- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 351 - 375 of 471 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Programmer's ProtocolInterview | Music Technology, Jun 1988From his involvement in the infamous Frankie Goes To Hollywood sessions, Andy Richards has become an accomplished producer and programmer in his own right. Nicholas Rowland listens to a rationalisation of technology. |
The Compleat RecordistFeature | Topic: Recording | Sound International, Jun 1979Dave Hastilow fishes around for some new angles on recording technique — in the field or at home. Or in the river. |
Story of the BluesFeature | Topic: History / Culture | Phaze 1, May 1989if you’ve got plenty of feeling but your technique lets you down - try playing the blues |
A Shiftin' air affairGroup: Sound AdviceBass TrapsPhone booths into concert halls - if you can ace your bass, that is |
Re-samplingFeature | Topic: Sampling | Music Technology, Mar 1988Don't delete those unsatisfactory samples until you've tried resampling them. Tom McLaughlin explains how you can turn a bad sample into a good one. |
Docklands RendezvousInterview | Music Technology, Aug 1988Jean Michel Jarre is about to stage the world's biggest ever concert in the London Docklands. David Bradwell finds out about the technological dark age and the art of showmanship. |
Back To BachInterview | Music Technology, Jun 1993Wendy Carlos still loves digital synthesis. Through her pioneering soundtrack work on movies like Tron, and her synthesised interpretations of the classics, she has done as much as Jarre, Kraftwerk and Eno in making synthesisers both respectable and popular. She also used to be Walter Carlos. Daniel Rue investigates |
Standard MIDI FilesFeature | Topic: MIDI | Sound On Sound, Feb 1992In Search Of The TruthDespite the fact that Standard MIDI Fil es have been about for quite a while there is, for many users, still more than a little confusion about their purpose and use. Paul Overaa sheds some light on the subject... |
Part of the FurnitureReview | Electronics & Music Maker, Sep 1985Korg SQD1Tim Goodyer goes in search of visual appeal and finds a mean-looker in the form of Korg'sfirst-ever digital sequencer. And with a built-in disk drive and big storage capacity, beauty is more than skin deep. |
On The AirFeature | Topic: Recording Studios | Sound On Sound, Feb 1986Radio drama relies heavily on the skills of the sound engineer as you can well imagine. Janet Angus spoke with one of its leading exponents, John Rowland, aboard The Barge Studio to discover what special techniques are involved. |
How It Works - The Microphone - Part 5Feature Series | Topic: Microphones, Sound Fundamentals | Sound On Sound, Jul 1987Continuing our 'How It Works' series, David Mellor lays bare the facts about the applications and workings of the commonest types of microphone. |
BuzzNews | International Musician & Recording World, Nov 1986Everything you didn't want to know and couldn't be bothered to ask |
a Promise made...Interview | International Musician & Recording World, Dec 1985Richard Walmsley enquires into a smooth operation |
Carry On MixingReview | Recording Musician, Feb 1993Soundcraft Spirit FolioA quality name, a quality product, an affordable price tag — Soundcraft's new portable mixer seems to have it all. Derek Johnson wants to carry one home. |
Painter In SoundInterview | Sound On Sound, Aug 1986Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain. |
Just Can't StopInterview | Sound On Sound, Aug 1986'Are Friends Electric?' and 'Cars' will go down in the musical history books as classics of their genre but the writer of those hits, Gary Numan, has yet to match his early successes. Mark Jenkins met up with him during sessions for a forthcoming album at Rock City studios, Shepperton, only to discover that the Numan of today is finding it tough to get airplay for his recent work... |
Politics & PopFeature | Topic: Arranging / Songwriting, Marketing / Promotion, Music Business | Phaze 1, Feb 1989Are They A Good Mix?mixing the pop world's most powerful cocktail: should your music have a message? |
We Are The ManagementFeature | Topic: Music Business | Music Technology, Nov 1988Who are the music biz' management, and do you really need them? David Bradwell talks to the people who take care of the stars and their affairs. |
Bass á la modeGroup: Sound AdviceBass modesPerfecting the acoustics of your studio |
State Of Independents - Part 1Feature Series | Topic: Music Business | Music Technology, Oct 1993Riff Raff, FONIn Part 1 of a series on independent labels, MT looks at the case histories of Fon and Riff Raff to discover just what it takes to get going and avoid the pitfalls |
Care & RepairFeature | Topic: Maintenance / Repair / Modification, Tape, Vinyl, CD, DAT | Sound International, Jun 1978Tape Machine Line-UpRichard Dean looks at tape machine line-up. |