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FM Melody MakerReview | Micro Music, Dec 1989John Renwick plays around with a revolutionary new cartridge synth expander system for the Atari ST from Hybrid Arts |
Striking It RichReview | Micro Music, Mar 1990 |
Korg PolysixGroup: Synth SpecialSix note 32 memory programmable poly |
Intelligent Music MReview | Music Technology, Mar 1988Software for the Atari STPreviously exclusive to Mac owners, Intelligent Music's M compositional software is now available for the Atari ST. Intelligent Ian Waugh investigates its application to a variety of musical styles. |
The Mould BreakerReview | Electronic Soundmaker & Computer Music, Nov 1984Casio CT6000Casio's CT6000. A first foray into the pro market. |
Yamaha DX100Review | International Musician & Recording World, Feb 1986SynthCheckJim Betteridge gets broody over the baby of the DX range |
The Odd OneRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Jan 1988ARP Odyssey owner and enthusiast Gordon Reid remembers the only synthesiser that gave the Minimoog a run for its money back in the 70s - the sounds of oscillator cross-modulation and filter sweeps live on. |
Guide to Electronic Music Techniques - Part 2Feature Series | Topic: Performing, Synthesis & Sound Design | Electronics & Music Maker, Nov 1982Synth Performance Controls |
Oberheim Matrix 1000Review | Music Technology, Aug 1988Synth ExpanderThe latest addition to Oberheim's classic Matrix range offers 1000 analogue-style synth sounds for under £500. Simon Trask investigates the attraction of analogue in '88. |
Making WavesReview | Electronic Soundmaker & Computer Music, Apr 1985DW-6000An analog poly that rivals the DX? Korg's DW6000 might be the one... |
SmokeGroup: The Front End |
Battersea RockFeature | Topic: Recording Studios | International Musician & Recording World, Apr 1975Ramport Studios |
The Search For ExpressionFeature | Topic: Design, Development & Manufacture | Sound On Sound, Sep 1987A History of Wind SynthesizersCould the wind of change be upon us? MIDI has already given guitarists and drummers the means to control electronic sounds, and the launch of the Akai and Yamaha wind controllers now allows woodwind and brass players to join in. John L. Walters takes a general look at the historical development of wind synthesizers, and the Akai and Yamaha products in particular. |
Aria U60 Deluxe BBSReview | Electronics & Music Maker, Jul 1983 |
Modern classicGroup: Control RoomE-MU Classic KeysAnalog Keyboard expander |
PatchworkFeature | Music Technology, Jul 1987The place where MT readers exchange synth sounds with their fellow programmers; this month's featured instruments include the Akai AX73, the EMS AKS, and the Ensoniq ESQ1. Plus an assessment of storing sound data on CD. |
Premier SoundwaveReview | Sound International, Aug 1978Sorry! I mean drums (what else?) Peter Randall puts Premier in perspective with a review of their new Soundwave kit. |
Track Record: Lessons In LoveGroup: Recording WorldJim Betteridge takes a lesson in love |
Born AgainReview | Electronic Soundmaker & Computer Music, Dec 1984Korg EX800Korg's Poly 800 resurfaces as a keyboardless expander the EX800 for use as part of a MIDI system-full review. |
Oberheim PolyReview | Sound International, May 1978Dave Crombie checks out the Oberheim 4-voice polyphonic synth. |
String Driven ThingsReview | Electronic Soundmaker & Computer Music, Apr 1985GuitarsGuitars in ES&CM? There's a reason... as we look at the Bond and Steinberger guitars. |
Sapphire and steel stringsInterview | International Musician & Recording World, Mar 1985From Folkie to MIDI. Chris Maillard finds out how the hard bitten acoustic veteran has been bitten hard by the electronic bug |