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Software SpecialFeature | Topic: Computing | International Musician & Recording World, Feb 1985ComputercheckA roundup of all the available music software including Island Logic, Greengate and MusiCal. |
Waiting For The Perfect SongInterview | Sound On Sound, Dec 1988Since introducing the world to the delights of pure synth-pop in 1981, Vince Clarke has continued to demonstrate his mastery of the popular song form through the medium of synth technology. Paul Ireson investigates. |
System ExclusiveReview | Electronics & Music Maker, Oct 1985Music System SoftwareA software package for the CBM64 sets out to utilise the SID chip but involves MIDI along the way. Simon Trask investigates the consequences, now that Island Logic have given way to Firebird. |
A Bunch of FivesRetrospective | Electronics & Music Maker, Jan 1985In which five of E&MM's writers pick their fave things of the year. If your personal preferences aren't there, don't take it out on us. |
2B Or Not 2BReview | Electronics & Music Maker, Nov 1985UMI 2B SoftwareThe 1B version was good, but Simon Trask has spent a month with its successor, and reckons it deserves its reputation as the most professional sequencing package designed round a home computer. |
The Art of Going Soft - Part 2Group: Computer MusicianJay Chapman takes a bold step for novice programmers, as he presents a Pascal program that converts musical note values into a language computers can understand. Don't worry if it leaves you standing. |
The Shape of Things to ComeNews | Sound On Sound, Apr 1987Our regular monthly exploration of upcoming new products. |
Roland CM ModulesReview | Music Technology, Jan 1990ROLAND CM32L, CM32P, CM64 & LAPC1 Sound ModulesRoland's CM32L, CM32P, CM64 and LAPC1 modules are a selection of their more familiar expanders re-configured and re-packaged with the computer synthesist in mind. Modulating with Ian Waugh. |
Further Secrets Of Computer Composition - Part 2Feature Series | Topic: Algorythmic Composition, Composing / Art | Music Technology, Apr 1989The second and final part of this series on computer composition examines the differences between human composers and their electronic counterparts. Ian Waugh keeps the score. |
When Is A Computer? - Part 5Feature Series | Topic: Computing, MIDI | One Two Testing, Mar 1984Why is a MIDI? |
Technology & EducationFeature | Topic: Education | Sound On Sound, Jan 1988Qualifying for the Music IndustryPlanning a career in the music industry? Then you may like to know more about the Music Information Technology course at City University, London. Mike Barnes reports. |
Professional ConductReview | Electronics & Music Maker, Feb 1986Steinberg Pro 16 SequencerIt’s been a while coming, but now the Commodore 64 has a software package to rival the BBC’s UMI. Simon Trask checks out an incredible MIDI sequencer, and lists what it can do. |
Drum DragnetFeature | Electronic Soundmaker & Computer Music, Dec 1984Mammoth Electro Fest: Simmons' contender, the UP5, Yamaha's RX15 drum machine, new Digisound chips for the Drumulator, Quicksilva's Drumkit program for the BBC micro... |
Speech SynthesisGroup: Computer MusicianVocal music on computers? |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Jul 1985Richard Niles searching for the source of his inspiration. |
When Is SyncFeature | Topic: Syncronisation | One Two Testing, Aug 1985the science of synchronisation explained |
The Art of Going Soft - Part 3Group: Computer MusicianThe Music 500 receives an AMPLE voicing and sequencing program to tempt junior programmers into getting their feet wet. |
Macintosh or Atari?Feature | Topic: Computing | Sound On Sound, Jan 1988Over the last few years musicians have consistently been more excited over the latest MIDI hardware developments than they have over MIDI software. Whilst other micros have come and gone, the Atari ST and Macintosh micros have quietly become the established computers for making music with MIDI. Ed Jones reveals why with a look at Steinberg's Pro-24 (V2.1) and Mark Of The Unicorn's Performer (V2.2) programs. |
Music on-line - Part 1Feature Series | Sound On Sound, Jan 1987A Guide to Computers and Communications for the Musician.Believe it or not, your computer can do considerably more than just go wrong! The burgeoning world of telecommunications offers the musician access to international 'electronic mail' and 'bulletin board' systems, free music software, information databases, help and sound advice. Richard Elen begins a new series that explores how today's top musicians are taking advantage of such systems and tells how you can join in. |