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mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
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Donations for January 2025
Issues donated this month: 0
New issues that have been donated or scanned for us this month.
Funds donated this month: £22.00
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Search results
E.M.A.S.Feature | Electronics & Music Maker, Jun 1981 |
Wood Of The MonthFeature | Making Music, Oct 1987 |
 Grafton Vintage SaxFeature | Topic: History / Culture, Vintage Instruments | One Two Testing, Jun 1986Alto SaxophoneA plastic classic |
WelcomeEditorial | Sound On Sound, Jan 1986 |
 Noise RejectionInterview | Making Music, Nov 1987 |
 SaxonInterview | Making Music, Sep 1986shrugs and knock 'n' knowallWrenched from video filming (with a ballerina no less) and quizzed on gear and blushes. |
 Way Down Yonder...Show Report | Electronics & Music Maker, Aug 1985...in New Orleans, Paul Wiffen takes time out to visit the NAMM show, and returns bearing news of the Series III Fairlight, the Emulator SP12 and the OSC Advanced Sound Generator, and more. |
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 The Ivor Arbiter Story - Part 2Feature Series | Topic: Retail | International Musician & Recording World, Apr 1975Part 2: The Group Boom |
 Production LinesOpinion | Sound On Sound, Nov 1993Genesis, Marillion and Fuzzbox producer Nick Davis suggests how British music might regain some lost magic. |
 PeelbackGroup: One Two Tacticsand how to get on his show, honest |
 The Case Against CasesFeature | Making Music, Oct 1986 |
Music And BusinessEditorial | Electronics & Music Maker, Aug 1986Fairs are great for demonstrating technology, but do they do enough to further the cause of music? |
 Distorting - The TruthFeature | Topic: Effects Processing | Making Music, Mar 1987 |
 Acoustic 220 Bass HeadReview | In Tune, May 1986 |
 Total recall - Akai the oldFeature Audio | Topic: Sampling, Vintage Instruments | The Mix, Apr 1995 |
 Dread at the ControlsFeature | Topic: Music Business | International Musician & Recording World, Aug 1986Artistic ControlWho keeps it when you sign your deal? You, or the record companies? Does it matter anyway? Keith Grant sounds out opinion from both sides of the Biz |
WelcomeEditorial | Sound On Sound, Aug 1987 |
 Dream FactoryInterview | Music Technology, Apr 1991Arriving on the world stage, the Dream Warriors' unique musical style is giving Canadian hip hop American-style exposure. Simon Trask talks musical sentences. |
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 A Date With The CrampsInterview | International Musician & Recording World, May 1986Shake, rattle and howl: The Cramps are back with a bang. Facing them, with nary a whimper: Tony Reed |
 Palmtree Instruments AirdrumsReview | Music Technology, Dec 1986From America comes a set of unique MIDI percussion controllers that work by sensing the direction you shake them in. Rick Davies previews them. |
 Front 242Group: ChitChat |
 Art - Empire - IndustryInterview | Sound On Sound, Dec 1985Flushed with the chart success of Close (To The Edit), the 'faceless' trio return with more talk of Art, Empire and Industry. Paul Gilby pushed the record button and monitored the noise levels... |
 Shared Interests - Part 1Feature Series | Topic: Computing | Music Technology, Mar 1994Shareware & Public Domain softwareMountains of useful programs can be yours for nothing! Well, it's a public service, innit? declares Ian Waugh. |
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