Multiverb II Multiverb EXT

Dave Lockwood casts his eye over this brace of MIDI controllable multi-effects processors from ART.

ART Multi-fx Processor

As even the most modest MIDI studio becomes a powerful tool for the creation and recording of music, sound processing becomes a more essential part of it. Tim Goodyer checks out ART's latest multi-fx processor.

Art Multiverb III & SGE Mach II

Art seem to update their range of multi-effects processors faster than everyone else. Dave Lockwood checks out two of their very latest incarnations.

ART Multiverb Alpha 2.0 & DRX 2100

ART Multiverb LTX

When it comes to sheer quantity, quality and value for money, this multi-effects unit takes some beating.

In this age of the preset, you need all the help available to stamp your personality on the sounds you produce. Paul Ireson finds a new ally in the fight for individuality - ART's fully programmable, four-effects-at-once signal processor.

Multi-FX Processor

Taking the Multiverb as their starting point, ART have a new multi-effects processor with which to enhance your music. Ian Waugh says the verb is "to want".

The Multiverb Alpha is the latest and greatest in ART's series of studio multi-effects processors. Dave Lockwood checks it out.

Multi-fx Processor

In their efforts to establish their signal processors as strongly in the UK as they have in the States, ART can't seem to bring out enough effects units. Nigel Lord evaluates the ART with aspirations to be number one.

Multi-effects Processor

ART's ever-expanding range of signal processors is intended to cater for musicians of all styles and financial means. Nicholas Rowland test drives a new effects unit whose price belies its power.

Once a recording studio was a large room lined with futuristic acoustic tiles and filled with impressive equipment; now it could be the corner of a bedroom - it's all a matter of size.

Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear.

MIDI is more than a means of sending note data to a couple of synths and changing settings on a reverb unit. Ernie Tello looks into the real-time applications of MIDI.

Paul Ireson on this year's International Music Show.

Multi-Simultaneous Effects Processor

Hot on the heels of the Multiverb and Quadraverb comes Digitech's contender for the title of best 'four effects at once' signal processor. Paul Ireson checks out the form.

Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair.

Musik Messe Frankfurt Report

Every year without fail, hi-tech instrument manufacturers congregate in the huge exhibition halls of frankfurt to show off their very latest creations. Paul Ireson brings you the edited highlights of this year's show.

Where everything clicks

Your questions answered

Digital Multi-effects Processor

In the multi-effects processor wars, Digitech's DSP 128 Plus distinguishes itself with comprehensive facilities and little sound colouration. Ian Waugh treats himself.

Multi-Effects Processor

The best things come in small packages, decides Paul Ireson as he puts this budget six-effects-at-once processor through its paces.

Abandoning guitars for samplers, Skin became Fluke and discovered new artistic freedom. Simon Trask listens to the man/machine argument from people who've learned both sides of it.

Mint Jam Studios

A new breed of studio is emerging, ignoring the major record companies and putting their own product out there... Mint Jam is one of them

The Beautiful People: If 60s Were 90s...

Effects processing is now an integral part of a recording studio - large or small. Aaron Hallas goes back to basics in this introduction to sound treatment.

Into the future with RSS, and looking back to programming 'Say A Little Prayer', Bomb The Bass talk technical to Mike Collins.