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The Noise of ArtInterview | Electronics & Music Maker, Nov 1985The man who brought computers to Frankie and programmed his way to chart infamy with The Art of Noise, fits in an interview before going out to play some very English sport. Paul Tingen fills in the scorecard. |
You Can Make It If You Try - Part 1Feature Series | Topic: Recording Studios | Home & Studio Recording, May 1985Dave Simpson relates the saga of how his recording dreams became a reality. The Thatched Cottage sixteen track studio must be every home recordist's idea of a success story. |
Tom on TechnologyInterview | Home & Studio Recording, Jul 1986From PCMs to PZMsTom's home studio is sure to be the envy of most of our readers but it's there for a sound, practical reason. |
Mitchell Froom and Suzanne VegaInterview | Recording Musician, Mar 1993Recording 99.9F°A new slant on production for Suzanne's latest album, 99.9F°. |
Hands On: Cassette MultitracksFeature | Topic: Recording | Sound On Sound, Oct 1992The multitrack cassette recorder provides an excellent platform for learning the essential skills of multitrack recording. David Mellor explains how to get the best out of them. |
ShredderShow Report | One Two Testing, May 1986Frankfurt 86The Frankfurt show seen from a diagonal position |
The Sequencer BibleFeature | Topic: Buyer's Guide, Sequencing | Music Technology, Oct 1992The MT Software Sequencer Buyer's BibleThe only guide you'll ever need |
Arms and The ManInterview | International Musician & Recording World, Jan 1986A fly on the wall account of a mega-group amidst a mega-tour. Michael Smolen does the buzzing |
Jo PartridgeInterview | Home & Studio Recording, Jun 1985Janet Angus talks to Jo about his enthralling past and his new studio where surfing is the most serious distraction. |
Oberheim Matrix 12Review | Electronics & Music Maker, Jun 1985Programmable 12-Voice Multi-timbral PolysynthThe world's most awesome analogue polysynth finally gets the attention it deserves, as Simon Trask finds out just what you can do with two Xpanders and a row of black-and-white keys. |
Voodoo ChileInterview | Music Technology, Apr 1990You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists. |
Colin ThurstonInterview | Home & Studio Recording, Feb 1985Record ProducerThe man who turned the music of Duran Duran, Kajagoogoo, Human League and Magazine into hits, discloses his hit-making formulae, recording methods and well-equipped home studio. |
Shape of Things To ComeNews | Sound On Sound, Mar 1989 |
Wind SynthesizersReview | Sound On Sound, Dec 1987Having explored the history and development of wind synthesizers in our September issue, record producer and wind player extraordinaire John L. Walters compares and contrasts the Akai EWI and Yamaha WX7. Are they the instruments that wind players have been longing for? Find out inside. |
ToolboxNews | The Mix, Apr 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds and samples |
ToolboxNews Audio | The Mix, Dec 1994Sounds, samples, & software upgrades for the modern studioDisks, gadgets, samples and bits for the computing musician |
Shredder Goes To FrankfurtShow Report | One Two Testing, Apr 1985unbeatable coverage of all the new gear at the year's most important instrument show. Don't buy ANYTHING until you've read it. |
Trade Winds - BMF 1989Show Report | Music Technology, Sep 1989British Music Fair Show ReportThis year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question. |
British Music FairShow Report | One Two Testing, Aug 1985special preview of the all-important Olympia equipment show-your best chance to see the latest in instrument technology |
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