making their presence felt in the singles charts once again, New Order are celebrating eight years together with a new album and forthcoming tour. David Bradwell and Chris Williams investigate the Order of things.

Criminal Record? - Part 1

Feature Series | Topic: Sampling | Music Technology, Mar 1992
Sample CDs

First they were sampling off other peoples' records, now they're selling records to sample off. Tim Goodyer listens while Simon Harris, Pascal Gabriel, Norman Cook, Ed Stratton and Coldcut put the case for sampling CDs.

Dearly Beloved

Interview | Music Technology, Mar 1993

Jon and Helena Marsh in their natural habitat

 

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