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A Touch of GlassInterview | Sound On Sound, Mar 1989Philip Glass is best known for his work as a minimalist classical composer, but recently he's been completing work in fields as diverse as opera, piano recitals, film and synth ensembles. Mark Jenkins talked to the minimalist maestro during a fleeting visit to London for his latest opera, 'The Making Of The Representative From Planet 8'. |
Shergold Modulator 12-StringReview | Electronics & Music Maker, Aug 1982 |
Defender RhodesInterview | International Musician & Recording World, May 1986Boots No 7 or Fairlight Series 3? Tony Reed trades fashion tips with the Duran and Arcadia ivory-tinkler |
Depeche ModeInterview | Electronics & Music Maker, May 1982In contrast with the main feature we take a look at one of today’s modern commercial, electro-music bands. |
Oberheim Matrix 1000Review | Sound On Sound, Sep 1988Looking for 'new' sounds? Martin Russ explores Oberheim's new Matrix 1000 analogue synth expander and discovers that digital isn't always best. |
Power At A PriceReview | Electronic Soundmaker & Computer Music, Jul 1985Oberheim Matrix-12Oberheim's powerful analogue synth |
When Is A SwitchFeature | Topic: Maintenance / Repair / Modification | One Two Testing, Sep 1985 |
Dealer NewsNews | Topic: Retail | International Musician & Recording World, Jul 1975The business that's been done in the shops |
PS. I Love YouReview | Electronic Soundmaker & Computer Music, Aug/Sep 1984Korg's PSS-50, your portable backing band |
Iconix SoftwareReview | Music Technology, Aug 1987Software for the Atari STThe first release from a British company called System Exclusive is a 128-track sequencer for the Atari ST. Simon 'ST Trask (and his assistant, 'Mouse') find it both powerful and flexible. |
MB Electronics Jecklin DiscReview | Home & Studio Recording, Apr 1984 |
Care & Feeding of the SynthesizerFeature | Topic: Maintenance / Repair / Modification | Sound International, May 1978What every good keyboard player - and keyboard roadie — should know about where not to hit a synth. |
Frankfurt 1975Show Report | International Musician & Recording World, Mar 1975Frankfurt Fair Preview |
On StageMusic Review | Electronics & Music Maker, Sep 1984Two sparkling summer concerts, by Ultravox and Michael Nyman. |
The StrongroomFeature | Topic: Recording Studios | Sound On Sound, Aug 1989In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity. |
Time to ExpandFeature | Micro Music, Apr/May 1989Once you've got your sequencer up and running you're gonna need some extra sound sources. Paul Wiffen guides us through the MIDI Expander jungle |
Organ TalkFeature | Electronics & Music Maker, May 1981 |
SmokeGroup: The Front End |
Two's CompanyReview | Recording Musician, Sep 1992TG100 and Boss DS330 Dr SynthGeneral MIDI sound modules from Boss and Yamaha, combining ease of use and low cost with impressive sounds. |
Style ConsoleInterview | Making Music, Feb 1987Caught during their London rehearsals, keyboard-playing half Mike Talbot stands up for his organ. |