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Orient ExpressionInterview | Sound On Sound, Jul 1992On completion of a new solo album and the soundtrack to the latest screen version of Wuthering Heights, Ryuichi Sakamoto finds himself centre stage yet again. Paul Tingen talks to the Renaissance Man of modern music. |
Home RecordingGroup: PortaStudioMania |
Ludwig Rainbow VistaliteReview | International Musician & Recording World, Nov 1975DrumCheckBob Henrit reviews the new Ludwig acrylics. |
Soul SearchingInterview | Music Technology, Jun 1989From a clothes and record shop to an electronics company to a sound system to an excellent album and charting single, London's Funki Dreds are on the move. Tim Goodyer talks tech to Soul II Soul's Jazzie B. |
Multitrack Mixers - Part 1Feature Series | Topic: Mixing | Recording Musician, Feb 1993Sound WorkshopPaul White takes you on a guided tour of the features and facilities of a typical multitrack mixer. |
What's That Noise?Interview | Music Technology, Aug 1990Responsible for establishing artists like Yazz and Lisa Stansfield, Coldcut also have a reputation for being one of the most innovative production teams around. Tim Goodyer learns about their new LP and the future of computer graphics. |
Aliens in the ArcadeGroup: In SessionGames FeatureNow that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games... |
Carl ThompsonInterview | Sound International, Jun 1979Guitar MakerColin Hodgkinson visits the Brooklyn guitar maker who numbers Stanley Clarke's piccolo bass among his artefacts. |
Inside the Synclavier - Part 3Feature Series Audio | Topic: Digital Audio Workstations | Sound On Sound, Aug 1989PART 3: What is it like to sit down at the Synclavier - the world's most expensive instrument - and create a piece of music? David Mellor finds out and tells the whole story. |
All For One and One For AllInterview | International Musician & Recording World, Feb 1985Tony Horkins lays his hands on Tom, Alanna and Joe and squeezes out the technical secrets |
Box PopFeature | Topic: Marketing / Promotion, Music Business, Performing, Video / Film / Picture | Phaze 1, May 1989trying to get on telly could be the most frustrating experience of your musical career; we pinpoint the pitfalls |
Digging In The DirtFeature | Topic: Recording | Sound On Sound, Nov 1992Recording Peter Gabriel's Us |
Yamaha YD822Review | International Musician & Recording World, Sep 1985DrumcheckThe big, bold, beautiful sound of a wooden-shelled, craftsman-made piece of drumming perfection — Bob Henrit |
Status QuoInterview | Making Music, Dec 1986"The most sensible interview I've every done," says Rick Parfitt, talking about musical success. |
OD ON MUSICFeature | Music Technology, Apr 1988Really Big MenThe band tipped to make it BIG in '88. Tim Goodyer talks to a DJ/keyboard player with a unique place in rock 'n' roll and a singer/guitarist who's going to make Madonna and Lita Ford look like Dot Cotton and Hilda Ogden. |
Tape ManipulationFeature | Topic: Tape, Vinyl, CD, DAT | Sound On Sound, Sep 1989David Mellor unlocks the creative power of the reel-to-reel tape recorder. |
Rhythm and FuseFeature | Topic: Drum Programming | One Two Testing, Jul 1984can you tell a real drummer? |
The Musical MicroFeature | Topic: Computing | International Musician & Recording World, Oct 1986How To Save £54,800Tony Mills makes a meal of the most interesting musical microprocessing around. |
FrontLinesNews | Phaze 1, Nov 1988People, Gear, Events, Gossiphappening people, gear, events, gossip |
Ian AndersonInterview | Home & Studio Recording, Nov 1983Jethro Tull’s leading light opens the door to his new ‘home studio’. |
Session SingersFeature | Topic: Performing | International Musician & Recording World, Jan 1986Their trials and tribulations. |
Heroes - Part 7Feature Series | Topic: History / Culture | One Two Testing, Jul 1984Brian WilsonBrian Wilson part two |
Synclavier ProgrammerFeature | Sound On Sound, Mar 1986Jonathan Sorrell is one of a handful of session programmers working with the world's most sophisticated sampling keyboard - the Synclavier. Paul Gilby discovers how it came about. |