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Remix, Remake, Remodel

Interview | Music Technology, Jul 1987

Are record producers losing their touch now they've regained their influence? Are DJs better-equipped to make music that moves? Simon Trask gets the answers from an objective source - one of Britain's top remix DJs.

Dateslate

Group: Effective FX

Feature | Topic: Effects Processing | One Two Testing, Dec 1984

a family tree for effects pedals

Ashbory Mini-Bass

Review | International Musician & Recording World, May 1986
BassCheck

As featured on Tomorrows World — a rubber bass! No, no really — well, a rubber-stringed bass, anyway. Dave Burrluck finds out it isn't such a daft idea after all.

Lowrey MX-1 Instrument Review

Review Audio | Electronics & Music Maker, May 1981

Ovation Magnum

Review | Sound International, Feb 1979
Bass

Nine to Five Man

Feature | Topic: Education | Home & Studio Recording, Jul 1986

Janet Angus reports on Dave Foister's varied activities at the Guildhall.

The Electronic Keyboard - Part 3

Feature Series | Topic: Vintage Instruments | Electronics & Music Maker, Jul 1983
Early Keyboard Instruments

Part 3 The Ondes Martenot

B&W Rock Solid Monitors

Review | Recording Musician, Oct 1992

They're stylish, they're cute, they're magnetically shielded - but how do they sound?

The Modular Approach

Feature | Topic: Sampling, Synthesis & Sound Design | Sound On Sound, Jun 1987

Expander modules may be the modular synths of our age, but are they as good? Steve Howell explores the Akai VX90 and provides some guidance on how it can be used with Akai's range of sampling machines.

Music Maker Equipment Scene

News | Electronics & Music Maker, Jul 1982

Stewart Copeland

Interview | Home & Studio Recording, Dec 1983

Drummer with The Police chats about his approach to recording, at home and in the studio.

Miking Music

Group: Recording World

Feature | Topic: Microphones, Recording | International Musician & Recording World, Oct 1986

Betteridge back again, with a step-by-step guide to the mysteries of mike technique.

AKG D330BT and D202

Review | Electronics & Music Maker, Feb 1982

Home Taping

Group: Recording World

Feature | Topic: Home Studio | International Musician & Recording World, Oct 1986

A church, a portastudio, and a blue hippopotamus? Well, what do you expect from a band called Sam-I-Am?

Peavey DPM Si

Group: Quality Control

Review | Music Technology, Feb 1994
synthesiser

A new keyboard for those that like their synths off the rack.

Total recall - Part 18

Feature Series | Topic: Vintage Instruments | The Mix, Mar 1995
Vintage technology strikes back

...Including The A-Z of Analogue

Advanced Music Synthesis

Feature Audio | Topic: Synthesis & Sound Design | Electronics & Music Maker, Feb 1982
Inside the Yamaha GS1 & GS2

This month's Advanced Music Synthesis explains why these digital synthesisers are 'very expensive and very good'

Synthpiana Jones

Interview | One Two Testing, Mar 1985
and The Sample Of Doom

common sense and uncommon synths

Roland D-50 - Part 1

Review Series | Sound On Sound, May 1987
Is the future Linear?

Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out...

The Guitarist's Revenge

Review | Electronics & Music Maker, Jun 1984

The all-but-forgotten guitar synth is due to return to music shops with a vengeance this summer, in the shape of Roland's GR700/G707 system and a breathtaking new British design, the SynthAxe. Paul White puts both instruments through their paces.

Guitar Guru

Feature | Making Music, Jul 1987

vintage varmint

Sequential Potential

Review | Electronics & Music Maker, Oct 1985
Prophet 2000

An exclusive preview of Sequential's attempt at combining an analogue polysynth with a digital sampling keyboard. It could turn the market on its head yet again, says Dan Goldstein.

Buzz: Bristol

News | International Musician & Recording World, Dec 1975

Bristol, capital of the West, is alive and well.

Kurzweil Digital Keyboard

Review | One Two Testing, Sep 1984

synth artificial intelligence from the USA

Music Madness

Interview | Music Technology, Apr 1987

Is hip hop an unending stream of monotonous, empty rhythms, or the brightest star in the use of modern musical technology? Tim Goodyer cross-questions MC Tee and DJ Mantronik.

 

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