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Studio Of The MonthGroup: Recording WorldThe Music WorksPatrick Hunt gives Music Works the once over |
Slave to the Great OutdoorsInterview | Music Technology, Dec 1987After an apprenticeship under the wing of the Frankies' Trevor Horn, Simon Darlow spreads his own; he talks to Paul Tingen about the hazards of writing, playing and producing your own album. |
Apple Music System ReviewReview Audio | Electronics & Music Maker, May 1981 |
Ensoniq VFXReview | Sound On Sound, Jul 1989Following on from last month’s praise-filled preview. Paul Ireson takes a longer, harder look at Ensoniq's new VFX synthesizer, and finds that the beauty of this machine is far more than skin-deep. Is this the synth of 1989? Read the review to find out... |
FeedbackFeature | Topic: Live | Making Music, Mar 1987The sort you don’t want — noisy, howlround stuff — and how to stop it |
That Genesis TouchInterview | Making Music, Jul 1986Tony Banks samples the "Invisible Touch" album, keyboard by keyboard. |
Akai S950Review | Home & Studio Recording, Mar 1989The successor to Akai's industry standard S900 hits the streets. |
Sample + SynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Nov 1991Programming ClinicMost of the current generation of digital synthesizers use a blend of sampling and synthesis techniques to produce their sounds — a powerful combination, but perhaps less easily understood than analogue synthesis. Synth guru Craig Anderton offers some hints and tips on how to get the best out of 'S+S' instruments. |
The Python and the Redwood StageFeature | Topic: Video / Film / Picture | Sound International, May 1979The ProducersAndré Jacquemin stars in "The Python and the Redwood Stage", introducing Doris Day as Fred Dellar, and a supporting cast including Dame Edna Everage and the Leyton Buzzards. Whipcrackaway, whipcrackaway! |
Korg DW6000Review | Electronics & Music Maker, Mar 1985Programmable Digital Waveform PolysynthAn intriguing new synth design that tries to combine digital waveform generation with analogue control. Does it achieve its objectives? Dan Goldstein thinks it does - just. |
Dial-A-DreamReview | Sound On Sound, Mar 1986Roland Alpha Juno-1If you're not an FM fan, but are looking for a low-cost polysynth that can double as a MIDI expander, you won't need to look further than Roland's new Alpha Juno-1 according to Mark Jenkins. |
IVL SteelriderReview | Music Technology, Apr 1991MIDI InterfaceFamed for playing its part in the MIDI Chapman Stick, IVL's pitch-to-MIDI system is now opening the world of MIDI to the pedal steel player. Vic Lennard picks his words. |
Music in EducationFeature | Topic: Education, Sequencing | Recording Musician, Mar 1993A Software Sequencing TutorialContinuing from last month's step-by-step guide to sequencer recording, we look at the more advanced features and facilities of a typical sequencing system. |
The Shape ShifterReview | Sound On Sound, Jan 1991Digidesign MacProteus And InVision ProtoLogicKendall Wrightson looks at two new Proteus-related products — the ProtoLogic Sound Memory Expansion Unit from InVision, and Digidesign's MacProteus NuBus card for the Apple Macintosh II. |
The Guitar LinkGroup: Roland Newslink |
Synthesizer Design - Part 2Feature Series | Topic: Synthesis & Sound Design | Electronic Soundmaker & Computer Music, Oct 1983Technical details from Jezz |
Come In No. 7Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Jul 1992In the days before Roland established their reputation for consistently delivering the goods, they turned out some weird and wonderful synths. Peter Forrest lifts the dust cover on the old SH7 monosynth. |
The Resurrection ShuffleReview | Sound On Sound, Jun 1990Yamaha SY22 Dynamic Vector SynthesizerIf you're one of those musicians who recall the Prophet VS synthesizer with misty-eyed affection, then you'll probably welcome Yamaha's decision to resurrect vector synthesis on this latest addition to their SY range. Paul Ireson checks out this blast from the past. |
ReviewGroup: Playback - Autumn 85 |