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Search results

Powerstation!

Review | Sound On Sound, Sep 1990
Ensoniq VFX-SDII

Ensoniq's flagship workstation has recently received some very welcome updates — new piano samples, extra stereo outputs, multitrack sequence recording and step-time entry, and more. Paul Ireson satisfies his curiosity!

Mister Memory

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Jan 1989
Memorymoog

Intended to be their finest moment, Moog's "ultimate" polysynth proved problematic and unreliable - yet it won many devotees. Steve Howell recalls the sound of analogue.

Westone Concorde bass, Concorde III

Group: Guitar Special

Review | One Two Testing, Dec 1982

Alesis HR-16 Drum Machine

Review | Sound On Sound, Jan 1988

A CD standard 16-bit drum machine? Things have progressed a little from those 8-bit Linn Drum days, passing through 12-bit standards on the way, and now reaching the ultimate level in consumer digital fidelity. Whether excellence or overkill, Alesis have gone the whole way with the HR-16. David Mellor gives it the long-awaited ear test.

Akai S900 Sampler

Review | International Musician & Recording World, Jul 1986
SamplerCheck

Paul Fishman gets weird — again

Ibanez Destroyer, Ifyufa

Group: Guitar Special

Review | One Two Testing, Dec 1982

360 Systems Keyboard

Review | One Two Testing, May 1984

We hold a sample

Master race

Group: Control Room

Review | The Mix, Oct 1994
Kurzweil PC88

Master keyboard with sounds

Yamaha CX5 computer

Review | One Two Testing, Oct 1984

plugged in and turned on

Dobro vs JHS

Review | One Two Testing, Jun 1984

resonator guitars

Into The Heart Of Emu's New Keyboard

Review | Sound On Sound, Feb 1992
Emu Proteus Master Performance System

Martin Russ continues his in-depth look at Emu's new keyboard.

Calrec 600 Series Microphones

Review | Electronics & Music Maker, Oct 1983

Prophecy Fulfilled

Review | Electronics & Music Maker, May 1986
Prophet VS

Is Vector Synthesis the answer to every programmer's prayers, or another technological blind alley getting in the way of music? Peter Schlesinger takes a long hard look at the digital Prophet.

Map Rap

Feature | Topic: Sampling | Music Technology, Nov 1988

Turning a collection of samples into a usable keyboard patch is one of the most important aspects of sampling. Tom McLaughlin puts samples on the map.

Beyer M400 and M69 Microphones

Review | Home & Studio Recording, Sep 1984

Akai AX80

Review | Electronics & Music Maker, Dec 1984
Programmable Polysynth

Paul White looks at the first musical instrument product from a Japanese giant. Has Akai's poly got the sounds and the facilities necessary for it to make an impact on today's synth world?

Musical Masterpiece?

Review | Sound On Sound, Dec 1993
Korg Audio Gallery Music System For Apple Mac And Windows

Shriekback and Sides

Interview | One Two Testing, Feb 1985

could your instruments stand Jam Science?

Elka EK22/EK44 Synthesizers

Review | Sound On Sound, Nov 1986

Italian-designed keyboards have received mixed success over the years. Elka's old Rhapsody string synth was a popular instrument in the seventies but their main polysynth, the Synthex, failed to set the world alight. That may well be about to change with the release of their impressive 9-voice, multi-timbral, DX7-soundalike, the EK44, and the 6-voice analogue EK22. Or is it? Mark Jenkins offers his views.

Voice Crystal Sound Cards

Review | Sound On Sound, Jul 1992
For The Korg Wavestation

Paul Ireson listens in to new Wavestation sounds from Voice Crystal.

Digital Music Archives Classical Collection

Review | Music Technology, May 1990

Classical music on computer sequencers has been on the cards (disks?) for years now it's happened, but does it work? Ian Waugh boots up Bach, Handel, Mozart...

Quinsoft FB01 Librarian

Review | Music Technology, Feb 1990
Atari ST Software

When you're on a limited budget it's important to get the most out of every piece of gear you own. Gordon Reid checks out budget software aimed at getting the best out of your FB01.

Ensoniq VFX

Review | Music Technology, Jun 1989

"A new synth, a new style of synthesis" could be Ensoniq's motto as they unveil their new VFX and its Transwave synthesis. Simon Trask previews the sound of things to come.

Siel DK600

Review | Electronics & Music Maker, Dec 1984
Programmable Polysynth

A cosmetic overhaul, some additional facilities and a price reduction for Siel's Opera 6 polysynth. Geoff Twigg reports.

Casiotone CT1000P

Group: Synth Special

Review | One Two Testing, Nov 1982
Eight-note poly keyboard with 10 presets, 10 programmable memories and an arpeggiator

 

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