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Powerstation!Review | Sound On Sound, Sep 1990Ensoniq VFX-SDIIEnsoniq's flagship workstation has recently received some very welcome updates — new piano samples, extra stereo outputs, multitrack sequence recording and step-time entry, and more. Paul Ireson satisfies his curiosity! |
Mister MemoryRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Jan 1989MemorymoogIntended to be their finest moment, Moog's "ultimate" polysynth proved problematic and unreliable - yet it won many devotees. Steve Howell recalls the sound of analogue. |
Westone Concorde bass, Concorde IIIGroup: Guitar Special |
Alesis HR-16 Drum MachineReview | Sound On Sound, Jan 1988A CD standard 16-bit drum machine? Things have progressed a little from those 8-bit Linn Drum days, passing through 12-bit standards on the way, and now reaching the ultimate level in consumer digital fidelity. Whether excellence or overkill, Alesis have gone the whole way with the HR-16. David Mellor gives it the long-awaited ear test. |
Akai S900 SamplerReview | International Musician & Recording World, Jul 1986SamplerCheckPaul Fishman gets weird — again |
Ibanez Destroyer, IfyufaGroup: Guitar Special |
Into The Heart Of Emu's New KeyboardReview | Sound On Sound, Feb 1992Emu Proteus Master Performance SystemMartin Russ continues his in-depth look at Emu's new keyboard. |
Calrec 600 Series MicrophonesReview | Electronics & Music Maker, Oct 1983 |
Prophecy FulfilledReview | Electronics & Music Maker, May 1986Prophet VSIs Vector Synthesis the answer to every programmer's prayers, or another technological blind alley getting in the way of music? Peter Schlesinger takes a long hard look at the digital Prophet. |
Map RapFeature | Topic: Sampling | Music Technology, Nov 1988Turning a collection of samples into a usable keyboard patch is one of the most important aspects of sampling. Tom McLaughlin puts samples on the map. |
Beyer M400 and M69 MicrophonesReview | Home & Studio Recording, Sep 1984 |
Akai AX80Review | Electronics & Music Maker, Dec 1984Programmable PolysynthPaul White looks at the first musical instrument product from a Japanese giant. Has Akai's poly got the sounds and the facilities necessary for it to make an impact on today's synth world? |
Musical Masterpiece?Review | Sound On Sound, Dec 1993Korg Audio Gallery Music System For Apple Mac And Windows |
Elka EK22/EK44 SynthesizersReview | Sound On Sound, Nov 1986Italian-designed keyboards have received mixed success over the years. Elka's old Rhapsody string synth was a popular instrument in the seventies but their main polysynth, the Synthex, failed to set the world alight. That may well be about to change with the release of their impressive 9-voice, multi-timbral, DX7-soundalike, the EK44, and the 6-voice analogue EK22. Or is it? Mark Jenkins offers his views. |
Voice Crystal Sound CardsReview | Sound On Sound, Jul 1992For The Korg WavestationPaul Ireson listens in to new Wavestation sounds from Voice Crystal. |
Digital Music Archives Classical CollectionReview | Music Technology, May 1990Classical music on computer sequencers has been on the cards (disks?) for years now it's happened, but does it work? Ian Waugh boots up Bach, Handel, Mozart... |
Quinsoft FB01 LibrarianReview | Music Technology, Feb 1990Atari ST SoftwareWhen you're on a limited budget it's important to get the most out of every piece of gear you own. Gordon Reid checks out budget software aimed at getting the best out of your FB01. |
Ensoniq VFXReview | Music Technology, Jun 1989"A new synth, a new style of synthesis" could be Ensoniq's motto as they unveil their new VFX and its Transwave synthesis. Simon Trask previews the sound of things to come. |
Siel DK600Review | Electronics & Music Maker, Dec 1984Programmable PolysynthA cosmetic overhaul, some additional facilities and a price reduction for Siel's Opera 6 polysynth. Geoff Twigg reports. |
Casiotone CT1000PGroup: Synth SpecialEight-note poly keyboard with 10 presets, 10 programmable memories and an arpeggiator |