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Dealer News

News | Topic: Retail | International Musician & Recording World, May 1975

Junk Culture

Interview | Electronics & Music Maker, Jun 1984

Synth-pioneers Orchestral Manoeuvres in the Dark talk to Dan Goldstein about the twists and turns in their musical development, and how they managed to make their new album, Junk Culture, sound more acoustic through the use of computer instruments.

Heaven Sent

Review | Sound On Sound, Jan 1992
HitSound Pascal Gabriel Sample CD

Paul Ireson listens to the first of AMG's Producer Series of sample CDs.

Roland MK System

Review | One Two Testing, Oct 1984

mother keyboard and baby modules

Big Brother

Review | Sound On Sound, Oct 1986
Casio CZ-1

Since the release of their diminutive yet ground-breaking CZ-101 synth, Casio have been steadily improving the facilities of their Phase Distortion keyboards with each subsequent CZ product. The culmination of those efforts is now manifest in their best-ever synthesizer, the CZ-1, a truly professional performance instrument. Chris Jenkins says 'welcome'.

Casio CZ3000 - The Obvious Solution?

Review | Sound On Sound, Apr 1986

Mark Jenkins reports on this recent addition to the popular CZ range of polysynths and suggests that the Phase Distortion synthesis it employs could well be the answer for those of you caught in the 'analogue versus digital' dilemma.

What It All Means

Feature | Making Music, Oct 1986
Guitar Construction

This month we explain the unusual terms of guitar construction in plain language.

Building A Bionic Sax

Feature | Topic: Computing, Electronics / Build | Polyphony, Nov 1977

Audix Microphones

Review | Home & Studio Recording, Mar 1989

A new range of American mics that sound and look good.

Technics SXK250

Review | Electronics & Music Maker, Aug 1984
PCM Personal Keyboard

Far-Eastern giants Matsushita have now transferred their PCM-encoded instrument voices from console organs to personal keyboards. Nigel Gomme analyses how elegantly the transition has been accomplished.

Mass Appeal

Editorial | Music Technology, Mar 1987

In the light of the winter's music shows at Anaheim and Frankfurt, is modern technology now becoming available to every musician, and does every musician want to know?

Thompson Twining

Interview | One Two Testing, Nov 1985

hear's to future days

Do The Slide Guitar

Feature | Topic: Tuition / Technique | Making Music, Sep 1987

Yamaha VSS-100 Sampling Synth

Review | International Musician & Recording World, Mar 1986
SynthCheck

A sampling synth for less than £180? Jim Betteridge stands back in amazement.

Kahler Bass Tremolo + EMG P-Bass Pickups

Review | One Two Testing, Feb 1986

The Mercedes of bends The perfect Precision ports?

Ibanez Artist Series

Review | Sound International, Sep 1978

Positive superlatives all over the place as Dave Blake's rhetoric embraces a couple of Ibanez instruments.

Record Review: Jean-Michel Jarre

Music Review | Electronics & Music Maker, Jun 1982
An analysis of The Concerts in China double album on Polydor PODV3

Sessionmen Special

Feature | Making Music, Feb 1987

The last of our backroom boys. Say bye-bye with guitarist Mitch Dalton.

Harmonics

Feature | Topic: Sound Fundamentals | Electronics & Music Maker, Aug 1981

Open The Box

Interview | International Musician & Recording World, Aug 1986

They're a brilliant Soul band. A dub-Reggae band. An avant-garde band. And they don't know how they do it. Or do they? Tony Reed asks the questions...

Casio CZ3000 Polysynth

Review | Electronics & Music Maker, Feb 1986

Casio plug a gap in their range by introducing a CZS000 without the sequencer. Trish McGrath uses her fingers to see how it sounds.

Home Electro-Musician

Feature Audio | Topic: Home Studio | Electronics & Music Maker, Dec 1981

A Room Of My Own: John Crossley

Interview | Topic: Home Studio | Sound On Sound, May 1993

Snare Drum Survey

Review | International Musician & Recording World, Apr 1975

Polaris synth

Review | One Two Testing, Oct 1984

offspring of the Chroma

 

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