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A Touch of Glass

Interview | Sound On Sound, Mar 1989

Philip Glass is best known for his work as a minimalist classical composer, but recently he's been completing work in fields as diverse as opera, piano recitals, film and synth ensembles. Mark Jenkins talked to the minimalist maestro during a fleeting visit to London for his latest opera, 'The Making Of The Representative From Planet 8'.

Shergold Modulator 12-String

Review | Electronics & Music Maker, Aug 1982

Defender Rhodes

Interview | International Musician & Recording World, May 1986

Boots No 7 or Fairlight Series 3? Tony Reed trades fashion tips with the Duran and Arcadia ivory-tinkler

Yamaha PSR-600

Review | Music Technology, Mar 1993

A convenient arrangement

Depeche Mode

Interview | Electronics & Music Maker, May 1982

In contrast with the main feature we take a look at one of today’s modern commercial, electro-music bands.

Yamaha SY85

Review | Music Technology, Nov 1992
Music Synthesiser

The appliance of SYience

Oberheim Matrix 1000

Review | Sound On Sound, Sep 1988

Looking for 'new' sounds? Martin Russ explores Oberheim's new Matrix 1000 analogue synth expander and discovers that digital isn't always best.

Power At A Price

Review | Electronic Soundmaker & Computer Music, Jul 1985
Oberheim Matrix-12

Oberheim's powerful analogue synth

When Is A Switch

Feature | Topic: Maintenance / Repair / Modification | One Two Testing, Sep 1985

Dealer News

News | Topic: Retail | International Musician & Recording World, Jul 1975

The business that's been done in the shops

PS. I Love You

Review | Electronic Soundmaker & Computer Music, Aug/Sep 1984

Korg's PSS-50, your portable backing band

Iconix Software

Review | Music Technology, Aug 1987
Software for the Atari ST

The first release from a British company called System Exclusive is a 128-track sequencer for the Atari ST. Simon 'ST Trask (and his assistant, 'Mouse') find it both powerful and flexible.

Gretsch Broadcaster

Review | Sound International, Mar 1979
Drums

MB Electronics Jecklin Disc

Review | Home & Studio Recording, Apr 1984

Perfect Pitch?

Review | In Tune, Dec 1986
Dod/IVL Pitchrider 7000 Mk.2

IVL's Pitchrider assessed

Care & Feeding of the Synthesizer

Feature | Topic: Maintenance / Repair / Modification | Sound International, May 1978

What every good keyboard player - and keyboard roadie — should know about where not to hit a synth.

Frankfurt 1975

Show Report | International Musician & Recording World, Mar 1975
Frankfurt Fair Preview

On Stage

Music Review | Electronics & Music Maker, Sep 1984

Two sparkling summer concerts, by Ultravox and Michael Nyman.

The Strongroom

Feature | Topic: Recording Studios | Sound On Sound, Aug 1989

In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity.

Time to Expand

Feature | Micro Music, Apr/May 1989

Once you've got your sequencer up and running you're gonna need some extra sound sources. Paul Wiffen guides us through the MIDI Expander jungle

The Final Cut

Review | Electronic Soundmaker & Computer Music, Jul 1984
SynthAxe

Approx. £7,000 worth

Organ Talk

Feature | Electronics & Music Maker, May 1981

Smoke

Group: The Front End

News | Making Music, Sep 1987

Two's Company

Review | Recording Musician, Sep 1992
TG100 and Boss DS330 Dr Synth

General MIDI sound modules from Boss and Yamaha, combining ease of use and low cost with impressive sounds.

Style Console

Interview | Making Music, Feb 1987

Caught during their London rehearsals, keyboard-playing half Mike Talbot stands up for his organ.

 

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