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Dealer NewsNews | Topic: Retail | International Musician & Recording World, May 1975 |
Junk CultureInterview | Electronics & Music Maker, Jun 1984Synth-pioneers Orchestral Manoeuvres in the Dark talk to Dan Goldstein about the twists and turns in their musical development, and how they managed to make their new album, Junk Culture, sound more acoustic through the use of computer instruments. |
Heaven SentReview | Sound On Sound, Jan 1992HitSound Pascal Gabriel Sample CDPaul Ireson listens to the first of AMG's Producer Series of sample CDs. |
Big BrotherReview | Sound On Sound, Oct 1986Casio CZ-1Since the release of their diminutive yet ground-breaking CZ-101 synth, Casio have been steadily improving the facilities of their Phase Distortion keyboards with each subsequent CZ product. The culmination of those efforts is now manifest in their best-ever synthesizer, the CZ-1, a truly professional performance instrument. Chris Jenkins says 'welcome'. |
Casio CZ3000 - The Obvious Solution?Review | Sound On Sound, Apr 1986Mark Jenkins reports on this recent addition to the popular CZ range of polysynths and suggests that the Phase Distortion synthesis it employs could well be the answer for those of you caught in the 'analogue versus digital' dilemma. |
What It All MeansFeature | Making Music, Oct 1986Guitar ConstructionThis month we explain the unusual terms of guitar construction in plain language. |
Building A Bionic SaxFeature | Topic: Computing, Electronics / Build | Polyphony, Nov 1977 |
Audix MicrophonesReview | Home & Studio Recording, Mar 1989A new range of American mics that sound and look good. |
Technics SXK250Review | Electronics & Music Maker, Aug 1984PCM Personal KeyboardFar-Eastern giants Matsushita have now transferred their PCM-encoded instrument voices from console organs to personal keyboards. Nigel Gomme analyses how elegantly the transition has been accomplished. |
Mass AppealEditorial | Music Technology, Mar 1987In the light of the winter's music shows at Anaheim and Frankfurt, is modern technology now becoming available to every musician, and does every musician want to know? |
Do The Slide GuitarFeature | Topic: Tuition / Technique | Making Music, Sep 1987 |
Yamaha VSS-100 Sampling SynthReview | International Musician & Recording World, Mar 1986SynthCheckA sampling synth for less than £180? Jim Betteridge stands back in amazement. |
Kahler Bass Tremolo + EMG P-Bass PickupsReview | One Two Testing, Feb 1986The Mercedes of bends The perfect Precision ports? |
Ibanez Artist SeriesReview | Sound International, Sep 1978Positive superlatives all over the place as Dave Blake's rhetoric embraces a couple of Ibanez instruments. |
Record Review: Jean-Michel JarreMusic Review | Electronics & Music Maker, Jun 1982An analysis of The Concerts in China double album on Polydor PODV3 |
Sessionmen SpecialFeature | Making Music, Feb 1987The last of our backroom boys. Say bye-bye with guitarist Mitch Dalton. |
HarmonicsFeature | Topic: Sound Fundamentals | Electronics & Music Maker, Aug 1981 |
Open The BoxInterview | International Musician & Recording World, Aug 1986They're a brilliant Soul band. A dub-Reggae band. An avant-garde band. And they don't know how they do it. Or do they? Tony Reed asks the questions... |
Casio CZ3000 PolysynthReview | Electronics & Music Maker, Feb 1986Casio plug a gap in their range by introducing a CZS000 without the sequencer. Trish McGrath uses her fingers to see how it sounds. |
Home Electro-MusicianFeature Audio | Topic: Home Studio | Electronics & Music Maker, Dec 1981 |
A Room Of My Own: John CrossleyInterview | Topic: Home Studio | Sound On Sound, May 1993 |
Snare Drum SurveyReview | International Musician & Recording World, Apr 1975 |